Exhibition History

SOLO AND TWO-PERSON EXHIBITIONS

The exhibition history prepared by Mary Lynn Kotz for Robert Rauschenberg: A Retrospective (New York: Solomon R. Guggenheim Museum, 1997) has been revised and updated by Helen Hsu, with additional research by Amanda Sroka.

Entries include exhibition catalogues and brochures, as well as related articles and reviews by date of publication.

 
1951
 
Betty Parsons Gallery, New York, Paintings by Bob Rauschenberg, May 14–June 2.
  • Seckler, Dorothy. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 50, no. 3 (May 1951), p. 59.
  • Preston, Stuart. “Varied Art Shown in Galleries Here: Realism and Abstraction Mark Paintings by Five Artists—Otto Botto Works Seen.” New York Times, May 18, 1951, p. 25.
  • Cole, Mary. “Fifty-seventh Street in Review: Bob Rauschenberg.” Art Digest (New York) 25, no. 17 (June 1, 1951), p. 18.
  • Hess, Thomas B. “Reviews and Previews: New York’s Avant-Garde.” Artnews (New York) 50, no. 4 (Summer 1951), pp. 46–47.
  • Feinstein, Roni. “The Unknown Early Robert Rauschenberg: The Betty Parsons Exhibition of 1951.” Arts Magazine (New York) 59, no. 5 (Jan. 1985), pp. 126–31.
 
1953
 
Galleria dell’Obelisco, Rome, Bob Rauschenberg: Scatole e Feticci Personali, March 3–10. Traveled to Galleria d’Arte Contemporanea, Florence (as Scatole e costruzioni contemplative di Bob Rauschenberg), opened March 14.
 
Stable Gallery, New York, Rauschenberg: Paintings and Sculpture; Cy Twombly: Paintings and Drawings, Sept. 15–Oct. 3.
  • Campbell, Lawrence. “Reviews and Previews: Rauschenberg and Twombly.” Artnews (New York) 52, no. 5 (Sept. 1953), p. 50.
  • Ashton, Dore. “Fifty-seventh Street: Bob Rauschenberg.” Art Digest (New York) 27, no. 20 (Sept. 15, 1953), pp. 21, 25.
  • Crehan, Hubert. “The See Change: Raw Duck.” Art Digest (New York) 27, no. 20 (Sept. 15, 1953), p. 25.
  • Burrows, Carlyle. “Art Review: New Shows Strong in Experiment.” New York Herald Tribune, Sept. 20, 1953, sec. 4, p. 10.
  • Preston, Stuart. “Diverse Openings.” New York Times, Sept. 20, 1953, sec. 2, p. 11.
  • Fitzsimmons, James. “Art.” Arts and Architecture (Los Angeles) 70, no. 10 (Oct. 1953), pp. 9, 32–36.
  • Genauer, Emily. “Art and Artists: Musings on Miscellany.” New York Herald Tribune, Dec. 27, 1953, sec. 4, p. 6.
 
1954
 
Egan Gallery, New York, Joyeux Noël by Rauschenberg, Dec. 13, 1954–Jan. 22, 1955.
  • Preston, Stuart. “Divisions of Today: Novelty to New Realism in Current Shows.” New York Times, Dec. 19, 1954, sec. 2, p. 12.
  • O’Hara, Frank. “Reviews and Previews: Bob Rauschenberg.” Artnews (New York) 53, no. 9 (Jan. 1955), p. 47.
  • Crehan, Hubert. “Rauschenberg.” Arts Digest (New York) 29, no. 7 (Jan. 1, 1955), p. 30.
 
1958
 
Leo Castelli, New York, Robert Rauschenberg, March 4–29.
  • Ashbery, John. “Five Shows Out of the Ordinary: Robert Rauschenberg.” Artnews (New York) 57, no. 1 (March 1958), pp. 40, 56–57.
  • Rosenblum, Robert. “In the Galleries: Robert Rauschenberg.” Arts (New York) 32, no. 6 (March 1958), p. 61.
  • Rice, Dustin. “Art: Enfant Terrible.” Village Voice (New York), March 12, 1958, p. 12.
  • “Trend to the ‘Anti-Art.’” Newsweek (New York) 51, no. 13 (March 31, 1958), pp. 94, 96.
  • Steinberg, Leo. “Letters: Footnote.” Arts (New York) 32, no. 8 (May 1958), p. 9.
 
1959
 
Galleria la Tartaruga, Rome, Rauschenberg, opened May 30. Exh. brochure.
 
1960
 
Leo Castelli, New York, Robert Rauschenberg, March 29–April 16.
  • Ashton, Dore. “Art: Derivation of Dada.” New York Times, March 30, 1960, sec. L, p. 42.
  • Sandler, Irving H. “Reviews and Previews: Robert Rauschenberg (Castelli).” Artnews (New York) 59, no. 2 (April 1960), p. 14.
  • Genauer, Emily. “Dada’s the Disease, Geometry a Cure?” New York Herald Tribune, April 3, 1960, sec. D, p. 7.
  • Coates, Robert M. “The Art Galleries: Robert Rauschenberg.” New Yorker 36, no. 8 (April 9, 1960), pp. 158–59.
  • “The Emperor’s Combine.” Time (New York) 75, no. 16 (April 18, 1960), p. 92.
  • Porter, Fairfield. “Art.” Nation (New York) 190, no. 17 (April 23, 1960), pp. 371–72.
  • Tillim, Sydney. “In the Galleries: Robert Rauschenberg.” Arts (New York) 34, no. 8 (May 1960), pp. 58–59.
 
Galerie 22, Düsseldorf, Rauschenberg, Twombly: Zwei amerikanische Maler, April 22–May 30.
 
Leo Castelli, New York, Drawings for Dante’s ‘Inferno’, Dec. 6, 1960–Jan. 7, 1961.
  • Genauer, Emily. “‘Literal’ Image of ‘Inferno.’” New York Herald Tribune, Dec. 11, 1960, sec. 4, p. 23.
  • Preston, Stuart. “Cards of Identity: Dante Revisited.” New York Times, Dec. 11, 1960, sec. 2, p. 17.
  • Campbell, Lawrence. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 59, no. 9 (Jan. 1961), pp. 13–14.
  • Sawin, Martica. “In the Galleries: Robert Rauschenberg.” Arts (New York) 35, no. 4 (Jan. 1961), p. 56.
  • Ashton, Dore. “Art.” Arts and Architecture (Los Angeles) 78, no. 2 (Feb. 1961), pp. 4–5.
 
1961
 
Galerie Daniel Cordier, Paris, Robert Rauschenberg, April 27–June 8. Exh. brochure with text by David Myers.
 
Galleria dell’Ariete, Milan, Rauschenberg, Oct. 24–Nov. Exh. brochure with text by Gillo Dorfles.
  • Schoenenberger, Gualtiero. “Les Expositions à Milan: Robert Rauschenberg.” Art International (Zurich) 5, no. 10 (Christmas 1961), p. 65.
     
Leo Castelli, New York, Rauschenberg, Nov. 7–Dec. 5.
  • Sandler, Irving. “In the Art Galleries.” New York Post, Nov. 26, 1961, Magazine, p. 12.
  • Kroll, Jack. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 60, no. 8 (Dec. 1961), p. 12.
  • Judd, Donald. “In the Galleries: Robert Rauschenberg.” Arts Magazine (New York) 36, no. 4 (Jan. 1962), pp. 39–40.
  • Sawyer, Kenneth. “Painting and Sculpture: The New York Season.” Craft Horizons (New York) 22, no. 3 (May–June 1962), p. 53.
 
1962
 
Dwan Gallery, Los Angeles, Robert Rauschenberg, March 4–31.
  • Seldis, Henry J. “‘Art of Assemblage’—The Power of Negative Thinking.” Los Angeles Times, March 18, 1962, Calendar, p. 26.
  • Nordland, Gerald. “Neo-Dada Goes West.” Arts Magazine (New York) 36, no. 9 (May–June 1962), pp. 102–03.
 
1963
 
Galerie Ileana Sonnabend, Paris, Rauschenberg: Première Exposition (Oeuvres 1954–1961), Feb. 1–16, and Rauschenberg: Seconde Exposition (Oeuvres 1962–1963), Feb. 20–March 9. Exh. brochure with previously published texts by Lawrence Alloway, John Cage, Françoise Choay, Gillo Dorfles, Alain Jouffroy, and Michel Ragon, and previously published interview with Rauschenberg by André Parinaud.
  • Ashbery, John. “Villon Engravings at Paris Gallery: Neo-Dada Founder.” New York Herald Tribune, Feb. 13, 1963, sec. X, p. 1.
  • Schneider, Pierre. “Art News from Paris.” Artnews (New York) 62, no. 2 (April 1963), p. 48.
  • Michelson, Annette. “Paris Letter.” Art International (Lugano) 7, no. 4 (April 25, 1963), p. 71.
  • Frigerio, Simone. “Les Éxpositions à Paris: Rauschenberg.” Aujourd’hui (Paris), no. 41 (May 1963), p. 38.
 
Beaumont-May Gallery, Hopkins Center, Dartmouth College, Hanover, N.H., Robert Rauschenberg: Visiting Artist, Feb. 3–28.
 
Jewish Museum, New York, Robert Rauschenberg, March 31–May 12. Exh. cat. with essay by Alan R. Solomon.
  • Sandler, Irving. “In the Art Galleries.” New York Post, April 14, 1963, Magazine, p. 14.
  • O’Doherty, Brian. “Robert Rauschenberg.” New York Times, April 28, 1963, sec. 2, p. 13.
  • Johnston, Jill. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 62, no. 3 (May 1963), pp. 11–12.
  • Judd, Donald. “In the Galleries: Robert Rauschenberg.” Arts Magazine (New York) 37, no. 9 (May–June 1963), pp. 103–04.
  • Geldzahler, Henry. “Robert Rauschenberg.” Art International (Lugano) 7, no. 7 (Sept. 25, 1963), pp. 62–67.
 
Leo Castelli, New York, Rauschenberg, Oct. 26–Nov. 21.
  • Campbell, Lawrence. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 62, no. 7 (Nov. 1963), p. 12.
  • Sharp, Willoughby. “Robert Rauschenberg: A New Aesthetic.” Columbia Daily Spectator (Columbia University, New York), Nov. 4, 1963.
  • Preston, Stuart. “Scanning Art’s Horizons Near and Far.” New York Times, Nov. 10, 1963, sec. 2, p. 19.
  • Judd, Donald. “In the Galleries: Robert Rauschenberg.” Arts Magazine (New York) 38, no. 3 (Dec. 1963), p. 60.
  • Kozloff, Max. “Art.” Nation (New York) 197, no. 19 (Dec. 7, 1963), pp. 402–03.
  • Ashton, Dore. “New York Report.” Das Kunstwerk (Baden-Baden, Germany) 17, no. 7 (Jan. 1964), p. 27.
  • ———. “Object versus Illusion: New York Commentary.” Studio (London) 167, no. 849 (Jan. 1964), pp. 41–43.
  • Kozloff, Max. “New York Letter.” Art International (Lugano) 7, no. 10 (Jan. 16, 1964), pp. 32–33.
 
1964
 
Whitechapel Art Gallery, London, Rauschenberg: Illustrations for Dante’s Inferno, Feb. 4–March 8. Organized by International Council, Museum of Modern Art, New York. Traveled to U.S. Embassy, London, March 10–April 10; Hatton Gallery, University of Newcastle upon Tyne, U.K., April 20–May 2; Ashmolean Museum, Oxford, May 17–25; Arts Council Gallery, Cambridge, U.K., May 20–30; Vienna Internationaler Künstlerklub, June 10–July 7; Neue Galerie am Landesmuseum Joanneum, Graz, Austria, July 9–Aug. 21; Kaiser Wilhelm Museum, Krefeld, Germany, Sept. 12–Oct. 5; Museum am Ostwall, Dortmund, Germany, Oct. 6–Nov. 1; Amerika Haus, Hamburg, Nov. 5–Dec. 1; Kunstverein, Stuttgart, Dec. 5, 1964–Jan. 3, 1965; Amerika Haus, Berlin, Jan. 9–Feb. 4, 1965; Kunsternes Hus, Oslo, Feb. 20–March 14, 1965; Moderna Museet, Stockholm, March 20–April 17, 1965; Galerie Horhammer, Helsinki, April 27–May 12, 1965; Stedelijk Museum, Amsterdam, May 28–June 28, 1965; Palais des Beaux-Arts, Brussels, Sept. 30–Oct. 31, 1965; Museum of Modern Art, New York, Dec. 21, 1965–March 20, 1966; Arts Club of Chicago, May 20–June 19, 1966; Fresno State College, Calif., Sept. 18–Oct. 9, 1966; Southwest Texas State College, San Marcos, Oct. 23–Nov. 13, 1966; Memphis State University, Nov. 27–Dec. 18, 1966; Baltimore Museum of Art, Jan. 3–29, 1967; Columbia Museum of Art, S.C., Feb. 10–March 5, 1967; J. B. Speed Art Museum, Louisville, March 20–April 9, 1967; Museum of Art, University of Michigan, Ann Arbor, April 24–May 15, 1967. Exh. cat. (U.K., The Dante Drawings of Robert Rauschenberg) with texts by Dore Ashton. Exh. cat. (Germany, Robert Rauschenberg: Dante-Illustrationen) with introduction by William S. Lieberman. Exh. cat. (Oslo, Robert Rauschenberg Illustrasjoner til Dantes Inferno) with introduction by Lieberman. Exh. cat. (Amsterdam, Robert Rauschenberg Illustraties voor Dante’s Inferno) with introduction by Lieberman.
  • Lucie-Smith, Edward. “Three Illustrators of Dante.” Times (London), Feb. 11, 1964, p. 13.
  • Genauer, Emily. “Rauschenberg’s Drawings for Dante’s Inferno.” New York Herald Tribune, Dec. 25, 1965, p. 7.
  • Bochner, Mel. “In the Museums: Robert Rauschenberg.” Arts Magazine (New York) 40, no. 5 (March 1966), pp. 50–51.
  • Benedikt, Michael. “New York Letter.” Art International (Lugano) 10, no. 3 (March 20, 1966), pp. 58–59.
  • “Rauschenberg Illustrations: Museum Exhibit.” Baltimore Sun, Jan. 3, 1967, sec. B, p. 5.
  • Gold, Barbara. “‘Inferno’ in Modern Vein.” Baltimore Sun, Jan. 8, 1967, sec. D, p. 8.
 
Whitechapel Art Gallery, London, Robert Rauschenberg: Paintings, Drawings and Combines, 1949–1964, Feb. 4–March 8. Exh. cat. with previously published essays by John Cage, Henry Geldzahler, and Max Kozloff.
  • Burr, James. “Round the London Galleries: Born of Stress.” Apollo (London) 79, no. 24 (Feb. 1964), p. 148.
  • “The Exhilarating Art of Robert Rauschenberg.” Times (London), Feb. 8, 1964, p. 5.
  • Gosling, Nigel. “A Jackdaw of Genius.” Observer (London), Feb. 9, 1964, p. 23.
  • Mullins, Edwin. “Not Just a Joker.” Sunday Telegraph (London), Feb. 9, 1964, p. 11.
  • Russell, John. “The World of Art: Big City, Big Country.” Sunday Times (London), Feb. 9, 1964, p. 32.
  • Brett, Guy. “Rauschenberg in Retrospect.” Guardian (London), Feb. 11, 1964, p. 7.
  • Wallis, Nevile. “Art of the Possible.” Spectator (London) 212, no. 7077 (Feb. 14, 1964), p. 214.
  • Glueck, Grace. “Art Notes: Going, Going, Up.” New York Times, Feb. 16, 1964, sec. 2, p. 16.
  • Forge, Andrew. “Robert Rauschenberg.” New Statesman (London) 67, no. 1719 (Feb. 21, 1964), pp. 304–05.
  • Burn, Guy. “Robert Rauschenberg.” Arts Review (London) 16, no. 3 (Feb. 22–March 7, 1964), p. 2.
  • “Rauschenberg: New Pace-Setter in Art.” Observer (London), Feb. 23, 1964, p. 21.
  • Baro, Gene. “Some London Galleries.” Arts Magazine (New York) 38, no. 6 (March 1964), p. 15.
  • Raworth, Tom. “London Report.” Das Kunstwerk (Baden-Baden, Germany) 17, no. 9 (March 1964), p. 30.
  • Roberts, Keith. “Current and Forthcoming Exhibitions: London.” Burlington Magazine (London) 106, no. 732 (March 1964), pp. 137–38.
  • Melville, Robert. “Miscellany: Fear of the Banal.” Architectural Review (London) 135, no. 806 (April 1964), pp. 291–93.
  • Whittet, G. S. “Interesting, but It Isn’t Art: London Commentary.” Studio (London) 167, no. 852 (April 1964), pp. 158–59.
  • Lynton, Norbert. “London Letter.” Art International (Lugano) 8, no. 3 (April 25, 1964), pp. 76–77.
 
Galerie Ileana Sonnabend, Paris, Rauschenberg, May 14–30.
  • Hahn, Otto. “Rauschenberg à Paris.” L’Express (Paris) (May 28, 1964), pp. 26–27.
  • Gassiot-Talabot, Gérald. “Les Expositions: Rauschenberg.” Aujourd’hui (Paris), no. 46 (July 1964), p. 85.
 
Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg, Sept. 12–Oct. 18. Exh. brochure with texts by Willoughby Sharp (in English) and Paul Wember (in German).
 
Galerie Ileana Sonnabend, Paris, Untitled 1953–1954 and Thirty-Four Dante Drawings, Dec. 1964–Jan. 13, 1965.
 
1965
 
Amerika Haus, Berlin, Robert Rauschenberg: Bilder, Zeichnungen, Lithos, Jan. 8–Feb. 4. Exh. brochure with text by Dieter Ruckhaberle.
 
Contemporary Arts Museum, Houston, Robert Rauschenberg, March 12–April 15.
 
Dwan Gallery, Los Angeles, Rauschenberg at Dwan, April 13–May 8.
  • Wilson, William. “Exhibition That Instructs.” Los Angeles Times, April 23, 1965.
  • Marmer, Nancy. “Los Angeles: Robert Rauschenberg.” Artforum (Los Angeles) 3, no. 9 (June 1965), pp. 10–11.
 
Walker Art Center, Minneapolis, Robert Rauschenberg, Paintings 1953–1964, May 3–June 6. Exh. brochure with essay by Dean Swanson.
  • Kay, Jane H. “‘Quote, 1964’: Painting by Robert Rauschenberg.” Christian Science Monitor (Boston), Aug. 14, 1965, p. 8.
 
Leo Castelli, New York, Robert Rauschenberg: Oracle, May 15–June 19.
  • Bourdon, David. “Rauschenberg: Oracle.” Village Voice (New York), May 27, 1965, p. 7.
  • “Pop: Bing-Bang Landscapes.” Time (New York) 85, no. 22 (May 28, 1965), p. 80.
  • Berkson, William. “In the Galleries: Robert Rauschenberg.” Arts Magazine (New York) 39, no. 10 (Sept.–Oct. 1965), p. 62.
  • Levine, Neil A. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York), 64, no. 5 (Sept. 1965), p. 11.
  • Volpi, Marisa. “Incontro a New York con Rauschenberg e Stella.” La Fiera Letteraria (Rome), Sept. 8, 1966, p. 19.
  • Lippard, Lucy. “New York Letter, April–June 1965.” Art International (Lugano) 9, no. 6 (Sept. 20, 1965), p. 57.
 
1967
 
Leo Castelli, New York, Robert Rauschenberg: Revolvers, May 13–June 10. Exh. brochure.
  • Lichtblau, Charlotte. “Kinetic ‘Revolvers’ by R. Rauschenberg.” Philadelphia Inquirer, May 21, 1967.
  • Glueck, Grace. “Robert Rauschenberg’s ‘Revolvers.’” New York Times, May 27, 1967, sec. 2, p. 27.
  • Picard, Lil. “Ausstellungen in New York: Bei Rauschenberg nichts neues.” Das Kunstwerk (Baden-Baden, Germany) 20, nos. 9–10 (June–July 1967), p. 64.
  • Tuten, Frederic. “In the Galleries: Robert Rauschenberg: Revolvers and Lithographs.” Arts Magazine (New York) 41, no. 8 (Summer 1967), p. 55.
  • “Robert Rauschenberg.” Domus (Milan), no. 452 (July 1967), p. 53.
 
Gemini G.E.L., Los Angeles, Booster and 7 Studies, May 23–June 30. Exh. brochure with text by Lucy R. Lippard.
  • Seidenbaum, Art. “Lithography Art Leaves Its Print.” Los Angeles Times, Dec. 14. 1967, sec. D, p. 1.
 
Douglas Gallery, Vancouver, Booster and 7 Studies, July 15–31.
 
1968
 
Whitney Museum of American Art, New York, Robert Rauschenberg: Print, Jan. 22–Feb. 22.
  • Kramer, Hilton. “Art: Over Fifty-Three Feet of Wall Decoration.” New York Times, Jan. 23, 1968, sec. L, p. 28.
 
Stedelijk Museum, Amsterdam, Robert Rauschenberg, Feb. 23–April 7. Traveled to Kölnischer Kunstverein, Cologne, April 19–May 26; Musée d’Art Moderne de la Ville de Paris, Oct. 10–Nov. 10. Exh. brochure (Paris, Robert Rauschenberg: Oeuvres de 1949 à 1968) with previously published interview with Rauschenberg by André Parinaud and previously published statements by Rauschenberg. Exh. cat. (Amsterdam, Robert Rauschenberg, in Dutch and English) with introduction by Andrew Forge and previously published statements by Rauschenberg. Exh. cat. (Cologne, Robert Rauschenberg: Werke 1949 bis 1968).
  • Hellmann, Paul. “Een wand die van je houdt!” Het Parool (Amsterdam), Feb. 22, 1968.
  • van ’t Veer, Paul. “Rauschenberg laat licht reageren op stemgeluid.” Het Vrije Volk (Rotterdam), Feb. 23, 1968, p. 2.
  • Wijers, Louwrien. “Avant-Garde New York.” Algemeen Handelsblad (Amsterdam), Feb. 24, 1968.
  • Blotkamp, Carel. “Robert Rauschenberg: ‘Van mijn schilderijen vind ik dat waarin mij het minst duidelijk is, het beste.’” Vrij Nederland (Amsterdam), March 2, 1968.
  • Boonstra, Rom. “Rauschenberg: Kunst en techniek onder één hoedje.” Nieuwsblad van het Noorden (Groningen, Netherlands), March 2, 1968, p. 27.
  • Russell, John. “Completed Cycle.” Sunday Times (London), March 3, 1968, Arts, p. 25.
  • van Beek, Marius. “Het geval Rauschenberg.” De Tijd (Amsterdam), March 9, 1968, Gun U de Tijd, p. 5.
  • Metken, Günter. “Malen im optischen Zeitalter: Zur Rauschenberg-Ausstellung in Amsterdam und Köln.” Das Kunstwerk (Stuttgart) 21, nos. 6–7 (April–May 1968), pp. 74, 77–78.
  • “Rauschenberg: Lärm in Spiegel.” Der Spiegel (Hamburg), no. 19/1968 (May 6, 1968), pp. 153–54.
  • Clay, Jean. “Revoir Rauschenberg.” Connaissance des arts (Paris), no. 200 (Oct. 1968), pp. 23–24.
  • Hahn, Otto. “L’Enfant terrible de New York.” L’Express (Paris), no. 901 (Oct. 14–20, 1968), p. 54.
  • Pluchart, François. “Les Scandales de Rauschenberg.” Combat (Paris), Oct. 14, 1968, pp. 8–9.
  • Cutler, Carol. “Art in Paris: Documenting an Unacceptable Culture.” International Herald Tribune (Paris), Oct. 15, 1968, p. 6.
  • Michel, Jacques. “Le monde illogique de Rauschenberg.” Le Monde (Paris), Oct. 17, 1968.
  • Duparc, Christiane. “Le grand match contre la laideur.” Le Nouvel Observateur (Paris), no. 207 (Oct. 28, 1968), pp. 48–49.
  • Gállego, Julián. “Crónica de Paris: Robert Rauschenberg y otros pintores modernos.” Goya (Madrid), no. 88 (Jan.–Feb. 1969), pp. 234–38.
 
Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Robert Rauschenberg, March 7–April 14. Exh. brochure.
 
Gemini G.E.L., Los Angeles, Reels (B + C), April 14–May 26.
 
Galerie Gérald Cramer, Geneva, Rauschenberg: XXXIV Drawings for Dante’s Inferno, June 5–Oct. 19. Exh. cat. (New York: Harry N. Abrams, 1968) with introduction by Dore Ashton.
 
Galerie Ileana Sonnabend, Paris, Rauschenberg: 25 Dessins 1968, Oct. 3–mid-Nov.
 
Leo Castelli, New York, White Paintings 1951, Oct. 12–26.
  • Glueck, Grace. “Ben Shahn Shines On.” New York Times, Oct. 13, 1968, sec. D, p. 39.
  • Pincus-Witten, Robert. “New York: Robert Rauschenberg, Castelli Gallery.” Artforum (New York) 7, no. 4 (Dec. 1968), pp. 54–55.
 
Museum of Modern Art, New York, Rauschenberg: Soundings, Oct. 22, 1968–Jan. 26, 1969.
  • Glueck, Grace. “Art: Rauschenberg’s Latest Bit of Technological Tinkery Bows at the Modern.” New York Times, Oct. 24, 1968, p. 94.
  • ———. “Art: Rauschenberg ‘Soundings’ Involves Viewers at the Modern.” New York Times, Oct. 25, 1968, sec. C, p. 42.
  • Perreault, John. “Faith and Fire.” Village Voice (New York), Oct. 31, 1968, p. 16.
  • Gablik, Suzi. “Light Conversation.” Artnews (New York) 67, no. 7 (Nov. 1968), pp. 58–60.
  • Andreae, Christopher. “Rauschenberg’s ‘Soundings’: A Good Listener.” Christian Science Monitor (Boston), Nov. 4, 1968, p. 10.
  • Gruen, John. “Art in New York: Spectator Participation.” New York 1, no. 32 (Nov. 11, 1968), p. 19.
 
1969
 
Fort Worth Art Center, Robert Rauschenberg: Selections, Jan. 5–Feb. 2. Exh. cat. with introduction by Henry T. Hopkins.
  • Tinsley, Ann Miller. “Art Center to Exhibit Unusual Works of Artist.” Fort Worth Star-Telegram, Jan. 5, 1969, sec. 6, p. 1.
  • Hopkins, Henry T. “In the Museums: Robert Rauschenberg.” Arts Magazine (New York) 43, no. 4 (Feb. 1969), p. 55.
 
Museum Boymans-Van Beuningen, Rotterdam, Drawings, Feb. 8–March 9.
 
Ace Gallery, Los Angeles, Robert Rauschenberg: Carnal Clocks, April 24–May 30.
  • Good, Jeanne. “Carnal Clocks Akin to Fast Pace Today.” Hollywood Citizen-News, May 2, 1969, p. 15.
  • Wilson, William. “Rauschenberg’s Super-Earthy Things.” Los Angeles Times, May 19, 1969, sec. 4, p. 11.
 
Leo Castelli, New York, Carnal Clocks, April 26–May 17.
  • Battcock, Gregory. “Rauschenberg’s New Clocks at Castelli.” Arts Magazine (New York) 43, no. 7 (May 1969), p. 16.
  • Gruen, John. “Art in New York: The Medium Is the Marble.” New York 2, no. 20 (May 19, 1969), p. 57.
  • Alloway, Lawrence. “Art.” Nation (New York) 208, no. 21 (May 26, 1969), pp. 676–77.
 
Douglas Gallery, Vancouver, Carnal Clocks, July 3–31.
 
Leo Castelli, New York, Stoned Moon Series, Nov. 13.
 
Gemini G.E.L., Los Angeles, Stoned Moon Series, Nov. 16–Dec. 10.
  • Young, Joseph E. “Los Angeles.” Art International (Lugano) 14, no. 3 (March 20, 1970), p. 87.
 
Newport Harbor Art Museum, Newport Beach, Calif., Robert Rauschenberg in Black and White: Paintings 1962–63, Lithographs 1962–67, Dec. 10, 1969–Jan. 18, 1970. Traveled to Phoenix Art Museum, Feb. 3–March 15, 1970; University Art Museum, University of New Mexico, Albuquerque, April 6–May 3, 1970; Seattle Art Museum, May 22–June 21, 1970. Exh. brochure with introduction by Thomas H. Garver.
  • Wilson, William. “‘Rauschenberg Black and White’ at Newport Harbor.” Los Angeles Times, Dec. 28, 1969, Calendar, pp. 38, 47.
 
1970
 
Museum Haus Lange, Krefeld, Germany, Stoned Moon, Feb. 22–March 30. Exh. cat.
 
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Rauschenberg: Graphic Art, April 1–May 10. Traveled to Art Gallery, State University of New York, Albany, July 1–Aug. 14; Marion Koogler McNay Art Institute, San Antonio, Aug. 30–Oct. 4; Museum of Contemporary Art, Chicago, Oct. 31–Dec. 13. Exh. brochure with introduction by Lawrence Alloway.
  • Sandler, Irving. “Rauschenberg and Johns: Anti-Art?” New York Times, May 10, 1970, sec. D, p. 21.
  • Wells, Daniel M. “A Link Between Art and Life.” Chicago Tribune, Nov. 8, 1970, sec. 5, p. 13.
 
Dayton’s Gallery 12, Minneapolis, Rauschenberg Currents, April 4–May 2. Traveled to Castelli Graphics, New York, June 4–26, and Automation House, New York, June 4–28; Pasadena Art Museum (as Robert Rauschenberg), July 7–Sept. 6. Exh. cat. with statement by Rauschenberg.
  • McGrath, Kristin. “Rauschenberg Work: 54-Foot-Long Chronicle of Now.” Minneapolis Star, April 4, 1970, sec. A, p. 12.
  • Gruen, John. “Galleries and Museums: It’s Boston’s Birthday, Too.” New York 3, no. 26 (June 29, 1970), p. 57.
  • Wilson, William. “Pasadena Shows Are Study in Poetic Exhaustion.” Los Angeles Times, July 19, 1970, Calendar, p. 47.
  • Davis, Douglas. “Strong Currents.” Newsweek (New York) 76, no. 4 (July 27, 1970), p. 69B.
  • Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (Sept.–Oct. 1970), p. 53.
  • Plagens, Peter. “Robert Rauschenberg: Los Angeles, Pasadena Museum of Art.” Artforum (New York) 9, no. 2 (Oct. 1970), pp. 86–88.
 
La Jolla Art Museum, San Diego, Stoned Moon Lithographs by Robert Rauschenberg, April 5–May 3.
 
New York Cultural Center, Currents and Stoned Moon Series, July 9–Aug. 30.
  • Canaday, John. “Rauschenberg Art: Chance to Catch Up.” New York Times, July 10, 1970, p. 16.
 
Minneapolis Institute of Arts, Robert Rauschenberg: Prints 1948/1970, Aug. 6–Sept. 27. Exh. cat. with introduction by Edward A. Foster.
  • Steele, Mike. “Rauschenberg: The Artist Is Daring.” Minneapolis Tribune, Aug. 30, 1970, sec. E, p. 6.
  • Bolton, Edwin L. “Technical Accomplishments Keep Reviewer Going, while Rauschenberg Repeats Himself.” Minneapolis Star, Sept. 2, 1970, sec. B, p. 14.
 
Kunstverein Hannover, Hanover, Germany, Robert Rauschenberg, Aug. 29–Sept. 27. Traveled to Kunstmuseum, Basel, Oct. 30–Dec. 6. Exh. cat. (Hanover) with essay by William S. Lieberman, statement by Rauschenberg, previously published essays by Lawrence Alloway, John Ciardi, Douglas M. Davis, Lucy Lippard, Manfred de la Motte, Willoughby Sharp, and Paul Wember, and interview with Ken Tyler by R. Sherrill. Exh. cat. (Basel, Robert Rauschenberg: Druckgraphik) with essay by Eva Maria Krafft and statement by Rauschenberg.
 
Fort Worth Art Center, Robert Rauschenberg: “Stoned Moon” Lithographs, Sept. 29–Oct. 25.
 
Fendrick Gallery, Washington, D.C., Robert Rauschenberg: Stoned Moon Series, Oct. 28–Nov. 21. Exh. brochure.
  • Richard, Paul. “Apollo 11 as an Art Form.” Washington Post, Oct. 30, 1970, sec. B, pp. 1, 8.
 
Visual Arts Gallery, School of Visual Arts, New York, Robert Rauschenberg: New Works, Nov. 17–Dec. 16. Traveled to Wabash Transit Gallery, School of the Art Institute of Chicago (as Robert Rauschenberg: Syn-Tex Series), Jan. 4–23, 1971; Dayton’s Gallery 12, Minneapolis (as Robert Rauschenberg: Syn-Tex Series and Cardbirds, Constructions), June 1971. Exh. brochure with statement by Rauschenberg.
  • Shirey, David L. “Business of Business Art since 1950: Robert Rauschenberg.” New York Times, Dec. 12, 1970, p. 25.
 
1971
 
Galerie Ileana Sonnabend, Paris, Currents, Jan.
 
Leo Castelli, New York, Cardboards, and Castelli Graphics, New York, Cardbirds, Oct. 16–Nov. 6.
  • Shirey, David L. “Rauschenberg Turning to Cardboards.” New York Times, Oct. 23, 1971, p. 23.
  • Perreault, John. “Art.” Village Voice (New York), Oct. 28, 1971, p. 37.
  • Schjeldahl, Peter. “Rauschenberg Just Won’t Be Boxed In.” New York Times, Oct. 31, 1971, sec. D, p. 21.
  • Domingo, Willis. “In the Galleries: Robert Rauschenberg.” Arts Magazine (New York) 46, no. 3 (Dec. 1971–Jan. 1972), p. 60.
  • Siegel, Jeanne. “Reviews and Previews: Robert Rauschenberg.” Artnews (New York) 70, no. 8 (Dec. 1971), p. 19.
  • Pincus-Witten, Robert. “New York.” Artforum (New York) 10, no. 5 (Jan. 1972), pp. 79–80.
  • Henry, Gerrit. “Personal Retrenchment.” Art and Artists (London) 6, no. 11 (Feb. 1972), pp. 42–45.
 
Gemini G.E.L., Los Angeles, Cardbird Series, Oct. 31–Nov. 30. Exh. brochure with statement by Rauschenberg.
 
