Visit the Artists-in-Residence page to learn more about this group of artists.
Visit the Artists in Residence page to learn more about this group of artists.
Visit the Artists-in-Residence page to learn more about the Residency 21 artists.
Visit the Artists in Residence page to learn more about the Residency 20 artists.
Rising Waters Confab II will bring together the perspectives of architects, artists, scientists, and writers to address issues of climate change. Visit the Artists in Residence page to learn more about this diverse group of creative thinkers.
Visit the Artists in Residence page to learn more about the Residency 18 artists.
Visit the Artists in Residence page to learn about the Residency 17 artists.
Curated by the artists Buster Simpson and Laura Sindell, the "Rising Waters Confab" was designed to spark a productive dialogue amongst scientists, activists, artists, island dwellers, and others, and work toward addressing the realities of sea level rise.
Some of the concepts generated during the residency have served as catalysts for projects taking place at ArtCOP21, a global festival of cultural activity on climate change happening now through December 11 in 51 countries around the world. One of these events is L’Arctique est Paris (created and produced by , Gretel Ehrlich, Ed Morris, Helen Nagge) a film project with the message that "the Arctic drives the climate of the world."Another is a video installation, The Lost Defenders (created and produced by Orion Cruz and Mika Yamaguchi) about those on the frontlines of the struggle to protect what’s left of our environment. Back in Florida, the City of Hialeah presents CLIMA by Xavier Cortada.
In his summary document about the Confab Buster Simpson writes: The intent of the Rising Waters Confab was to further Rauschenberg’s lifelong approach to use art as a catalyst for social and environmental change, and to bring together artists, scientists, and other creative thinkers in this endeavor. This powerful new video filmed during Rising Waters Confab reveals how the Rauschenberg Residency serves as an effective platform for cross-disciplinary approaches to problem solving and the cultivation of ideas that become motivators for action.
Visit the Artists in Residence page to learn about the Residency 15 artists.
The Robert Rauschenberg Foundation (RRF) is pleased to announce the third season of the Rauschenberg Residency in Captiva, Florida.
Interdisciplinary in its focus, the Rauschenberg Residency is based on Rauschenberg's formative experience at Black Mountain College, North Carolina, and his belief that art can affect positive social change. Sited on the grounds of Rauschenberg's former home and studio on Captiva Island, the Residency maintains a robust commitment to the preservation of the land—its history and the stewardship of the natural environment.
Each year the foundation appoints an anonymous group of artists, arts administrators, curators, and partner organizations to identify emerging and recognized artists and other creative thinkers. The foundation has, for the second year, invited an artist to organize a residency focused on the environment
Of the nine, five-week residencies this season, six include invited artists in a wide range of disciplines, while three have a particular focus: a family residency for artists with young children; a performance residency held in partnership with Danspace, New York; and the second Rising Waters Confab, to address climate change.
The 2015–16 participants represent diverse ages, geographies, and disciplines. They range in age from twenty-five to seventy-eight, and originate from fourteen states, and thirteen countries, including Botswana, Greece, Ireland, South Africa, and Vietnam. The array of disciplines includes: choreography, dance, interdisciplinary filmmaking, painting, photography, poetry, sculpture, and sound art.
September 21–October 23, 2015—Muriel Miguel Borst, Andries Botha, Maria Hassabi, Naomi Natale, Silke Otto-Knapp, Cauleen Smith, Tamara Staples
November 16–December 18, 2015—Susan Banyas, Will Cotton, LeBrie Rich, Louise Steinman, Lavinia Vago, Kate Wallich, Bill Will
January 11–February 12, 2016—Jane Hirshfield, Victoria Marks, Susan McAllister, Danny McCarthy, Mick O’Shea, Jasiri X, Bob Tannen, James Weingrod
February 29–April 1, 2016—Katie Aliprando, Caitlin Cherry, Ty Defoe, David Harper, Jill Sigman, Alex Smith, Dana Wheeler-Nicholson, Christopher Williams
April 18–May 18, 2016—Rising Waters Confab II organized by Buster Simpson
June 13–July 15, 2016—Family Residency: David Hartt, Ralph Lemon, Meleko Mokgosi, Chemi Rosado
August 1–September 2, 2016—Njideka Akunyili Crosby, Magdalena Campos-Pons, Josephine Halvorson, Steffani Jemison, Dinh Q. Lê, Neil Leonard, Harold Mendez, Sohrab Mohebbi, Thenmozhi Soundararajan, Deanna Van Buren
September 19–October 21, 2016—Performance Residency with Wally Cardona in partnership with Danspace, New York.
November 14–December 16, 2016—Raul Ayala, Kevin Beasley, Jen Bervin, Fernanda Espinosa, Matthew Goulish, Lin Hixson, Deborah Luster, Kate McNeely, Eiko Otake, Steve Roden, Rachel Schragis
Visit the Artists in Residence page to learn about the Residency 14 artists.
Visit the Artists in Residence page to learn about the Residency 13 artists
The Rising Waters Confab, held at the Rauschenberg Residency (April 27–May 29, 2015), was inspired by Robert Rauschenberg’s lifelong belief in the power of collaboration and the potential for art to bring about positive social change. To address climate change, the most pressing concern of our time, the Rising Waters Confab convened an interdisciplinary group of creative thinkers, including artists, scientists, activists, educators, and island dwellers at the Rauschenberg Residency on Captiva Island, Florida. Rising Waters Confab is the first time that the residency has been dedicated to a single theme.