1972
 
Galerie Ileana Sonnabend, Paris, Cardboards, May.
 
Castelli Graphics, New York, Tares, May 20–June 10.
 
Leo Castelli and Castelli Graphics, New York, Made in Tampa: Prints + Clay Pieces, Dec. 2–23. Exh. brochure.
  • Crimp, Douglas. “New York Letter.” Art International (Lugano) 17, no. 2 (Feb. 1973), pp. 46–49.
  • Stitelman, Paul. “Galleries: Robert Rauschenberg.” Arts Magazine (New York) 47, no. 4 (Feb. 1973), pp. 68–69.
  • Kelder, Diane. “Made in Graphicstudio.” Art in America (New York) 61, no. 2 (March–April 1973), pp. 84–85.
 
1973
 
Mitchell Gallery, Southern Illinois University, Carbondale, Robert Rauschenberg: Prints, Jan. 7–26. Exh. cat.
 
Leo Castelli, New York, Venetian Series, March 31–April 21.
  • Alloway, Lawrence. “Art.” Nation (New York) 216, no. 16 (April 16, 1973), pp. 508–09.
  • Perreault, John. “For Rauschenberg, an Overdue Celebration.” Village Voice (New York), April 19, 1973, p. 34.
  • Thomsen, Barbara. “Robert Rauschenberg at Castelli.” Art in America (New York) 61, no. 5 (Sept.–Oct. 1973), pp. 112–14.
 
Ace Gallery, Venice, Calif., White Paintings, 1951, April 10–30. Traveled to Ace Gallery, Vancouver, June 1–16.
 
Mayor Gallery, London, Robert Rauschenberg: Combine Drawings, April 18–May 22.
  • Lampert, Catherine. “Review: Robert Rauschenberg at the Mayor Gallery.” Studio International (London) 185, no. 956 (June 1973), pp. 293–94.
 
Galerie Ileana Sonnabend, Paris, Early Egyptian Series, opened Sept. 18.
  • Loriot, Patrick. “Décors en quête d’auteurs.” Le Nouvel Observateur (Paris), no. 463 (Sept. 24, 1973), p. 72.
  • Michel, Jacques. “Rauschenberg: De la pierre à la lune.” Le Monde (Paris), Oct. 24, 1973.
 
Centre culturel américain, Paris, Robert Rauschenberg: Stoned Moon Project, 1969, Oct. 11–Nov. 15. Exh. brochure with introduction by George Boudaille.
  • Michel, Jacques. “Rauschenberg: De la pierre à la lune.” Le Monde (Paris), Oct. 24, 1973.
 
1974
 
Musée d’Art et d’Industrie, Saint Étienne, France, Rauschenberg, Jan. 7–Feb. 7. Exh. cat.
 
Library Gallery, University of South Florida, Tampa, Rauschenberg at Graphicstudio, Jan. 11–Feb. 15. Traveled to Walker Art Center, Minneapolis, Aug. 17–Sept. 29; Art Institute, Akron, Ohio, Dec. 15, 1974–Jan. 26, 1975; Ackland Art Center, University of North Carolina, Chapel Hill, Feb. 23–April 6, 1975; Art Gallery, Winnipeg, May 4–June 15, 1975; Denver Art Museum, July 13–Aug. 24, 1975. Exh. cat. with introduction by Willard McCracken.
  • Smith, Griffin. “Rauschenberg Graphics Splendid.” Miami Herald, Jan. 20, 1974, sec. G, p. 8.
 
Galerie Sonnabend, Geneva, Robert Rauschenberg, opened April 2.
 
Gemini G.E.L., Los Angeles, Pages and Fuses, April 7–30. Exh. brochure.
 
Leo Castelli, New York, Robert Rauschenberg and Cy Twombly, May 4–25. Exh. brochure.
  • deAk, Edit. “Robert Rauschenberg and Cy Twombly at Castelli Downtown.” Art in America (New York) 62, no. 4 (July–Aug. 1974), p. 86.
  • Dreiss, Joseph. “Robert Rauschenberg and Cy Twombly.” Arts Magazine (New York) (Sept. 1974), p. 58.
  • Herrera, Hayden. “Reviews: Cy Twombly, Robert Rauschenberg.” Artnews (New York) 73, no. 8 (Oct. 1974), p. 110.
 
Castelli Graphics, New York, Pages and Fuses, May 18–June 1.
 
Israel Museum, Jerusalem, Robert Rauschenberg in Israel, May 29–Aug. 3. Exh. cat. (1975) designed by Rauschenberg with text by Yona Fischer.
  • Fischer, Yona. “Robert Rauschenberg in Israel.” Ariel (Jerusalem), no. 37 (1974), pp. 34–47.
  • Kohansky, Mendel. “Rauschenberg at the Israel Museum.” Israel (Tel Aviv), no. 10 (May 1974), pp. 76, 78.
  • Ronnen, Meir. “Rauschenberg.” Jerusalem Post Magazine, May 31, 1974, p. 19.
 
Current Editions, Seattle, Pages and Fuses, June 12–July 13.
  • Tarzan, Deloris. “Rauschenberg Editions Break New Ground.” Seattle Times, June 23, 1974, sec. H, p. 1.
 
Jared Sable Gallery, Toronto, Tablet Series, Sept.
  • Nasgaard, Roald. “Toronto: Rauschenberg at Jared Sable.” Arts Magazine (New York) 49, no. 2 (Oct. 1974), p. 78.
 
Ace Gallery, Venice, Calif., Hoarfrosts, Oct. 6–Nov. 23.
  • Wortz, Melinda. “Looking Inward.” Artnews (New York) 73, no. 10 (Dec. 1974), pp. 60–61.
 
Los Angeles County Museum of Art, Robert Rauschenberg’s Pages and Fuses, Oct. 22, 1974–Jan. 26, 1975. Exh. brochure with text by Joseph E. Young.
 
Museum Haus Lange, Krefeld, Germany, Robert Rauschenberg: Steinerner Mond, Dec. 1, 1974–Jan. 19, 1975. Exh. cat. (Robert Rauschenberg: Stoned Moon Series) with text by Paul Wember.
 
Leo Castelli and Sonnabend Gallery, New York, Hoarfrosts, Dec. 7–28.
  • Gruen, John. “At Seven SoHo Galleries: Double-Rauschenberg, Five More.” SoHo Weekly News (New York), Dec. 12, 1974, p. 18.
  • Russell, John. “Art: Fragments of Language That Delight the Eyes.” New York Times, Dec. 14, 1974, sec. L, p. 22.
  • Bourdon, David. “Rauschenberg’s Hoarfrost Causes Shivers of Delight.” Village Voice (New York), Dec. 23, 1974, p. 108.
  • Dreiss, Joseph. “Arts Reviews: Robert Rauschenberg.” Arts Magazine (New York) 49, no. 6 (Feb. 1975), p. 16.
  • Smith, Roberta. “Reviews: Robert Rauschenberg, Castelli Gallery Downtown and Sonnabend Gallery.” Artforum (New York) 13, no. 7 (March 1975), pp. 66–67.
 
Castelli Graphics, New York, Hoarfrost Editions, Dec. 7, 1974–Jan. 4, 1975.
 
Gemini G.E.L., Los Angeles, Hoarfrost Editions, Dec. 8–31.
  • Seldis, Henry J. “Art Walk: La Cienega Area.” Los Angeles Times, Dec. 20, 1974, sec. 4, p. 6.
 
John Berggruen Gallery, San Francisco, Hoarfrost Editions from Gemini G.E.L., Dec. 14, 1974–Jan. 25, 1975.
 
1975
 
Margo Leavin Gallery, Los Angeles, Rauschenberg: Hoarfrost Editions from Gemini G.E.L., Jan. 12–31.
 
Dayton’s Gallery 12, Minneapolis, Robert Rauschenberg: Hoarfrost Series, Feb. 15–March 27. Traveled to Galerie Ileana Sonnabend, Paris (as Rauschenberg: Hoarfrost), opened May 15; Alessandra Castelli, Milan, Oct.
  • Larson, Philip. “Robert Rauschenberg.” Arts Magazine (New York) 49, no. 8 (April 1975), p. 78.
  • Abadie, Daniel. “Les Images ‘gelées’ de Rauschenberg.” Art Press (Paris), no. 19 (July–Aug. 1975), pp. 16–17.
 
Visual Arts Gallery, School of Visual Arts, New York, Robert Rauschenberg: Drawings, Feb. 24–April 2.
  • Bourdon, David. “Music to the Eyes.” Village Voice (New York), March 10, 1975, p. 84.
 
Ace Gallery, Vancouver, Rauschenberg: Hoarfrost, May.
 
Ace Gallery, Venice, Calif., Hoarfrosts, June.
 
Art Association, Newport, R.I., Hoarfrost Series, Aug. 3–Sept. 3.
 
Gemini G.E.L., Los Angeles, Bones and Unions, Aug. 31–Sept. 30.
  • Wilson, William. “Art Walk: La Cienega Area.” Los Angeles Times, Sept. 12, 1975, sec. 4, p. 12.
  • Wortz, Melinda. “Rauschenberg’s ‘Bones and Unions.’” Artweek (Oakland) 6, no. 35 (Oct. 18, 1975), p. 2.
 
Museo d’Arte Moderna Ca’ Pesaro, Venice, Robert Rauschenberg, Sept. 6–Oct. 6. Traveled to Galleria Civica d’Arte Moderna, Ferrara, Jan. 18–March 7, 1976; Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976. Exh. cat. (Venice) with text by Guido Perocco and previously published texts by Daniel Abadie (in French) and David Bourdon (in English). Exh. cat. (Ferrara) with text by Paola Serra Zanetti and previously published texts by Abadie and Bourdon. Exh. cat. (Florence) with essay by Achille Bonito Oliva.
  • Perocco, Guido. “Rauschenberg.” Le Arti (Milan) 25, nos. 8–9 (Sept.–Oct. 1975), pp. 21–22.
  • Chieco, Giuseppe, interview with Rauschenberg. “Dai Combine paintings ai Jammers.” Le Arti (Milan) 26, no. 3 (March 1976), pp. 47–50.
  • Micacchi, Dario. “Gelida malinconia di Rauschenberg.” L’Unità (Rome), Sept. 28, 1976, p. 3.
 
Visual Arts Museum, School of Visual Arts, New York, Robert Rauschenberg: Twenty-Six Years of Printmaking, Oct. 6–31.
 
Leo Castelli, New York, Bones and Unions—Ahmedabad, India 1975, Nov. 1–15.
 
1976
 
Galerie H. M., Brussels, Rauschenberg: Hoarfrost, Jan. 28–March 10.
 
Leo Castelli, New York, Rauschenberg: Jammers, Feb. 21–March 13.
  • Russell, John. “Art: Alex Katz’s Idyllic and Simplified World.” New York Times, Feb. 28, 1976, sec. L, p. 22.
  • Bourdon, David. “Art: What’s Goodnough Celebrating?” Village Voice (New York), March 8, 1976, p. 86.
  • Patton, Phil. “Robert Rauschenberg.” Artforum (New York) 14, no. 9 (May 1976), p. 62.
 
Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert Rauschenberg: Stoned Moon Series, June 29–Sept. 6.
 
Ace Gallery, Los Angeles, and Ace Gallery, Venice, Calif., Rauschenberg: Jammers, Aug. 10–Oct. 6.
  • Ballatore, Sandy. “The Mid-Seventies Rauschenberg: For the Joy of It.” Artweek (Oakland) 7, no. 30 (Sept. 11, 1976), pp. 1, 16.
  • Wilson, William. “Art Walk: Venice.” Los Angeles Times, Sept. 24, 1976, sec. 4, p. 12.
  • ———. “Art Walk: La Cienega Area.” Los Angeles Times, Oct. 1, 1976, sec. 4, p. 10.
 
Ace Gallery, Vancouver, Rauschenberg: Jammers, Sept.
  • Lowndes, Joan. “Rauschenberg.” Vancouver Sun, Sept. 3, 1976, sec. A, p. 35.
  • Perry, Art. “Artistry Blowing in the Wind.” Province (Vancouver), Sept. 8, 1976, p. 27.
 
Alberta College of Art Gallery, Calgary, Robert Rauschenberg: Glass Handle, Oct. 12–Nov. 7. Exh. brochure with statement by Rauschenberg from previously published interview by Dorothy Gees Seckler.
  • Joyner, Brooks. “Glass Handle: Very Significant Exhibition.” Albertan (Calgary), Oct. 23, 1976, p. 9.
 
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., Robert Rauschenberg, Oct. 30, 1976–Jan. 2, 1977. Traveled to Museum of Modern Art, New York, March 25–May 17, 1977; San Francisco Museum of Modern Art, June 24–Aug. 21, 1977; Albright-Knox Art Gallery, Buffalo, Sept. 25–Oct. 30, 1977; Art Institute of Chicago, Dec. 3, 1977–Jan. 15, 1978. Exh. cat. with essay by Lawrence Alloway.
  • Davis, Douglas. “Artist of Everything.” Newsweek (New York) 88, no. 17 (Oct. 25, 1976), pp. 94–99.
  • Richard, Paul. “‘Goofy, Grand’ Rauschenberg.” Washington Post, Oct. 30, 1976, sec. B, pp. 1, 7.
  • Forgey, Benjamin. “Rauschenberg, an Artistic Revelation.” Washington Star, Oct. 31, 1976, sec. G, pp. 1, 24–25.
  • Johnson, Lincoln F. “Rauschenberg: ‘Great Show, Great Artist.’” Baltimore Sun, Nov. 11, 1976, sec. B, pp. 1, 3.
  • Hughes, Robert. “The Most Living Artist.” Time (New York) 108, no. 22 (Nov. 29, 1976), cover and pp. 54–62.
  • Donohoe, Victoria. “Rauschenberg: Art Made from Everyday Things.” Philadelphia Inquirer, Dec. 5, 1976, sec. H, p. 11.
  • Latter, Ruth. “Exhibit Honors Living Artist.” Daily Progress (Charlottesville, Va.), Dec. 5, 1976.
  • Forgey, Benjamin. “An Artist for All Decades.” Artnews (New York) 76, no. 1 (Jan. 1977), cover and pp. 34–36.
  • Gruen, John. “Robert Rauschenberg: An Audience of One.” Artnews (New York) 76, no. 2 (Feb. 1977), pp. 44–48.
  • Perrone, Jeff. “Robert Rauschenberg.” Artforum (New York) 15, no. 6 (Feb. 1977), cover and pp. 24–31.
  • Stuckey, Charles F. “Reading Rauschenberg.” Art in America (New York) 65, no. 2 (March–April 1977), cover and pp. 74–84.
  • Olson, Roberta J. M. “A Retrospective: Castelli on Rauschenberg.” SoHo Weekly News (New York), March 24, 1977, pp. 26–27.
  • Russell, John. “Art That Sings.” New York Times, March 25, 1977, sec. C, pp. 1, 19.
  • Wallach, Amei. “Pow—A New Way of Looking.” Newsday (Garden City, N.Y.), March 25, 1977, Part II, p. 11A.
  • Tallmer, Jerry. “Rasuchenberg Rides Again.” New York Post, March 26, 1977, p. 24.
  • Olson, Roberta J. M. “Rauschenberg, the Extraordinary Ragpicker.” SoHo Weekly News (New York), March 31, 1977, pp. 17–23.
  • Bourdon, David. “Robert Rauschenberg: Slapdash Master.” Village Voice (New York), April 4, 1977, p. 67.
  • Ratcliff, Carter. “New York.” Art International (Lugano) 21, no. 3 (May–June 1977), pp. 60–61.
  • “Rauschenberg: The World Is a Painting.” Horizon (New York) 19, no. 3 (May 1977), pp. 16–19.
  • Loercher, Diana. “Rauschenberg: His Work a Cipher of Our Times.” Christian Science Monitor (Boston), May 2, 1977, p. 30.
  • Hess, Thomas B. “Replenishing Rauschenberg.” New York 10, no. 20 (May 16, 1977), pp. 78–80.
  • Rosenberg, Harold. “The Art World: Souvenirs of an Avant-Garde.” New Yorker 53, no. 13 (May 16, 1977), pp. 123–28.
  • “The Talk of the Town: Rauschenberg.” New Yorker 53, no. 14 (May 23, 1977), pp. 30–31.
  • Bloomfield, Arthur. “Art of the Enfant Terrible.” San Francisco Examiner, June 24, 1977, p. 25.
  • Frankenstein, Alfred. “Rauschenberg—A Pussycat and a Lion.” San Francisco Sunday Examiner and Chronicle, July 10, 1977, pp. 49, 51.
  • Cheever, Julia. “Looking Back on a Giant of Modern Art.” San Francisco Bay Guardian, July 14, 1977, p. 15.
  • Seldis, Henry J. “Rauschenberg Retrospective: Robert’s Rules of Disorder.” Los Angeles Times, July 24, 1977, Calendar, pp. 1, 76.
  • Green, Blake. “Imagine Oscar Here.” San Francisco Chronicle, Aug. 19, 1977, p. 24.
  • de la Falaise, Maxime. “Rauschenberg à Washington et à New York.” XXe siècle (Paris) 39, no. 49 (Dec. 1977), pp. 28–34.
  • Hanson, Henry. “Rauschenberg’s Madcap Vision.” Chicago (Dec. 1977), pp. 112, 114.
  • Schulze, Franz. “Rauschenberg’s Cheerful Cheek.” Chicago Daily News, Dec. 3–4, 1977, Panorama, p. 15.
  • Artner, Alan G. “Rauschenberg Retrospective Paints Picture of Distinction.” Chicago Tribune, Dec. 4, 1977, sec. 6, p. 5.
  • Auer, James. “Rauschenberg: This Is His Decade.” Milwaukee Journal, Dec. 18, 1977, Lively Arts, pp. 1, 3.
  • Pieszak, Devonna. “Robert Rauschenberg: From Port Arthur to Captiva.” New Art Examiner (Chicago) 5, no. 4 (Jan. 1978), pp. 3, 23.
 
Margo Leavin Gallery, Los Angeles, Rauschenberg at Gemini: 1967–1976, Introducing the Horsefeathers Thirteen Series, Dec. 10, 1976–Jan. 8, 1977, and Grunwald Center for Graphic Arts, University of California, Los Angeles, Rauschenberg at Gemini: 1967–1976, Dec. 21, 1976–Jan. 16, 1977.
  • Wilson, William. “Rauschenberg, Melting Pot of Modernism.” Los Angeles Times, Jan. 9, 1977.
 
1977
 
Museo Diego Aragona Pignatelli Cortes, Naples, Rauschenberg, viaggio nel dispendio, April 21–May 15. Traveled to Pinacoteca Provinciale, Bari, Italy, May 22–June 12; Civica Galleria d’Arte Moderna E. Restivo, Palermo, June 22–July 16. Exh. cat. with text by Alberto Boatto.
 
Leo Castelli, New York, Spreads and Scales, April 23–May 23, and Sonnabend Gallery, New York, April 23–May 14.
  • Hess, Thomas B. “Replenishing Rauschenberg.” New York 10, no. 20 (May 16, 1977), pp. 78–80.
  • Rubinfien, Leo. “Robert Rauschenberg.” Artforum (New York) 16, no. 1 (Sept. 1977), p. 79.
  • Zimmer, William. “Arts Reviews: Robert Rauschenberg.” Arts Magazine (New York) 52, no. 1 (Sept. 1977), p. 33.
 
Gemini G.E.L., Los Angeles, Romances, July 2–Aug. 13.
 
Fort Worth Art Museum, Whistle Stop, opened Sept. 11.
 
Jacksonville Museum of Contemporary Art, Florida, Jim and Bob: The Florida Connection, Oct. 20–Nov. 20. Exh. cat.
 
Janie C. Lee Gallery, Houston, Rauschenberg Hoarfrosts, Jammers, Spreads and Scales, Oct. 29–Nov. Exh. brochure.
 
Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Robert Rauschenberg: Collagen, Grafiken, Multiples aus der Sammlung Rischner, Nov. 18–Dec. 8. Exh. cat. with introduction by Kurt Jungwirth and essay by Wilfried Skreiner.
 
Ace Gallery, Venice, Calif., New Paintings: Spreads and Scales, Nov. 20–Dec. 14.
  • Wilson, William. “Art Walk: Venice.” Los Angeles Times, Nov. 25, 1977, sec. 4, p. 15.
  • Snyder, Camilla. “Artist Robert Rauschenberg Puts His Best Buckets Forward.” Los Angeles Herald Examiner, Nov. 29, 1977, sec. B, pp. 1, 3.
  • Muchnic, Suzanne. “Rauschenberg: Successful Yet Still Optimistic.” Los Angeles Times, Dec. 1, 1977, sec. 4, p. 26.
 
1978
 
Muzeum Narodwe w Warszawie, Warsaw, Rauschenberg, March 3–April 30. Exh. cat. (Warsaw: American Embassy) with previously published essay by Charles F. Stuckey.
 
Galerie Ileana Sonnabend, Paris, Spreads and Scales, May.
 
Mayor Gallery, London, Robert Rauschenberg: An Exhibition of Recent Work, June 28–Aug. 11.
  • Berthoud, Roger. “The Rauschenberg Story.” Times (London), July 5, 1978, p. 13.
 
Surrey Art Gallery, British Columbia, Robert Rauschenberg: Stoned Moon Series and Robert Rauschenberg: Works from the Vancouver Art Gallery, July 6–30.
 
Vancouver Art Gallery, Robert Rauschenberg: Works from Captiva, Sept. 8–Oct. 29.
 
Gemini G.E.L., Los Angeles, Publicons, Sept. 11–30. Traveled to Castelli Graphics, New York, Nov. 7–25.
 
1979
 
Sonnabend Gallery, New York, Two New Works by Robert Rauschenberg, Jan. 13–Feb. 3.
  • Glueck, Grace. “Art: Puerto Rican Show in Bronx.” New York Times, Jan. 26, 1979, sec. C, p. 14.
  • Alloway, Lawrence. “Art.” Nation (New York) 228, no. 5 (Feb. 10, 1979), pp. 154–55.
  • Gibson, Eric. “New York Letter.” Art International (Lugano) 23, no. 1 (April 1979), pp. 49–51.
 
Richard Gray Gallery, Chicago, Rauschenberg: New Works, Jan. 19–March 10.
  • Artner, Alan G. “A Slightly ‘New’ Rauschenberg Has Turned the Shouting to Song.” Chicago Tribune, Feb. 2, 1979, sec. 4, p. 10.
 
Akron Art Institute, Ohio, Robert Rauschenberg: Spreads and Scales, Feb. 3–March 18.
 
Ace Gallery, Venice, Calif., Spreads and Scales, Feb. 16–March 24.
  • Wilson, William. “Art Walk: Venice.” Los Angeles Times, Feb. 23, 1979, p. 5.
 
Richard Hines Gallery, Seattle, Spreads and Scales, Feb. 19–March 24.
 
Portland Center for the Visual Arts, Oreg., Robert Rauschenberg: New Work, April 2–30.
 
Castelli Graphics, New York, Rauschenberg and Robbe-Grillet/Rauschenberg and Voznesensky, April 28–May 19.
  • Towle, Tony. “Rauschenberg: Two Collaborations—Robbe-Grillet and Voznesensky.” Print Collector’s Newsletter (New York) 10, no. 2 (May–June 1979), pp. 37–41.
  • Burnside, Madeleine. “Robert Rauschenberg (Castelli Graphics).” Arts Magazine (New York) 54, no. 1 (Sept. 1979), p. 37.
 
Kunsthalle Tübingen, Germany, Robert Rauschenberg: Das zeichnerische Werk, 1949–1979, May 5–June 24. Traveled to Kunstmuseum Hannover mit Sammlung Sprengel, Hanover, Germany, Aug. 19–Sept. 23. Exh. cat. (Munich: R. Piper, 1979) with essays by Götz Adriani and Karin Thomas.
  • Zimmermann, Monika. “Rauschenberg in Tübingen: Sanfte Verführung zur alltäglichen Wahrheit.” Frankfurter Allgemeine Zeitung (Frankfurt), June 8, 1979.
  • Glozer, Laszlo. “Vision aus Mischtechnik.” Süddeutsche Zeitung (Munich), June 16, 1979, p. 14.
  • Franzke, Andreas. “Robert Rauschenberg. Zeichnungen, Gouachen, Collagen. 1949 bis 1979.” Pantheon (Munich) 37, no. 4 (Oct.–Dec. 1979), p. 322.
 
Center for Music, Drama and Art, Lake Placid, N.Y., Hiccups, June 28–July 15.
 
Musée de Toulon, France, Rauschenberg, July 14–Sept. 23. Exh. cat. with introduction by Marie Claude Beaud and essay by François Bazzoli.
  • Gibson, Michael. “Recent Rauschenbergs in a Toulon Museum.” International Herald Tribune (Paris), Sept. 11, 1979, p. 6.
 
Multiples, New York, Rauschenberg, Sept. 18–Oct. 6. Exh. brochure.
 
Sonnabend Gallery, New York, Slides, Sept. 29–Oct. 20.
  • Rickey, Carrie. “Robert Rauschenberg, Sonnabend Gallery.” Artforum (New York) 18, no. 4 (Dec. 1979), pp. 73–74.
 
Palm Springs Desert Museum, Calif., Robert Rauschenberg: Publicons, Nov. 3–Dec. 2.
 
Gemini G.E.L., Los Angeles, Rookery Mounds, Nov. 16–Dec. 31.
 
Castelli Graphics, New York, Robert Rauschenberg: Rookery Mounds Lithographs and Etchings from Glacial Decoy, Dec. 8, 1979–Jan. 5, 1980.
  • Kramer, Hilton. “Art: Photos Evoke Lost World of Japan.” New York Times, Dec. 21, 1979, sec. C, p. 23.
 
Institute of Contemporary Art, Virginia Museum, Richmond, Rauschenberg: Prints/Multiples, Dec. 18, 1979–Jan. 22, 1980. Exh. brochure with essay by Jean Crutchfield.
 
1980
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg, Feb. 3–27.
  • Shroder, Tom. “A Show to Put You on the Map.” Fort Myers News-Press (Fla.), Feb. 2, 1980, sec. D, pp. 1, 4.
  • Bennett, Gale. “Rauschenberg: A Modern Master.” Fort Myers News-Press (Fla.), Feb. 8, 1980, sec. D, pp. 1, 5.
  • DelFavero, Nancy. “Rauschenberg’s Exhibit—‘Tell Me what It All Means!’” Island Reporter (Pinellas County, Fla.), Feb. 8, 1980, sec. A, pp. 1, 35.
 
University Gallery of Fine Art, Ohio State University, Columbus, Rauschenberg, Feb. 14–March 16. Exh. brochure with essay by W. Ann Reynolds.
 
Visual Arts Museum, School of Visual Arts, New York, Variable Editions, March 11–28.
 
Staatliche Kunsthalle, Berlin, Rauschenberg: Werke 1950–1980, March 23–May 4. Traveled to Kunsthalle Düsseldorf, June 7–July 13; Louisiana Museum of Modern Art, Humlebaek, Denmark, Sept. 20–Nov. 25; Städel, Frankfurt, Dec. 4, 1980–Jan. 18, 1981; Städtische Galerie im Lenbachhaus, Munich, Feb. 4–April 5, 1981; Tate Gallery, London (as Robert Rauschenberg), April 29–June 14, 1981. Exh. cat. (Berlin, in English and German) with essays by Lawrence Alloway and William S. Lieberman and previously published essays by Götz Adriani and Douglas M. Davis. Exh. cat. (Louisiana Revy, Louisiana Museum of Modern Art, 21, no. 1, Sept. 1980) with essays by Øystein Hjort and Steingrim Laursen and Mikael Wivel; previously published essays by Lawrence Alloway, John Gruen, and Alan R. Solomon; and previously published interview with Rauschenberg by André Parinaud. Exh. brochure (London) with introduction by Alan Bowness. Exh. cat. (Frankfurt).
  • Großkopf, Annegret. “Ein Mann, der Kunst aus Krempel macht.” Stern (Hamburg), no. 13/1980 (March 20, 1980), pp. 180–87.
  • Ohff, Heinz. “Synthese aus Kunst und Anti-Kunst.” Der Tagesspiegel (Berlin), March 21, 1980, p. 4.
  • Sarduy, Severo. “Robert Rauschenberg: Miroir givré.” Art Press (Paris), no. 36 (April 1980), pp. 10–11.
  • Wivel, Mikael. “En week-end i reservatet.” Informatíon (Copenhagen), May 3–4, 1980, pp. 16–17.
  • Blechen, Camilla. “Inmitten der Bilderflut.” Du (Zurich), no. 472 (June 1980), p. 80.
  • Haase, Amine. “Der Draufgänger von einst wurde sanft.” Kölner Stadt-Anzeiger (Cologne), June 24, 1980.
  • Kocks, Dirk. “Robert Rauschenberg, Werke 1950–1980.” Pantheon (Munich) 38, no. 4 (Oct.–Dec. 1980), pp. 316–17.
  • Nicol, Gabriele. “Mit dem Auto fuhr der Freund übers Papier.” Frankfurter Neue Presse (Frankfurt), Dec. 4, 1980.
  • von Helmolt, Christa. “Den Betrachter aus der Passivität locken.” Frankfurter Allgemeine Zeitung (Frankfurt), Dec. 15, 1980.
  • Giessler, Ursula. “Oder man nehme ein Bett.” Saarbrücker Zeitung (Saarland, Germany), Dec. 17, 1980.
  • Müller-Mehlis, Reinhard. “Robert Rauschenberg.” Weltkunst (Munich) 51, no. 5 (March 1, 1981), pp. 532–35.
  • Mejias, Jordan. “Rauschenberg.” Vogue Deutsch (Munich) (April 1981), pp. 126–29, 160.
  • Januszczak, Waldemar. “Robert Rauschenberg.” Guardian (London), April 29, 1981, p. 10.
  • “Trans World: Rauschenberg at the Tate.” Horizon (Tuscaloosa, Ala.) 24, no. 5 (May 1981), p. 15.
  • Geddes-Brown, Leslie. “The Artist Who Turns a Hanging into a Happening.” Sunday Times (London), May 3, 1981.
  • Vaizey, Marina. “The Man Who Turned Life into a Stage Set.” Sunday Times (London), May 3, 1981.
  • Taylor, John Russell. “Works That Live Dangerously.” Times (London), May 5, 1981, p. 7.
  • McEwen, John. “Now and Zen.” Spectator (London) 246, no. 7975 (May 16, 1981), p. 27.
  • Phillips, Antonia. “Cleaning Up.” Times Literary Supplement (London), May 22, 1981.
  • Newman, Michael. “Rauschenberg Re-Evaluated.” Art Monthly (London), no. 47 (June 1981), pp. 7–10.
  • Shone, Richard. “Current and Forthcoming Exhibitions: London.” Burlington Magazine (London) 123, no. 940 (July 1981), p. 436.
 
Galerie Ileana Sonnabend, Paris, Robert Rauschenberg: A Portfolio of Twelve Photographs, March 24–April 30.
  • Bréerette, Geneviève. “Les photos ‘combinées’ de Rauschenberg.” Le Monde (Paris), April 7, 1980.
  • Nuridsany, Michel. “Rauschenberg photographe.” Le Figaro (Paris), April 9, 1980.
 
Leo Castelli, New York, Spreads and Scales, March 29–April 19.
 
Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: Ft. Myers, Florida, April 20–May 30.
 
Ace Gallery, Los Angeles, Three of the Cloisters Series, April 24–Aug. 15.
 
Anniston Museum of Natural History, Ala., Rauschenberg: A Retrospective of Lithographs, Paintings and Drawings from Castelli Graphics, New York, June 6–Sept. 6. Traveled to Fay Gold Gallery, Atlanta, Jan. 9–Feb. 15, 1981. Exh. cat.
  • Pousner, Howard. “Anniston Goes Rauschenberg.” Atlanta Constitution, June 6, 1980, sec. B, pp. 1, 5.
  • Smith, Helen C. “Rauschenberg Exhibit Has Distractions with Design.” Atlanta Journal-Constitution, July 20, 1980, sec. E, p. 3.
  • Burnett, W. C. “A Study in Contrasts, Rauschenberg’s Subtle Work Catches On.” Atlanta Journal, Jan. 27, 1981.
 
Ace Gallery, Venice, Calif., Rauschenberg: Paintings, Sept. 4–30.
 
Cranbrook Academy of Art, Bloomfield Hills, Mich., Robert Rauschenberg: Recent Work, Sept. 14–Oct. 26.
 
Thomas Babeor Gallery, San Diego, Hoarfrosts, Bones and Publicons, Oct. 1–30.
 
Fendrick Gallery, Washington, D.C., Robert Rauschenberg: New Editions, Oct. 3–25.
 
Baltimore Museum of Art, Robert Rauschenberg: 1970–1980, Oct. 5–Nov. 30.
  • Dorsey, John. “Rauschenberg: An Appraisal.” Baltimore Sun, Oct. 19, 1980, sec. D, pp. 1, 3.
  • Stevens, Elisabeth. “Robert Rauschenberg: The Cardboard Realist Communicates.” Baltimore Sun, Oct. 24, 1980, sec. B, p. 1.
 
Magnuson Lee Gallery, Boston, Robert Rauschenberg: Lithographs, Etchings and Photographs, opened Oct. 10.
 
Ace Gallery, Vancouver, Robert Rauschenberg: Cloister Series, Oct. 28–Nov. 30.
 
B. R. Kornblatt Gallery, Baltimore, Robert Rauschenberg Multiples, Nov. 8–Dec. 6.
  • Stevens, Elisabeth. “At the Kornblatt: Baltimoreans Have a Third Chance to Look at Rauschenberg’s Art.” Baltimore Sun, Dec. 2, 1980, sec. B, p. 6.
 
Galleriet, Lund, Sweden, Rookery Mounds and More, Nov. 29–Dec. 21.
 
1981
 
New Gallery of Contemporary Art, Cleveland, Ohio, Robert Rauschenberg: Recent Works: Spreads, Drawings, Etchings, Photographs, Jan. 6–Feb. 21.
 
Gallery Gemini, Palm Beach, Fla., Robert Rauschenberg: Recent Paintings, Jan. 13–23.
  • Wolff, Millie. “Rauschenberg’s Life Is Never an Empty Canvas.” Palm Beach Daily News (Fla.), Jan. 9, 1981, p. 5.
 