During the five-week immersion, participants differed widely in their approach, background, and knowledge but were equal in their dedication to addressing climate change. “Confabbing”—or meeting, sharing meals, exploring the local environs, and making art—resulted in provocative and powerful collaborations and reflected a shared commitment to the issue. The Confab culminated in an Open Studio (May 27, 2015) when the public was invited to meet with the participants to view their individual and collaborative works in process.
Rising Waters Confab was organized by Buster Simpson, Laura Sindell, and Anne Focke. Each of the twenty participants provided an invaluable contribution and made an inimitable imprint on the experience and the outcome of the residency.
The protection of the planet has been central to the Robert Rauschenberg Foundation’s mission since its founding by the artist in 1990. In 1991, through the sale of an edition and poster designed by Rauschenberg, the foundation raised funds and greater awareness for the Earth Pledge that was announced at the United Nations Conference on Environment and Development (UNCED) that same year. The foundation continues to uphold that original pledge “to make the earth a secure and hospitable home for present and future generations.”
For the next thirty days, in celebration of the forty-fifth anniversary of Earth Day, the Robert Rauschenberg Foundation will highlight some of the grants and programs that extend the artist’s legacy as a champion of the environment. You can join the conversation by following the foundation on Twitter and Facebook. News items include:
Today the foundation is announcing $250,000 in grants to agencies working in Southwest Florida, including a grant to the Sanibel Captiva Conservation Fund, which focuses much of its work on the preservation of Florida’s fragile wetlands and other ecosystems. All of the awardees were identified through a partnership with the Southwest Florida Community Foundation to advance social innovation in the region. Southwest Florida is an area where Rauschenberg lived and worked for forty years and a place of ongoing investment for the foundation. To learn more about this partnership and the $250,000 in grants, you can read more here.
You can also read the newly posted Art in Context to learn more about Rauschenberg’s commitment to the environment in his art and activities. Among the highlighted artworks is Rauschenberg’s Earth Day poster, created for the first annual Earth Day on April 22, 1970, to benefit the American Environment Foundation in Washington, D.C. The poster is the first of many editioned works that the artist produced to support the social and political causes most important to him.
This Monday, April 27, 2015, will mark the beginning of a month-long gathering of artists, scientists, engineers, and activists at the Rauschenberg Residency on Captiva Island, Florida. Entitled Rising Waters Confab, the meeting aims to spark new thinking and to influence civic will toward finding and spreading solutions for the rising waters of climate change. Participants will contribute to a blog that captures key themes and ideas.
Over the next month, the foundation will share more highlights of its work to support a healthy, sustainable planet, including announcing the inaugural grantees of its Climate Change Solutions Fund, a new initiative that spurs the use of cultural and civic engagement to advance solutions to global warming.
During his residency, Tijuana-based artist Marcos Ramirez printed the front page of a different international newspaper each day for thirty-three days and screen-printed imagery that he had photographed around Captiva. Later, he will add text to create a personal journal that is juxtaposed against his worldview. Inspired by Rauschenberg’s legacy of printmaking and collage, Ramirez chose to integrate similar techniques into his work during the residency.
Other artists in Residency 11 were also influenced by the ways in which Rauschenberg worked. David Martine and Shawne Major experimented with screen printing with their individual art practices; Martine created three murals as he worked directly in Rauschenberg’s former studio, and which enabled him to step back in time to imagine Rauschenberg’s experimentation process; and Major also found the residency invigorating and plans to incorporate Rauschenberg’s methods into her next mixed-media works.
Catherine Chalmers arrived in Captiva with the idea to make screen prints but found it led to something else: “I brought several images for this purpose and when printing them into black and white and adding one color during the preparation, I inadvertently discovered an exciting way to create digital paintings. Although this finding led me away from making screen prints, I would not have discovered this new process without trying to manipulate the images for the screen. I am completely thrilled to have found a new method in which to work with my vast and beloved body of photographs.”
James Leary came to the residency in early March with a plan to complete the first draft of a screenplay, which he achieved. Yet two unforeseen projects also emerged: A series of 300 drawings and what turned out to be, in his words, “a complete surprise,” learning the process to create cyanotypes and executing a series of prints in collaboration with the art critic Charlie Schultz. Schultz also completed a writing project on photography and industry in America.
Photographers Chandra McCormick and Keith Calhoun finally found the time to print their Kodachrome slides that had been waterlogged during Hurricane Katrina, and which they had kept in a freezer that was found on the street to preserve them.
Two artists during the residency used elements that had washed ashore. Diane Schenandoah sculpted driftwood and wood from Australian pine and Sea Grape trees. Charles Lindsay used the carcasses of horseshoe crabs in a sculpture piece for an upcoming exhibition. He noted, “The re-discovery of horseshoe crabs is significant by adding a perfect symbol species to the part of my artistic mission that considers nonhuman intelligence and vast time scales. My challenge continues to be about bringing nature, technology, and the nature of existence into the contemporary art domain. The pace and arc of this project speaks well to adaptation and to responding to a location and situation, which is a high compliment to the residency itself.”
Visit the Artists in Residence page to learn about the Residency 11 artists.
Visit the Artists in Residence page to learn about the Residency 10 artists.
Beginning November 3, the Robert Rauschenberg Foundation used its Captiva Campus to host eighty-five artists, entrepreneurs, community organizers, and social innovators from across the United States, and who have received support through the foundation’s SEED Grant program. The inaugural SEED Summit, which is intended to become an annual event at Captiva, brought these arts professionals together for a one week meeting to build skills, share knowledge, and form ongoing relationships.