Galerie Watari, Tokyo, Robert Rauschenberg: A Portfolio of Twelve Photographs, Jan. 16–Feb. 10.
 
Clara Hatton Gallery and Lory Student Center Gallery, Colorado State University, Fort Collins, Rauschenberg in the Rockies, March 3–April 3. Traveled to Boise Gallery of Art, April 11–May 10; Aspen Center for the Visual Arts, May 29–July 15; Colorado Springs Fine Arts Center, Aug. 15–Oct. 4; Northern Arizona University Art Gallery, Flagstaff, Oct. 8–Nov. 6; Sangre de Cristo Arts Center, University of Southern Colorado, Pueblo, Feb. 3–28, 1982; University of Wyoming, Laramie, March 14–April 11, 1982; Walter Phillips Gallery, Banff Centre School of Fine Arts, Canada, May 9–June 2, 1982; Arvada Center for the Arts and Humanities, Colo., June 25–July 29, 1982; New Mexico Museum of Fine Arts, Santa Fe, Aug. 13–Sept. 26, 1982; Laguna Gloria Art Museum, Austin, Oct. 29–Dec. 12, 1982. Exh. brochure (Pueblo). Exh. cat. (Fort Collins) with essay by Ron G. Williams.
 
Sable-Castelli Gallery, Toronto, Robert Rauschenberg, March 14–28.
 
Sonnabend Gallery, New York, Rauschenberg at Sonnabend: Photems, March 28–April 25.
 
Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Rauschenberg Photographe, April 15–May 27. Traveled to Musée Cantini, Marseille, Nov. 15–Dec. 15; Musée des Beaux-Arts, Saint Étienne, Jan. 6–Feb. 28, 1982; Moderna Museet, Stockholm, March 15–April 30, 1982; Aarhus Kunstmuseum, Denmark, May 22–June 15, 1982; Forte di Belvedere, Florence, July 2–Aug. 27, 1982; Neue Galerie, Aachen, Germany, Sept. 10–Oct. 17, 1982. Exh. cat. (Paris: Photogravure Bussière Arts Graphiques) with statement by Rauschenberg and interview with Rauschenberg by Alain Sayag. Exh. cat. (Florence: Fratelli Alinari Editrice) Robert Rauschenberg fotografia.
 
Styria Studio, New York, Arcanum I–XIII, May 14–June 27. Exh. brochure (Arcanum I–XIII: Rauschenberg).
 
Gemini G.E.L., Los Angeles, American Pewter with Burroughs, Aug. 26–Oct. 7.
 
Institute of Contemporary Art, Boston, Photems, Sept. 16–Nov. 1.
  • Bethoney, Jessica. “Photems That Serve as Modern Totems.” Boston Globe, Oct. 15, 1981, p. 44.
  • Fondiller, Harvey V. “Shows We’ve Seen.” Popular Photography (New York) 88, no. 12 (Dec. 1981), pp. 50, 52.
  • Allara, Pamela. “Robert Rauschenberg: Institute of Contemporary Art; Magnuson Lee; Jasper Johns: Thomas Segal.” Artnews (New York) 81, no. 4 (April 1982), pp. 176, 178.
 
Mayor Gallery, London, Robert Rauschenberg: Drawings, Oct. 12–Nov. 14.
 
Gibbes Art Gallery, Charleston, S.C., Photos In + Out City Limits: Charleston, Oct. 27–Dec. 10.
  • Weiss, Marjorie. “Artist’s Photographs Exhibited.” News and Courier-Evening Post (Charleston, S.C.), Nov. 1, 1981, sec. E, p. 9.
 
Magnuson Lee Gallery, Boston, Photos In + Out City Limits: Boston, Oct. 30–Dec. 12. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Clifford Ackley and statement by Rauschenberg. Standard and deluxe editions.
  • McLaughlin, Jeff. “A Photographer’s Eye for Freshness in Boston’s Familiar Sights.” Boston Globe, Nov. 2, 1981, p. 38.
  • Allara, Pamela. “Robert Rauschenberg: Institute of Contemporary Art; Magnuson Lee; Jasper Johns: Thomas Segal.” Artnews (New York) 81, no. 4 (April 1982), pp. 176, 178.
 
Grimaldis Gallery, Baltimore, Photos In + Out City Limits: Baltimore, Nov. 5–29. Exh. brochure.
  • Stevens, Elisabeth. “Rauschenberg’s Camera Is an Unselective Eye.” Baltimore Sun, Nov. 6, 1981, sec. B, p. 5.
  • Schoettler, Carl. “Robert Rauschenberg’s Instants of Baltimore.” Baltimore Sun, Nov. 27, 1981, sec. B, pp. 1, 9.
 
Rosamund Felsen Gallery, Los Angeles, Photos In + Out City Limits: Los Angeles, Dec. 31, 1981–Jan. 23, 1982.
  • Johnstone, Mark. “Ambiguous Images of the City.” Artweek (Oakland) 13, no. 2 (Jan. 16, 1982), p. 11.
  • Rauschenberg, Robert. “In + Out City Limits: Los Angeles.” Images and Issues (Santa Monica, Calif.) 2, no. 4 (Spring 1982), pp. 52–55.
 
1982
 
Sonnabend Gallery, New York, Photos In + Out City Limits: New York C., Jan. 9–30. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Colta Ives and statement by Rauschenberg. Standard and deluxe editions.
 
Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: 6 Cities’ 40, Jan. 17–26.
  • Kohen, Helen L. “Rauschenberg’s Camera Finds Details Inch by Inch.” Miami Herald, Feb. 7, 1982, sec. L, p. 8.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The First Footage of the 1/4 Mile or 2 Furlong Piece, Feb. 6–26.
  • Faulkner, Mary. “A 1/4 Mile of Design.” Fort Myers News-Press (Fla.), Feb. 6, 1982, sec. D, p. 1.
 
Gloria Luria Gallery, Bay Harbor Islands, Fla., Robert Rauschenberg: Photems, Feb. 12–March 3.
  • Kohen, Helen L. “Rauschenberg’s Camera Finds Details Inch by Inch.” Miami Herald, Feb. 7, 1982, sec. L, p. 8.
 
Hara Museum of Contemporary Art, Tokyo, Rauschenberg Print Exhibition, Feb. 19–April 11. Organized in collaboration with Colorado State University, Fort Collins and Gemini G.E.L. Exh. brochure (in English and Japanese) with introduction by Toshio Hara and essay by Teruo T. Fujieda.
 
Castelli Graphics, New York, Robert Rauschenberg: The Razorback Bunch I–VII, April 3–24.
 
Galleriet, Lund, Sweden, Arcanum I–XIII, May 8–30.
 
Long Beach Museum of Art, Calif., Prints by Robert Rauschenberg, July 4–Aug. 29.
 
Flow Ace Gallery, Paris, Robert Rauschenberg: Sculpture, Oct. 23–Nov. 27.
  • Millet, Catherine. “Robert Rauschenberg: Le corps morcelé de la sculpture.” Art Press (Paris), no. 90 (March 1985), pp. 15–18.
 
Van Straaten Gallery, Chicago, Rauschenberg: Paintings and Works on Paper, Nov. 6–Dec. 10.
  • Artner, Alan G. “Rauschenberg: Collaborating Again, Then Off to See the World.” Chicago Tribune, Nov. 14, 1982, sec. 6, pp. 22–23.
  • Lyon, Christopher. “Rauschenberg’s Show a Work of Art.” Chicago Sun-Times, Nov. 28, 1982.
 
Gemini G.E.L., Los Angeles, 7 Characters, Nov. 18–Dec. 31. Exh. cat. with introduction by Donald Saff.
 
Museum of Modern Art, New York, Rauschenberg in China, Dec. 2, 1982–Feb. 1, 1983.
  • Larson, Kay. “Rauschenberg’s Renaissance: Three Exhibitions Show Artist at a New Peak.” New York 16, no. 1 (Dec. 27, 1982–Jan. 3, 1983), pp. 50–56.
  • “Rauschenberg in China.” Print Collector’s Newsletter (New York) (Jan.–Feb. 1983), p. 213.
  • Hughes, Robert. “The Arcadian as Utopian: Rauschenberg’s Rhapsodic Energies Fill Four Manhattan Shows.” Time (New York) 121, no. 4 (Jan. 24, 1983), pp. 74, 77.
  • Silverthorne, Jeanne. “Robert Rauschenberg: Castelli Gallery, Sonnabend Gallery, Museum of Modern Art.” Artforum (New York) 21, no. 8 (April 1983), pp. 75–76.
 
Leo Castelli, 142 Greene Street, and Sonnabend Gallery, 112 and 136 Greene Street, New York, Rauschenberg on Greene Street: Kabal American Zephyr, Japanese Clay Works, Japanese Recreational Clayworks, 7 Characters, Chinese Summerhall, Dec. 31, 1982–Jan. 21, 1983.
  • Brenson, Michael. “Art People: Rauschenberg Giant Photo.” New York Times, Oct. 29, 1982, sec. C, p. 21.
  • Larson, Kay. “Rauschenberg’s Renaissance: Three Exhibitions Show Artist at a New Peak.” New York 16, no. 1 (Dec. 27, 1982–Jan. 3, 1983), pp. 50–56.
  • Herrera, Hayden. “Rauschenberg’s Scroll.” Connoisseur (New York) 213, no. 851 (Jan. 1983), pp. 57–61.
  • Benbow, Charles. “Graphicstudio: Mechanism for an Artistic Triumph.” St. Petersburg Times (Fla.), Jan. 11, 1983, sec. D., pp. 1, 5.
  • Groenfeldt, Tom. “The Riddle of Rauschenberg: New Pieces Perpetuate Puzzle.” Record (Hackensack, N.J.), Jan. 14, 1983, sec. B, pp. 1, 8.
  • Hughes, Robert. “The Arcadian as Utopian: Rauschenberg’s Rhapsodic Energies Fill Four Manhattan Shows.” Time (New York) 121, no. 4 (Jan. 24, 1983), pp. 74, 77.
  • Rowes, Barbara. “Painter Robert Rauschenberg Takes a Trip to China and Pops Back with New Shows and New Vitality.” People (New York) 19, no. 3 (Jan. 24, 1983), pp. 82–83.
  • Smith, Roberta. “Clashes of Titans, Kisses of Death.” Village Voice (New York), Jan. 25, 1983, pp. 83, 85.
  • Schiebler, Ralf. “Rauschenberg im Land des Lächelns.” Weltkunst (Munich) (March 1, 1983), p. 582.
  • Bell, Jane. “New York Reviews: Robert Rauschenberg: Leo Castelli, Sonnabend, the Exhibition Space.” Artnews (New York) 82, no. 4 (April 1983), p. 149.
  • Marano, Lizbeth. “Robert Rauschenberg at Castelli Greene Street and Sonnabend.” Art in America (New York) 71, no. 4 (April 1983), pp. 179, 182–83.
  • Silverthorne, Jeanne. “Robert Rauschenberg: Castelli Gallery, Sonnabend Gallery, Museum of Modern Art.” Artforum (New York) 21, no. 8 (April 1983), pp. 75–76.
 
1983
 
Malmö Konstmuseum, Sweden, Selections from ‘In + Out City Limits: New York C.’, Feb. 3–March 14. Traveled to Tranegården, Gentofte, Denmark, June 4–26; Nordjyllands Kunstmuseum, Aalborg, Denmark, July 2–Aug. 28; Esbjerg Art Museum, Denmark, Sept. 3–25; Kunstverein, Hamburg, Jan.–Feb. 1984.
 
Flow Ace Gallery, Los Angeles, Robert Rauschenberg: A Selection of Work from the Last Decade, March 16–April 9.
 
Gallery of Fine Arts, Daytona Beach Community College, Fla., Robert Rauschenberg: Photographer, May 16–June 19. Exh. brochure.
  • Murphy, Drew. “Time Needed to Savor Rauschenberg Images.” Daytona Beach Sunday News-Journal (Fla.), May 22, 1983, sec. D, p. 5.
 
Art Center, Jingxian, People’s Republic of China, Robert Rauschenberg: 7 Characters, Unique Collages, June–July.
 
14th International Festival of Photography, Arles, France, Abbaye Montmajour, Robert Rauschenberg: La Chine sur 33 metres (100 Feet Long China Picture), July 7–Aug. 6. Exh. cat.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The Second Footage of the 1/4 Mile or 2 Furlong Piece, July 22–Sept. 9.
  • Faulkner, Mary. “Best Footage Forward.” Fort Myers News-Press (Fla.), July 22, 1983, sec. D, pp. 1, 4.
  • Meardon, David. “Rauschenberg’s ‘Second Footage’ Opens at ECC.” Islander (Sanibel, Fla.), July 26, 1983, sec. A, p. 14.
  • Faulkner, Mary. “Mixed Reactions Provide Footage for Artist Robert Rauschenberg.” Fort Myers News-Press (Fla.), Aug. 14, 1983, sec. E, p. 3.
 
Galleria di Franca Mancini, Pesaro, Italy, Rauschenberg/Performance: 1954–1979, Aug. 11–Sept. 30. Expanded version traveled as Rauschenberg/Performance: 1954–1984 to Arthur A. Houghton Jr. Gallery, Cooper Union, New York, Dec. 7–22; Contemporary Arts Museum, Houston, May 12–June 24, 1984; Cleveland Center for Contemporary Art, Ohio, Sept. 7–Oct. 8, 1984; North Carolina Museum of Art, Raleigh, Dec. 18, 1984–Feb. 17, 1985; Norton Gallery and School of Art, West Palm Beach, Fla., March 9–April 23, 1985; University Art Museum, California State University, Long Beach, July 15–Sept. 15, 1985. Exh. cat. with introduction by Franca Mancini (in Italian and English) and essays by Alberto Boatto and Nina Sundell. Exh. cat. (Cleveland) with introduction by Marjorie Talalay and essay by Sundell.
  • Crisafi, Claudio. “I 3 cavalieri dell’happening.” L’Unità (Rome), Sept. 22, 1983, p. 10.
  • Bird, David, and Maurice Carroll. “New York Day by Day.” New York Times, Dec. 8, 1983, sec. B, p. 3.
  • McEvilley, Thomas. “Robert Rauschenberg, Houghton Gallery, Cooper Union.” Artforum (New York) 22 (March 1984), p. 92.
  • “Rauschenberg Exhibit at Norton.” Palm Beach Daily News (Fla.), March 5, 1985, p. 5.
  • Apple, Jacki. “Revisiting a Frontier.” Artweek (Oakland) 16, no. 29 (Sept. 7, 1985), cover and p. 5.
 
Gemini G.E.L., Los Angeles, Studies for Chinese Summerhall, Aug. 31–Oct. 12.
 
Douglas Elliott Gallery, San Francisco, Rauschenberg Photos, Sept. 13–Oct. 28.
  • Graham, Marna C. “Photography: A Restless, Inquiring Eye.” Artweek (Oakland) 14, no. 34 (Oct. 15, 1983), pp. 11–12.
 
Castelli Graphics, New York, Rauschenberg: Photogravures, Sept. 17–Oct. 8.
 
Maryland Institute, College of Art and G. H. Dalsheimer Gallery, Baltimore, Images of China, Oct. 12–Nov. 13.
  • Dorsey, John. “Rauschenberg in China: Collages, Photographs.” Baltimore Sun, Oct. 19, 1983, sec. B, pp. 1, 4.
 
Marianne Friedland Gallery, Toronto, Important Works by Robert Rauschenberg, Oct. 22–Nov. 10.
 
Australian National Gallery, Canberra, Robert Rauschenberg, Dec. 5, 1983–Jan. 31, 1984.
 
1984
 
Gallery of the Port Arthur Public Library, Tex., The Robert Rauschenberg Exhibition, Feb. 4–19. Exh. brochure with introduction by Lynne Lokensgard.
  • Angelle, Denny. “Rauschenberg Exhibit to Feature Collage, Photography.” Port Arthur News (Tex.), Jan. 29, 1984, sec. C, p. 6.
  • Johnson, Patty. “Libraries: Rauschenberg Exhibit Opening in Port Arthur.” Houston Chronicle, Feb. 2, 1984, sec. 6, p. 4.
  • Roberson, Pam. “Rauschenberg Exhibit Reveals Rauschenberg’s Success.” Port Arthur News (Tex.), Feb. 5, 1984, sec. E, pp. 1–2.
  • Everingham, Carol J. “Return of Rauschenberg Worth a Celebration.” Houston Post, Feb. 8, 1984, sec. E, p. 1.
  • Johnson, Patricia C. “Rauschenberg.” Houston Chronicle, Feb. 12, 1984, Zest, pp. 15, 43.
 
Galerie Beyeler, Basel, Rauschenberg, March 12–May. Exh. cat. with texts by Joseph Beuys, William Burroughs, David Byrne, John Cage, Teeny Duchamp, and Andrei Voznesensky and statements by Rauschenberg.
 
Heland Thordén Wetterling Galleries, Stockholm, Robert Rauschenberg, March 15–April 23.
 
Center for the Fine Arts, Miami, The 1st 400 Feet or More than 1/2 a Furlong of the 1/4 Mile or 2 Furlong Piece, May 5–July 2.
  • Hutchinson, Bill. “The World According to Rauschenberg: Clear Skies, Sunny and Warm.” Marquee (Coral Gables, Fla.) 4, no. 6 (May 1984), cover and pp. 16–23, 26–27.
  • Eldridge, John. “One Big Painter.” Miami News, May 4, 1984, sec. C, pp. 1, 10.
  • Chandler, Mary. “When Will This Work End? He Can’t Tell.” Miami Herald, May 5, 1984, sec. C, pp. 1–2.
  • Ahlander, Leslie Judd. “Rauschenberg ‘Furlong’ Expands Art’s Horizons.” Miami News, May 18, 1984, sec. C, p. 2.
  • Cox, Petey. “Robert Rauschenberg.” Miami Today, May 24, 1984, p. 7.
  • Kohen, Helen L. “‘1/4 Mile’ Makes Art an Experience.” Miami Herald, May 27, 1984, sec. L, pp. 1, 6.
  • Felser, Maggie Evans. “Rauschenberg.” Tropic (Miami Herald), June 24, 1984, cover and pp. 14–17.
  • Balmaseda, Liz. “On Guard: This Job Stacks Up as an Intriguing Line of Work.” Miami Herald, July 2, 1984, sec. B, pp. 1–2.
 
Fondation Maeght, Saint-Paul-de-Vence, France, Robert Rauschenberg: Peintures récentes, May 12–June 30. Exh. cat. with introduction by Jean-Louis Prat and essay by Nan Rosenthal.
 
Allen Street Gallery, Dallas, Robert Rauschenberg: Photem Series I, Sept. 8–Oct. 14.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Salvage Series, Oct. 6–9.
 
Sonnabend Gallery, New York, Robert Rauschenberg: New Works, Oct. 20–Nov. 17.
  • Russell, John. “Art: Evoking the World of Some Great Painters.” New York Times, Nov. 2, 1984, sec. 3, p. 20.
 
Fay Gold Gallery, Atlanta, Rauschenberg and Dine, Oct. 26–Nov. 28.
 
Castelli Graphics, New York, Sling-Shots Lit, Dec. 8, 1984–Jan. 5, 1985.
 
1985
 
Fundación Juan March, Madrid, Rauschenberg, Feb. 8–March 24. Traveled to Fundació Joan Miró, Barcelona, March 28–May 19. Exh. cat. with previously published essay by Lawrence Alloway.
  • Figuerola-Ferretti, Luis. “El arte en Madrid: De la modernidad actual de Rauschemberg [sic] a la vanguardia rusa.” Goya (Madrid), no. 186 (May–June 1985), pp. 395–96.
 
B. R. Kornblatt Gallery, Washington, D.C., Sling-Shots Lit, March 2–April 5.
  • Allen, Jane Addams. “Windows and Books Speak for Two Artists.” Washington Times, March 1, 1985, sec. B, p. 2.
  • Heller, Nancy G. “Shades of Pop Art at B. R. Kornblatt, Robert Rauschenberg’s ‘Sling Shots.’” Washington Post, March 28, 1985, sec. B, p. 7.
 
Gemini G.E.L., Los Angeles, Sling-Shots Lit, March 3–April 14.
 
John and Mable Ringling Museum of Art, Sarasota, Fla., Robert Rauschenberg: Works from the Salvage Series, March 20–May 19. Exh. brochure with text by Mark Ormond.
  • Allyn, Rex. “Rauschenberg Does More than Paint: He Starts the Cycle.” Sarasota Herald-Tribune (Fla.), March 24, 1985, sec. F, p. 4.
  • Kohen, Helen L. “‘Salvage Series’: Farewell for Now.” Miami Herald, March 31, 1985, sec. L, p. 2.
  • Benbow, Charles. “‘Salvage’ a Fitting Title for Rauschenberg Display.” St. Petersburg Times (Fla.), April 26, 1985, sec. D, p. 7.
  • Altabe, Joan. “Robert Rauschenberg.” Splash (Sarasota, Fla.), May 1985, p. 7.
 
Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, Rauschenberg Overseas Culture Interchange: ROCI MEXICO, April 17–June 23. Exh. brochure (El soñado mundo de Rauschenberg: ROCI) with introduction by Robert R. Littman, statement by Rauschenberg, poem by Octavio Paz, and previously published essay by Robert Hughes. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Littman, previously published essay by Hughes, previously published statement by Rauschenberg, and previously published poem by Paz.
  • Brena, Angelina Camargo. “Rauschenberg comienza su mensaje de paz.” Excélsior (Mexico City), April 17–18, 1985, p. 1.
  • MacMasters, Merry. “‘El soñado mundo de Rauschenberg.’” El Nacional (Mexico City), April 19, 1985, sec. 2, p. 7.
  • Lenti, Paul. “‘The Dreamt World of Rauschenberg’ Begins Its Tour in Mexico.” News (Mexico City), April 20, 1985, p. 19.
  • Maxim, John. “With Myriad of Materials, Collage Master Creates a World.” News (Mexico City), April 20, 1985, p. 18.
  • Tibol, Raquel. “Rauschenberg como cuerpo de paz.” Proceso (Mexico City), no. 422 (April 22, 1985), pp. 51–52.
  • Manrique, Jorge Alberto. “Rauschenberg en Mexico.” La Jornada (Mexico City), April 23, 1985, Cultura, p. 27.
  • Gaitan-Rolo, Héctor. “Desparpajo y humor en Rauschenberg.” Punto (Mexico City) 3, no. 130 (April 29–May 5, 1985), pp. 19–20.
  • Alloway, Lawrence. “La evolución de Rauschenberg.” Revista vuelta (Mexico City), no. 102 (May 1985), pp. 52–60.
  • Hahn, Dorothea. “Exposiciones como las de Rauschenberg son negativas y mercantiles: El pintor rené allí.” Uno más uno (Mexico City), June 11, 1985, Cultura, p. 19.
 
Museo Nacional de Bellas Artes, Santiago, Rauschenberg Overseas Culture Interchange: ROCI CHILE, July 17–Aug. 18. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Robert R. Littman, previously published essay by Robert Hughes, previously published statement by Rauschenberg, and previously published poem by Octavio Paz.
  • Calas, Nicolas, and Elena Calas. “El arte de Rauschenberg.” El Mercurio (Santiago), Oct. 28, 1984, sec. E, p. 1.
  • Lafourcade, Enrique. “Rauschenberg en Chile.” El Mercurio (Santiago), Oct. 28, 1984, sec. E, p. 1.
  • “Artista estadounidense: Llega R. Rauschenberg.” El Mercurio (Santiago), July 14, 1985, sec. C, p. 5.
  • “En Santiago artista Robert Rauschenberg.” El Mercurio (Santiago), July 15, 1985, sec. C, p. 1.
  • “Mañana se inaugura muestra Rauschenberg.” El Mercurio (Santiago), July 16, 1985, sec. C, p. 1.
  • Sommer, Waldemar. “Rauschenberg, el gozo creador.” El Mercurio (Santiago), July 21, 1985, sec. E, p. 1.
  • Meza, María Eugenia. “Veintecinco años de juego.” Ercilla (Santiago), no. 2608 (July 30, 1985), pp. 26–28.
 
Museo de Arte Contemporáneo de Caracas, Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA, Sept. 12–Oct. 27. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Robert R. Littman, previously published essay by Robert Hughes, previously published statement by Rauschenberg, and previously published poem by Octavio Paz. Exh. cat. (Rauschenberg) with additional essays by David Galloway and Arturo Uslar Pietri.
  • Galloway, David. “Rauschenberg, dócil e indomable.” El Universal (Caracas), Sept. 1, 1985, sec. 4, p. 1.
  • Díaz, Rafael Pedraza. “Rauschenberg, o cómo trabajar en la brecha que separa el arte de la vida.” El Universal (Caracas), Sept. 9, 1985, sec. 4, p. 1.
  • Calcano, Isabel Cristina. “Trying to Bring Art and Different Cultures Closer.” Daily Journal (Caracas), Sept. 12, 1985, pp. 14–15.
  • Comeriati, Mara. “Rauschenberg vino en misión de paz.” El Nacional (Caracas), Sept. 12, 1985, sec. C, p. 16.
  • Hernández, María Angélica. “El arte es una rareza del mundo.” El Diario (Caracas), Sept. 12, 1985, Arte y espectáculos, p. 52.
  • Borges, Ignacio Iribarren. “Robert Rauschenberg: Una experiencia compartida.” El Universal (Caracas), Sept. 14, 1996, sec. 4, p. 1.
  • Alloway, Lawrence. “La evolución de Rauschenberg Y (II).” Suplemento cultural (Caracas), Sept. 15, 1985, pp. 8–9.
  • Manaure, Mateo. “Rauschenberg en el Museo de arte contemporáneo de Caracas.” El Universal (Caracas), Sept. 15, 1985, sec. 4, p. 1.
  • López, Pedro, and Susana Montesinos. “Rauschenberg testimonia el cataclismo del cambio total.” Maracay (Maracaibo, Venezuela), Sept. 17, 1985, sec. A, p. 12.
  • “Una exposición con materiales desechables.” Auténtico (Caracas), Sept. 20, 1985, pp. 36–37.
  • Jiménez, Ariel. “Del hombre para el hombre.” El Universal (Caracas), Sept. 22, 1985, sec. 4, p. 1.
  • Marcano, Jesús Rosas. “La cita es con Rauschenberg.” El Diario (Caracas), Sept. 22, 1985, Ciudad, p. 2.
  • Jiménez, Maritzá. “Rauschenberg, otro domingo de triunfo en el MACC.” El Universal (Caracas), Sept. 23, 1985, sec. 4, p. 1.
  • Maldonado, Domingo. “El impactante Rauschenberg.” Momento (Caracas), Sept. 23, 1985, p. 46.
  • Pietri, Arturo Uslar. “Un arte de fin de mundo.” El Nacional (Caracas), Sept. 23, 1985, sec. A, p. 4.
  • Calcano, Isabel Cristina. “Trying to Understand ROCI.” Daily Journal (Caracas), Sept. 24, 1985, Arts, p. 15.
  • Weeks, Sally. “Art Exhibit to Grow as It Goes.” Chicago Tribune, Sept. 26, 1985, Tempo, p. 14.
  • Ramos, María Elena. “Del desecho al encantamiento: Robert Rauschenberg.” El Nacional (Caracas), Sept. 29, 1985, Feriado, p. 6.
  • Ribes, María Ramírez. “El mundo soñado por Rauschenberg.” El Universal (Caracas), Sept. 29, 1985, sec. 4, p. 1.
  • Niño, William Araque. “El gesto del atrapamiento.” El Universal (Caracas), Sept. 30, 1985, sec. 4, p. 1.
  • Vigas, Oswaldo. “Rauschenberg y el tercer mundo.” El Universal (Caracas), Oct. 5, 1985, sec. 4, pp. 1–2.
  • Volkenborn, Anne-Louise. “Rauschenberg Style Influencing Local Artists.” Daily Journal (Caracas), Oct. 18, 1985, Weekend, p. 16.
  • Castro, Roberto Montero. “El tratado de la realidad.” El Universal (Caracas), Oct. 27, 1985, sec. 4, p. 1.
  • Stein, Axel. “Venezuela: Cultura infartada.” El Universal (Caracas), Oct. 28, 1985, sec. 4, pp. 1–2.
 
Musée Temporaire, Fondation Daniel Templon, Fréjus, France, Robert Rauschenberg: Recent Works, Oct. 30–Nov. 27.
 
National Art Museum of China, Beijing, Rauschenberg Overseas Culture Interchange: ROCI CHINA, Nov. 18–Dec. 5. Exh. brochure (China and Tibet) with essay by Donald Saff, text by Wu Zugang, poem by Laba Pingcuo, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
  • Jin, S. P. “Rauschenberg’s Riddles.” China Daily (Beijing), Nov. 28, 1985, Culture, p. 5. In Chinese.
  • Su, Chun Wuei. “Rauschenberg and His ‘International Exhibition Tour.’” Tibet Daily (Lhasa), Nov. 30, 1985, p. 4.
  • Fine Arts in China (Beijing: Chinese Art Institute) 22, no. 21 (Dec. 1985). Articles by Kong Chang-an, Li Jia-tun, Yu Feng, Yuan Xiaojin, Zhao Jian-hai, Zhu Ye, and Zheng Sheng-tian (in Chinese and English).
 
Tibet Exhibition Hall, Lhasa, Rauschenberg Overseas Culture Interchange: ROCI TIBET, Dec. 2–23. Exh. brochure (China and Tibet) with essay by Donald Saff, text by Wu Zugang, poem by Laba Pingcuo, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
 
Contemporary Arts Museum, Houston, Robert Rauschenberg, Work from Four Series: A Sesquicentennial Exhibition, Dec. 21, 1985–March 16, 1986. Traveled to Marion Koogler McNay Art Museum, San Antonio, April 13–June 8, 1986; Dallas Museum of Art, Dec. 21, 1986–Feb. 8, 1987; Art Museum of South Texas, Corpus Christi, March 11–June 5, 1987. Exh. cat. with essays by Donald Barthelme and Linda L. Cathcart.
  • Everingham, Carol J. “Promoting World Peace Through Art.” Houston Post, Dec. 23, 1985, sec. C, p. 4.
  • Johnson, Patricia C. “Modern Master Shows Awesome Power in Contemporary Arts Museum Exhibit.” Houston Chronicle, Dec. 28, 1985, sec. 5, pp. 1, 8.
  • Berryhill, Michael. “Notice: This Art Is for Fun.” USA Today (Washington, D.C.), Jan. 9, 1986.
  • Crossley, Mimi. “The Rauschenberg Revolution.” Houston Style (Feb. 1986), pp. 53–54.
  • Ennis, Michael. “Rauschenberg Relics.” Texas Monthly (Austin) 14, no. 2 (Feb. 1986), pp. 126, 128–29.
  • Lin, Wendy. “The Boy from Port Arthur.” Art and Antiques (New York) 19, no. 4 (Feb. 1986), pp. 58–61.
  • Marcus, Stanley. “The Found, the Recycled, the Metamorphosed.” Artweek (Oakland) 17, no. 6 (Feb. 15, 1986), cover and p. 1.
  • Becker, Robert. “Art in View.” Interview (New York) (March 1986), pp. 166–67.
  • Welish, Marjorie. “Texas, Japan, etc.: Robert Rauschenberg’s Sense of Place.” Arts Magazine (New York) 60, no. 7 (March 1986), pp. 52–54.
  • Tennant, Donna. “Houston: Robert Rauschenberg, Contemporary Arts Museum.” Artnews (New York) 85, no. 4 (April 1986), pp. 141–42.
  • Goddard, Dan R. “But . . . He’s from Port Arthur.” Sunday Express-News (San Antonio), April 13, 1986, sec. H, p. 7.
  • Solon, Marcia. “Rauschenberg.” San Antonio Light, April 13, 1986, sec. L, pp. 1, 7.
  • Rips, Geoffrey. “Notes on a Native Son.” Texas Observer (Austin) 78, no. 11 (May 30, 1986), pp. 16–17.
  • Graze, Sue. “Robert Rauschenberg, Work from Four Series: A Sesquicentennial Exhibition.” Dallas Museum of Art (Winter 1986–87), pp. 6–7.
  • Pickering, David. “Rauschenberg: American Artist Collides with Life.” Corpus Christi Caller-Times (Tex.), March 15, 1987, sec. H, pp. 1, 3.
 
1986
 
Contemporary Arts Museum, Houston, Robert Rauschenberg: Photographs 1949–1984, Feb. 28–April 20. Exh. brochure.
  • Crossley, Mimi. “The Rauschenberg Revolution.” Houston Post, Feb. 1986, pp. 53–54.
 
Espace Niçois d’Art et de Culture, Nice, Robert Rauschenberg: Peindre, photographier, March 21–May 11. Exh. brochure.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg: Newest Continuation of the 1/4 Mile or 2 Furlong Piece, March 22–26.
  • Rozsa, Lori. “Artist’s Latest Work Shown at College.” Miami Herald, March 23, 1986, sec. B, p. 1.
  • Faulkner, Mary. “Round Three with Rauschenberg a Charm.” Fort Myers News-Press (Fla.), March 25, 1986, sec. D, pp. 1, 3.
 
Gagosian Gallery, New York, Rauschenberg: The White and the Black Paintings 1949–1952, April 18–May 31. Exh. cat. with introduction by Roberta Bernstein.
  • Russell, John. “Art: At Artists Space, 3 Survivors of 1930s.” New York Times, May 2, 1986, sec. 3, p. 28.
  • Feinstein, Roni. “The Early Work of Robert Rauschenberg: The White Paintings, the Black Paintings, and the Elemental Sculptures.” Arts Magazine (New York) 61, no. 1 (Sept. 1986), pp. 28–37.
  • Caley, Shaun. “New York: Robert Rauschenberg: Gagosian.” Flash Art (Milan), no. 131 (Dec. 1986–Jan. 1987), p. 88.
 
Visual Arts Museum, School of Visual Arts, New York, Rauschenberg Photos and Photems, Oct. 20–Nov. 17.
 
Acquavella Contemporary Art, New York, Robert Rauschenberg: Drawings 1958–1968, Oct. 24–Dec. 6. Exh. cat. with essay by Lawrence Alloway.
  • Smith, Roberta. “Art: Drawings by Robert Rauschenberg, 1958–68.” New York Times, Oct. 31, 1986, sec. C, p. 28.
  • Klein, Ellen Lee. “Robert Rauschenberg.” Arts Magazine (New York) 61 (Jan. 1987), p. 122.
 
Leo Castelli, New York, Rauschenberg: Gluts, Nov. 1–29.
 
Setagaya Museum of Art, Tokyo, Rauschenberg Overseas Culture Interchange: ROCI JAPAN, Nov. 22–Dec. 28. Exh. cat. with essay by Donald Saff, interview with Rauschenberg by Yoshiaki Tono, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
  • “Rauschenberg.” Atelier (Tokyo) (Nov. 1986), p. 96.
  • “Rauschenberg.” Yomiuri Shimbun (New York), Nov. 19, 1986, p. 10.
  • McClure, Steve. “Rauschenberg Repays Debt to Japan.” Japan Times Weekly (Tokyo) 26, no. 48 (Nov. 29, 1986), pp. 8–9.
  • “Rauschenberg: Art’s Magician.” Marie Claire (Japan), no. 50 (Jan. 1987), pp. 193–98.
  • “Rauschenberg Overseas Culture Exchange: Japan.” Ikebana Sogetsu (Japan), no. 170 (Feb. 10, 1987), pp. 41–43.
 
Interlink Festival, Akasaka, Japan, Sogetsu Gallery, Rauschenberg: Hiccups, Dec. 1–6. Exh. brochure.
 
1987
 
Metropolitan Museum of Art, New York, Selections from Rauschenberg’s 1/4 Mile or 2 Furlong Piece, Feb. 3, 1987–Jan. 3, 1988.
  • Glueck, Grace. “The Met Makes Its Move into the 20th Century.” New York Times, Jan. 18, 1987, sec. 2, pp. 1, 20.
  • Wallach, Amei. “The Incredible Growing Work of Art.” Newsday (New York), Jan. 21, 1987, Part II, p. 3.
  • Story, Richard David. “Robert Rauschenberg: The Unstoppable Artist Pours Hard Work and Wild Humor into His Pop-Cultural Canvases.” USA Today (Washington, D.C.), Jan. 26, 1987, sec. D, p. 4.
  • Marzorati, Gerald. “Rauschenberg Redux.” Vanity Fair (New York) 50, no. 2 (Feb. 1987), p. 105.
  • Rose, Barbara. “Amazing Space.” Vogue (New York) 177, no. 2 (Feb. 1987), pp. 400–01.
  • Russell, John. “Rauschenberg and Johns: Mr. Outside and Mr. Inside.” New York Times, Feb. 15, 1987, sec. 2, pp. 33–34.
  • McDonald Exum, Helen. “Robert Rauschenberg Makes It to the Met.” Chattanooga News–Free Press (Tenn.), March 1, 1987, sec. K, pp. 1–2.
 
Heland Thordén Wetterling Galleries, Stockholm, Rauschenberg: Paintings on Copper and Stainless Steel, 1985/86, March 6–April 1. Exh. cat. with introduction by Bo Nilsson.
 
Galerie Kaj Forsblom, Helsinki, Robert Rauschenberg: Viimeaikaisia maalauksia, grafiikkaa Recent Works, March 7–April 5. Exh. brochure.
 
BlumHelman Gallery, New York, Robert Rauschenberg: Works on Paper: 1970–1983, March 11–April 4.
 
Barbara Mann Performing Arts Hall Wall, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Gluts, March 26–May 7.
  • Bashaw, Maureen. “Artist Spills His ‘Gluts.’” Fort Myers News-Press (Fla.), March 26, 1987, sec. D, pp. 1, 9.
 
Galerie Denise René Hans Mayer, Düsseldorf, Robert Rauschenberg: Neue Arbeiten, April 21–June 10. Exh. brochure.
 
Galleria Lucio Amelio, Naples, Rauschenberg: Neapolitan Glut, April 24–May 30. Exh. cat. (Rauschenberg) with interview with Rauschenberg by Michele Bonuomo.
 
Gemini G.E.L., Los Angeles, Tibetan Keys and Locks, April 27–June 20.
  • McKenna, Kristine. “The Art Galleries.” Los Angeles Times, May 15, 1987, sec. 6, p. 14.
  • McCloud, Mac. “A Return from the Mountains.” Artweek (Oakland) (June 6, 1987), pp. 7–8.
 
Castelli Graphics, New York, Tibetan Keys and Locks, May 21–June 18.
 
BlumHelman Gallery, Santa Monica, Calif., Robert Rauschenberg: The Gluts, Oct. 29–Dec. 5.
  • Muchnic, Suzanne. “The Galleries: Santa Monica.” Los Angeles Times, Nov. 6, 1987, sec. 6, p. 12.
 
Texas Gallery, Houston, Summer Gluts, Nov. 10–Dec. 6.
 
Waddington Galleries, London, Robert Rauschenberg: Gluts, Nov. 25–Dec. 23. Exh. cat.
 
Blue Sky Gallery, Portland, Oreg., Robert Rauschenberg, Dec. 3, 1987–Jan. 3, 1988.
 
1988
 
BlumHelman Gallery, New York, Robert Rauschenberg: The Glut Series, Jan. 6–30.
 
Pace/MacGill, New York, Robert Rauschenberg: New Pictures, Jan. 21–March 5.
 
Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Rauschenberg Overseas Culture Interchange: ROCI CUBA, Feb. 10–April 3. Exh. brochure with essay by Roberto Fernández Retamar.
  • “ROCI-CUBA.” Cartelera (Havana) 36, no. 310 (Feb. 4–10, 1988), p. 3.
  • Piñera, Toni. “Exposición Rauschenberg en la Habana.” Gramma (Havana), Feb. 9, 1988, Culture/sports, p. 7.
  • Piñera, Toni. “Inaugura Hart la exposición de Rauschenberg.” Gramma (Havana), Feb. 11, 1988, pp. 1, 6.
  • Kohen, Helen L. “An Odyssey to Encourage World Peace” and “To Cuba, with Art.” Miami Herald, Feb. 21, 1988, sec. K, pp. 1–2.
 
Galerie Alfred Kren, Cologne, Robert Rauschenberg: Currents 1970, Feb. 27–March 30.
 
M. Knoedler, New York, Rauschenberg: New Drawings from the Passes Series, May 14–June 2.
  • Heartney, Eleanor. “Robert Rauschenberg.” Artnews (New York) 87, no. 8 (Oct. 1988), p. 167.
 
Galerie Isy Brachot, Brussels, Robert Rauschenberg: Gluts, May 18–Sept. 3. Exh. cat. with introduction and essay by Pierre Sterckx.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Paintings and Gluts, Sept. 15–Oct. 29.
 
BMW Pavilion, Berlin, Robert Rauschenberg: Art Car und neue Objekte, Sept. 22–Oct. 23. Traveled to BMW Pavilion, Munich, Nov. 17, 1988–Jan. 7, 1989. Exh. brochure (in English and German) with text by Marjorie Welish.
 
Heland Wetterling Gallery, Göteborg, Sweden, Robert Rauschenberg: Skupturer and Målningar, Oct. 6–Nov. 20. Exh. brochure.
 
M. Knoedler, New York, Robert Rauschenberg: Shiners, Gluts, Urban Bourbons, Nov. 5–Dec. 1. Exh. brochure.
  • Decter, Joshua. “Robert Rauschenberg.” Arts Magazine (New York) 63 (Feb. 1989), pp. 102–03.
  • MacAdam, Barbara. “Reviews: Robert Rauschenberg: Knoedler.” Artnews (New York) 88, no. 3 (March 1989), p. 170.
 
1989
 
Universal Limited Art Editions, New York, Soviet/American Array, Jan. 13–Feb. 28.
 
Central House of Artists, Tretyakov Gallery, Moscow, Rauschenberg Overseas Culture Interchange: ROCI USSR, Feb. 2–March 5. Exh. brochure with essays by Donald Saff and Yevgeny Yevtushenko, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
  • “Pop-Art on Krimsky Val.” Literatornaya Gazeta (Moscow), Feb. 1989.
  • Simmons, Todd. “Color U.S. Art Exhibit in Moscow a Major Success.” Tampa Tribune, Feb. 3, 1989, sec. A, p. 6.
  • Wallach, Amei. “Rauschenberg Goes to Moscow.” Art in America (New York) 77, no. 3 (March 1989), pp. 21–22.
  • Kotz, Mary Lynn. “Captiva: The ROCI Road Show.” Artnews (New York) 88, no. 6 (Summer 1989), pp. 48, 50.
 
Gemini G.E.L., Los Angeles, Samarkand Stitches, Feb. 16–March 28.
 
Fabian Carlsson Gallery, London, Robert Rauschenberg, March 1–25.
 
Castelli Graphics, New York, Rauschenberg: Samarkand Stitches, March 4–25.
 
Akira Ikeda Gallery, Tokyo, Robert Rauschenberg: New Paintings, May 9–31. Exh. cat.
 
Ace Contemporary Exhibitions, Los Angeles, Rauschenberg: A Selection of Paintings and Sculpture, June.
  • Curtis, Cathy. “The Galleries: Wilshire Center.” Los Angeles Times, June 23, 1989, sec. VI, p. 14.
 
Akira Ikeda Gallery, Nagoya, Frank Stella, Robert Rauschenberg, Sept. 4–30.
 
Heland Wetterling Gallery, Stockholm, Rauschenberg, Sept. 5–Oct. 8. Exh. cat. (Stockholm: Painters Posters in association with Heland Wetterling Gallery, 1990) with text by Donald Saff. Deluxe edition.
 
Heland Wetterling Gallery, Göteborg, Robert Rauschenberg, Sept. 7–21.
 
Fred Hoffman Gallery, Santa Monica, Calif., and Manny Silverman Gallery, Los Angeles, Robert Rauschenberg, The Gemini Works: 1967–1988, Sept. 15–Oct. 14.
 
Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert Rauschenberg Lithographs: Selections from the “Stoned Moon Series”, Sept. 28, 1989–Jan. 16, 1990.
 
M. Knoedler, New York, Robert Rauschenberg: Works, Nov. 1–30. Exh. cat.
  • Bass, Ruth. “Robert Rauschenberg: Knoedler.” Artnews (New York) 89, no. 3 (March 1990), p. 174.
 
Meadows Museum, Southern Methodist University, Dallas, A Tribute to Rauschenberg: Works from Dallas Collections, Nov. 2–25.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg, Nov. 5, 1989–Jan. 31, 1990.
 
San Jose Museum of Art, Calif., Jasper Johns and Robert Rauschenberg: Selections from the Anderson Collection, Dec. 16, 1989–Feb. 4, 1990. Exh. brochure with essay by James Cuno.
 
1990
 
Lorence/Monk Gallery, New York, Rauschenberg Prints, Jan. 6–28.
 
Textile Arts International, Minneapolis, Fabric: A Chosen Medium, Robert Rauschenberg and Lucas Samaras, Jan. 20–Feb. 24.
 
Lang and O’Hara, New York, Robert Rauschenberg: Paintings 1962–1980, Feb. 1–March 3. Traveled to Runkel-Hue-Williams, London, May 3–June 7. Exh. cat.
  • Smith, Roberta. “An 18-Year Journey Through Rauschenberg’s Development.” New York Times, Feb. 16, 1990, sec. C, p. 30.
  • Kramer, Hilton. “Rauschenberg ‘Paintings’ in SoHo: Just Clever Exercises in Layout.” New York Observer, March 5, 1990, pp. 1, 21.
  • Lillington, David. “London Exhibitions: Robert Rauschenberg at Runkel Hue Williams.” Arts Review (London) 42, no. 10 (May 18, 1990), p. 258.
  • Goldman, Saundra. “Robert Rauschenberg: Lang and O’Hara.” Artnews (New York) 89, no. 6 (Summer 1990), p. 166.
 
Projects Room, Scott Hanson Gallery, New York, Robert Rauschenberg: China Mix, Feb. 3–24. Exh. brochure with text by Tricia Collins and Richard Milazzo.
 
Neue Berliner Galerie, Altes Museum, Berlin, Rauschenberg Overseas Culture Interchange: ROCI BERLIN, March 10–April 1. Exh. brochure with essay by Donald Saff, text by Heiner Müller, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
  • Kamm, Henry. “Rauschenberg Show Heralds Union of the Arts in Berlin.” New York Times, March 10, 1990, pp. 11, 14.
  • Oesterreich, Volker. “Pop-Art Made in USA—Ost-Berlin im Farbrausch.” Berliner Morgenpost (Berlin), March 11, 1990, p. 1.
  • Wiegenstein, Roland H. “Kurzer Aufenthalt zwischen Moskau und Kuala Lumpur.” Frankfurter Rundschau (Frankfurt), March 13, 1990, p. 9.
  • Müller, Dorothee. “Spaziergänger zwischen den Kulturen.” Süddeutsche Zeitung (Munich), March 22, 1990, p. 45.
  • Kipphoff, Petra. “Pelikan in Preußen.” Die Zeit (Hamburg), March 23, 1990, p. 68.
  • Kuhlmey, Astrid. “Das Aroma von Jahrmarkt schwebt hier in der Luft.” Berliner Allgemeine Zeitung (Berlin), March 28, 1990.
  • Waterman, Daniel. “Vasari Diary: Rauschenberg’s Bandages.” Artnews (New York) 89, no. 5 (May 1990), p. 44.
  • Winter, Peter and Sally Simmons. “Berlin: Rauschenberg’s Art for Peace.” Art International (Paris), no. 12 (Autumn 1990), p. 27.
 
Castelli Graphics, New York, Rauschenberg: Currents ’70, May 5–26. Exh. brochure with essay by Ingrid Schaffner and previously published statement by Rauschenberg.
 
Galerie Alfred Kren, Cologne, Robert Rauschenberg: American Pewter with Burroughs, 1981, May 12–June 13.
 
Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, Rauschenberg Overseas Culture Interchange: ROCI MALAYSIA, May 21–June 21. Exh. brochure with essays by Donald Saff and Muhammad Haji Salleh, previously published essay by Robert Hughes, and previously published statement by Rauschenberg.
  • Chuen, Ooi Kok. “Artist Who Breaks All Rules.” New Straits Times (Kuala Lumpur), May 3, 1990, Times Two, p. 15.
  • ———. “A Sort of Wunderkind.” New Straits Times (Kuala Lumpur), May 4, 1990, Times Two, p. 17.
  • Yee, Chen May. “Mammoth Art Undertaking.” Star (Kuala Lumpur), May 11, 1990, Metro, p. 1.
  • Edwin, Joseph. “Images of Malaysia.” New Straits Times (Kuala Lumpur), May 24, 1990, Times Two, p. 1.
  • Chuen, Ooi Kok. “Artist Who Values Personal Perceptions.” New Sunday Times (Kuala Lumpur), May 27, 1990, Arts and Leisure, p. 15.
  • “One-Man Art Show: Robert Rauschenberg.” Corporate World (Kuala Lumpur) 2, no. 6 (June–July 1990), p. 53.
 
M. Knoedler, New York, Robert Rauschenberg: Works on Paper, May 30–July 6. Exh. brochure.
  • Cyphers, Peggy. “New York in Review.” Arts Magazine (New York) 65, no. 2 (Oct. 1990), pp. 114–15.
 
National Gallery of Art, Washington, D.C., Rauschenberg Overseas Culture Interchange: ROCI MOSCOW, June 6.
 
Galerie Fabien Boulakia, Paris, Rauschenberg, June 12–Sept. 22. Exh. cat. (Paris: Le Dernier Terrain Vague and Galerie Fabien Boulakia, 1990) with essays by John Cage and Michel Nuridsany; previously published essays by Daniel Abadie, Régis Durand, Catherine Millet, Severo Sarduy, and Nina Sundell; previously published interview with Rauschenberg by France Huser (1984); and previously broadcast interview with Rauschneberg by Pierre Daix (1984).
  • Faucher, Michel. “Rauschenberg.” Cimaise (Paris) 37 (June–Aug. 1990), pp. 93–96.
  • Ernould-Gaudouet, Marielle. “Paris: Robert Rauschenberg.” L’Oeil (Paris), nos. 420–21 (July–Aug. 1990), p. 108.
  • “Revoir Rauschenberg.” Connaissance des arts (Paris), no. 463 (Sept. 1990), p. 16.
 
Fondation Vincent Van Gogh, Palais de Luppé, Arles, France, Roy Lichtenstein, Robert Rauschenberg: 38 Oeuvres gravées de 1965 à 1989, July 7–Oct. 31. Exh. cat. with essay by Lucien Clergue.
 
Gemini G.E.L., Los Angeles, Borealis Shares, Aug. 20–Oct. 3.
 
Scott Hanson Gallery, Santa Monica, Calif., Robert Rauschenberg: Paintings 1962–1970, Oct.–Nov.
 
Feigen, Chicago, Robert Rauschenberg: Gluts, Oct. 12–Nov. 24. Exh. brochure with text by Rosetta Brooks.
  • Fishman, Ted C. “International Influence—Chin-Tickling Gods and Wrecked Corvaires.” Newcity (Chicago), Nov. 1, 1990.
  • Artner, Alan G. “Rauschenberg Works Detail Spiritual Ruins of the ’80s.” Chicago Tribune, Nov. 2, 1990, sec. 7, p. 65.
  • Yood, James. “Chicago: Robert Rauschenberg: Feigen Incorporated.” Artforum (New York) 29, no. 5 (Jan. 1991), p. 132.
 
Galerie Baudoin Lebon, Paris, Robert Rauschenberg Polaroids, Oct. 27–Dec. 1. Exh. brochure.
  • Bouisset, Maïten. “Rauschenberg, le peintre et le polaroïd.” Beaux Arts (Paris), no. 84 (Nov. 1990), p. 147.
 
Whitney Museum of American Art, New York, Robert Rauschenberg: The Silkscreen Paintings, 1962–64, Dec. 7, 1990–March 17, 1991. Exh. cat. by Roni Feinstein with text by Calvin Tomkins.
  • Wallach, Amei. “Art, Life and Robert Rauschenberg.” New York Newsday, Dec. 10, 1990, Part II, pp. 53, 60–61, 66.
  • Smith, Roberta. “Vintage Rauschenberg: The Silk-Screen Paintings.” New York Times, Dec. 14, 1990, sec. C, p. 30.
  • Glueck, Grace. “Rauschenberg at 65, with All Due Immodesty.” New York Times, Dec. 16, 1990, sec. 2, pp. 47, 49.
  • Malanga, Gerard. “Letter to the Editor: Warhol Got the Idea from Rauschenberg.” New York Times, Dec. 28, 1990, sec. A, p. 34.
  • Lingemann, Susanne. “Aufregende Resultate dank Regelverstoß.” Art (Hamburg) (Jan. 1991), pp. 94–95.
  • Plagens, Peter with Malcolm Jones, Jr. “Back to the Future.” Newsweek (New York) 117, no. 1 (Jan. 7, 1991), pp. 50–51.
  • Taylor, Paul. “Letter to the Editor: Rauschenberg Recalls Warhol as the Pioneer.” New York Times, Jan. 18, 1991.
  • Flam, Jack. “Abstracting Reality.” Wall Street Journal, Jan. 23, 1991, sec. A, p. 10.
  • Carrier, David. “New York: Whitney Museum: Robert Rauschenberg: The Silkscreen Paintings, 1962–64.” Burlington Magazine (London) 133, no. 1056 (March 1991), pp. 218–19.
  • Gookin, Kirby. “Robert Rauschenberg: Whitney Museum.” Artforum (New York) 29, no. 7 (March 1991), pp. 128–29.
  • Perlman, Bennard. “Robert Rauschenberg: Turning Rags into Real Artistic Riches.” Daily Record (Baltimore), March 5, 1991, sec. A, p. 28.
  • Larson, Kay. “New History.” New York 24, no. 11 (March 18, 1991), p. 62.
  • MacAdam, Barbara A. “Robert Rauschenberg: Whitney Museum, Knoedler.” Artnews (New York) 90, no. 5 (May 1991), p. 146.
  • Morgan, Robert C. “Robert Rauschenberg, the Whitney Museum of American Art.” Tema Celeste (Siracusa, Italy), no. 31 (May–June 1991), p. 98.
  • Johnston, Jill. “The World outside His Window.” Art in America (New York) 80, no. 4 (April 1992), pp. 114–25, 183.
 
1991
 
Ducson Gallery, Seoul, Robert Rauschenberg, Frank Stella, Feb. 8–28.
 
M. Knoedler, New York, Robert Rauschenberg: New Works, Feb. 13–March 7.
  • Smith, Roberta. “Robert Rauschenberg.” New York Times, March 1, 1991, sec. C, p. 20.
  • MacAdam, Barbara A. “Robert Rauschenberg: Whitney Museum, Knoedler.” Artnews (New York) 90, no. 5 (May 1991), p. 146.
 
Pace/MacGill, New York, Robert Rauschenberg, April 4–May 4.
 
B. R. Kornblatt Gallery, Washington, D.C., Robert Rauschenberg: Recent Paintings and Prints, April 27–May 25.
 
Le Marié Tranier Gallery, Washington, D.C., Wax Fire Works and Other ROCI Editions, May 12–Aug. 25. Exh. brochure.
  • James, Curtia. “Reviews: Robert Rauschenberg: National Gallery, Le Marié Tranier, Corcoran.” Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.
 
National Gallery of Art, Washington, D.C., Rauschenberg Overseas Culture Interchange, May 12–Sept. 2. Exh. cat. with introduction by Jack Cowart; essay by Rosetta Brooks; interview with Rauschenberg by Donald Saff; previously published essays by José Donoso, Roberto Fernández Retamar, and Yevgeny Yevtushenko; previously published texts by Heiner Müller and Wu Zuguang; previously published statement by Rauschenberg; and previously published poems by Laba Pingcuo and Octavio Paz.
  • Lingemann, Susanne. “Statt Midlife Crisis eine Kampagne gegen die Weltkrise.” Art (Hamburg) (April 1991), pp. 12–13.
  • Dudar, Helen. “The Artist Who Wants to Embrace the Whole World.” Smithsonian (Washington, D.C.) 22, no. 2 (May 1991), pp. 54–67.
  • Weil, Deborah. “Take Your Lunchbreak at the Museums: Great Art on View this Summer Includes Shows by Rauschenberg, Annie Leibovitz.” Roll Call (Washington, D.C.), May 2, 1991, Travel and Entertainment, p. 1.
  • Gibson, Eric. “Rauschenberg Exhibit Has No Artistic Luster.” Washington Times, May 10, 1991, sec. E, p. 8.
  • Lewis, Jo Ann. “Rauschenberg’s Cultural Canvas.” Washington Post, May 12, 1991, sec. G, pp. 1, 6–7.
  • Richard, Paul. “Silk Sheets and Neon Bicycles.” Washington Post, May 12, 1991, sec. G, pp. 1, 5.
  • Wallach, Amei. “Rauschenberg’s World.” Newsday (New York), May 12, 1991, Fanfare, p. 15.
  • Annas, Teresa. “‘Most Living Artist’ Wages Peace with Historic Mix of Art, Culture.” Virginian-Pilot (Norfolk), May 19, 1991, sec. G, pp. 1, 7.
  • Merritt, Robert. “Show Offers Artist’s-Eye View of World.” Richmond Times Dispatch (Va.), May 19, 1991.
  • Sweeney, Louise. “Rauschenberg’s Worldwide Quest for Art and Ideas.” Christian Science Monitor (Boston), May 20, 1991, pp. 10–11.
  • Grenier, Richard. “Artistic Cultural Bridges?” Washington Times, May 23, 1991, sec. G, p. 4.
  • Kilian, Michael. “Peace Through Art: Rauschenberg’s World Tour Makes Final Stop in D.C.” Chicago Tribune, June 6, 1991, sec. C, p. 13.
  • Gibson, Eric. “Rauschenberg’s Rise, Fall Depicted in 2 Shows.” Washington Times, June 26, 1991, sec. E, p. 3.
  • Baker, Kenneth. “‘Rocky’ Rauschenberg Picture Show.” San Francisco Chronicle, July 14, 1991, Datebook, pp. 32–34.
  • Twardy, Chuck. “Making an Art of Change.” Orlando Sentinel, Aug. 4, 1991, sec. F, pp. 1, 11.
  • Smith, Roberta. “Art: Robert Rauschenberg, at Home and Abroad.” New York Times, Aug. 6, 1991, sec. C, pp. 11, 16.
  • Greenberg, Blue. “Rauschenberg: Making Art from What We Throw Away.” Herald-Sun (Durham, N.C.), Aug. 25, 1991.
  • Durand, Régis. “Robert Rauschenberg: Parcours du monde, parcours de l’oeuvre.” Art Press (Paris), no. 161 (Sept. 1991), pp. 26–27.
  • James, Curtia. “Reviews: Robert Rauschenberg: National Gallery, Le Marié Tranier, Corcoran.” Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.
  • Powell, Kathleen V. “Fanfare from the Common Man.” Fort Myers News-Press (Fla.), Sept. 13, 1991, Gulf Coasting, p. 5.
  • Mahoney, Robert. “Sculpture on the Road: Rauschenberg’s ROCI.” Sculpture (Washington, D.C.) 10, no. 6 (Nov.–Dec. 1991), pp. 44–49.
  • Wood, Carol. “Robert Rauschenberg.” Arts Magazine (New York) 66, no. 3 (Nov. 1991), p. 84.
  • Johnston, Jill. “The World Outside His Window.” Art in America (New York) 80, no. 4 (April 1992), pp. 114–25, 183.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg, June 7–July 20.
  • Durand, Régis. “Robert Rauschenberg: Parcours du monde, parcours de l’oeuvre.” Art Press (Paris), no. 161 (Sept. 1991), pp. 26–27.
 
Corcoran Gallery of Art, Washington, D.C., Robert Rauschenberg: The Early 1950s, June 15–Aug. 11. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993. Exh. brochure with essay by Walter Hopps. Exh. cat. (Houston: The Menil Collection and Houston Fine Art Press) by Hopps.
  • Lewis, Jo Ann. “Rauschenberg, Bright and Early.” Washington Post, June 15, 1991, sec. C, pp. 1, 8.
  • “A Close-Up of an Artist’s Evolution at Corcoran.” Washington Times, June 24, 1991, sec. E, pp. 1, 3.
  • Gibson, Eric. “Rauschenberg’s Rise, Fall Depicted in 2 Shows.” Washington Times, June 26, 1991, sec. E, p. 3.
  • Smith, Roberta. “Robert Rauschenberg, at Home and Abroad.” New York Times, Aug. 6, 1991, sec. C, pp. 11, 16.
  • Wijers, Louwrien. “Rauschenberg geëerd.” Het Financieele Dagblad (Amsterdam), Aug. 26, 1991, p. 13.
  • James, Curtia. “Reviews: Robert Rauschenberg: National Gallery, Le Marié Tranier, Corcoran.” Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.
  • Chadwick, Susan. “Early Robert Rauschenberg.” Houston Post, Sept. 22, 1991, sec. H, p. 15.
  • Szilagyi, Pete. “Native Texan Makes a Triumphant Return.” Austin American-Statesman, Sept. 25, 1991, sec. B, p. 1.
  • Johnson, Patricia C. “Fifties Unveiled: Rauschenberg Shows Work New to Public.” Houston Chronicle, Sept. 29, 1991, Zest, p. 22.
  • Chadwick, Susan. “Retro Rauschenberg” and “Menil Exhibit a Landmark.” Houston Post, Oct. 2, 1991, sec. D, pp. 1, 4.
  • Paris, Wendy. “Rauschenberg’s Striking Consistency: The Menil Collection and Texas Gallery Show the Early and Late Work of a Twentieth-Century Master.” Houston Press, Oct. 10–16, 1991, pp. 36–37.
  • Ennis, Michael. “A Protean Talent.” Texas Monthly (Austin) 19, no. 11 (Nov. 1991), pp. 80, 82, 84.
  • Wood, Carol. “Robert Rauschenberg.” Arts Magazine (New York) 66, no. 3 (Nov. 1991), p. 84.
  • Kusin, David. “Taking an ‘Early’ Look at Rauschenberg.” Dallas Times Herald, Nov. 11, 1991, sec. D, p. 3.
  • Holg, Garrett. “Fifties Rauschenberg: Paving the Way for Pop and Beyond.” Chicago Sun-Times, Feb. 2, 1992, sec. E, pp. 1, 12.
  • Heard, Jacquelyn. “Exhibit Revives ’50s Art: Rauschenberg’s Work on Display.” Chicago Tribune, Feb. 7, 1992, sec. 1, p. 16.
  • McCracken, David. “Together Again, Rauschenberg and Cage: The Avant-Garde Experiments Go On.” Chicago Tribune, Feb. 16, 1992.
  • Camper, Fred. “The Unordered Universe.” Reader (Chicago), March 27, 1992, sec. 1, pp. 30–33.
  • Colpitt, Frances. “Rauschenberg: In the Beginning.” Art in America (New York) 80, no. 4 (April 1992), pp. 126–29.
  • Osowski, Ed. “Simply Rauschenberg.” Spot (Houston Center for Photography) 11, no. 1 (Spring 1992), pp. 22–23.
  • Bevan, Roger. “Salvaging 1950s Rauschenberg.” Art Newspaper (London) 3, no. 18 (May 1992), sec. 1, p. 7.
  • Cooke, Lynne. “San Francisco, MOMA, Robert Rauschenberg the Early 1950s.” Burlington Magazine (London) 134, no. 1070 (May 1992), pp. 335–36.
  • Bonetti, David. “Rauschenberg: ’50s Fervor at SFMOMA.” San Francisco Examiner, May 14, 1992, sec. B, pp. 1, 6.
  • Baker, Kenneth. “A ’50s Look at Robert Rauschenberg.” San Francisco Chronicle, May 15, 1992, sec. D, p. 3.
  • Knight, Christopher. “Enlightening Look at Early Work of Robert Rauschenberg.” Los Angeles Times, May 20, 1992, sec. B, pp. 8, 9.
  • Wiegenstein, Roland H. “Ein Porträt des Künstlers als junger Mann.” Frankfurter Rundschau (Frankfurt), July 18, 1992, sec. ZB, pp. 2–4.
  • Tarshis, Jerome. “Creativity Knew No Limits.” Christian Science Monitor (Boston), Sept. 14, 1992, pp. 16–17.
  • Kimmelman, Michael. “Early Rauschenberg, before He Became Infamous.” New York Times, Oct. 23, 1992, sec. C, p. 21.
  • Tallmer, Jerry. “Getting Started in Black and White.” New York Post, Nov. 6, 1992, p. 42.
  • Tourigny, Maurice. “Capturer le mouvement de la vie.” Le Devoir (Montreal), Nov. 7, 1992.
  • Larson, Kay. “Zen and the Art.” New York 25, no. 45 (Nov. 16, 1992), p. 90.
  • Wallach, Amei. “‘What Ifs’ of a 20th-Century Master.” Newsday (New York), Nov. 27, 1992, Part II, pp. 73, 99.
  • Kramer, Hilton. “Justly Ignored Early 50’s Rauschenberg upon Us.” New York Observer (Nov. 30, 1992), pp. 1, 23.
  • Plagens, Peter. “The Wonder Years: How Two Audacious Young Americans Broke into the Avant-Garde.” Newsweek (New York) 120, no. 24 (Dec. 14, 1992), pp. 76–77.
  • Tager, Alisa. “Reviews: Robert Rauschenberg: Guggenheim Museum SoHo.” Artnews (New York) 92, no. 3 (March 1993), pp. 107–08.
  • Gookin, Kirby. “Reviews: Robert Rauschenberg: Guggenheim Museum SoHo.” Artforum (New York) 31, no. 8 (April 1993), p. 97.
 
BlumHelman Gallery, Santa Monica, Calif., Robert Rauschenberg: The Phantom Series, Sept. 13–Oct. 26.
 
City Gallery of Contemporary Art, Raleigh, Robert Rauschenberg 1974–1991: Animals and Other Themes, Sept. 14–Oct. 27. Exh. cat. with introduction by Denise Dickens and essay by Denis Wood.
  • Halperen, Max. “‘Animals and the Earth’: Raleigh Curators Tap Collection of a Legend of Modern Art.” News and Observer (Raleigh), Sept. 13, 1991, pp. 13, 23.
 
Texas Gallery, Houston, Robert Rauschenberg: Night Shade Paintings, Sept. 28–Nov. 2.
 
Nicholas Roerich Museum, New York, Robert Rauschenberg: Tibetan Locks and Keys, Sept. 29–Oct. 20.
 
Leo Castelli, 578 Broadway, and Leo Castelli, New York, Robert Rauschenberg: Print Survey in Themes, 1952–1992, Oct. 26–Dec. 7. Traveled to Moody Gallery of Art, University of Alabama, Tuscaloosa, March 20–April 21, 1992; Simmons Visual Arts Center, Brenau University, Gainesville, Ga., Oct. 7–Dec. 4, 1992. Exh. brochure (Gainesville) with texts by Kathleen Slavin.
  • “UA Opens Prestigious Exhibit.” Tuscaloosa News (Ala.), March 22, 1992, sec. D, p. 3.
  • Cullum, Jerry. “Rauschenberg’s Dazzling Prints Delineate Our Time.” Atlanta Journal-Constitution, Oct. 23, 1992, sec. H, p. 2.
 
Galleria d’arte il Gabbiano, Rome, Robert Rauschenberg: Dipinti recenti, Nov. 18, 1991–Jan. 15, 1992. Traveled to Appiani Arte Trentadue, Milan, Feb. 14–March 14, 1992. Exh. cat. (Robert Rauschenberg: Mostra personale) with essay by Achille Bonito Oliva (in English and Italian) and previously published interview with Rauschenberg by Barbara Rose.
  • Di Forti, Massimo. “Appuntamento con dieci Rauschenberg mai visti prima.” Il Messaggero (Rome), Nov. 14, 1991.
  • D’Amico, Fabrizio. “Robert l’acrilico.” Il Venerdì di Repubblica (Rome), Nov. 15, 1991, pp. 112–16.
  • Bonuomo, Michele. “Rauschenberg, l’arte come avventura.” L’Indipendente (Sicily), Nov. 17, 1991.
  • Pasti, Daniela. “Il nonno terribile della Pop Art.” La Repubblica (Rome), Nov. 17–18, 1991.
  • Petrignani, Sandra. “Texano de Roma.” Panorama (Milan) (Nov. 17, 1991), p. 26.
  • Zevi, Adachiara. “Ecco tutti i colori del Pop.” Corriere della sera (Milan), Nov. 17, 1991, Cultura, p. 8.
  • Simongini, Franco. “Rauschenberg, Pop miliardario inaugura la sua mostra romana.” Il Tempo (Rome), Nov. 19, 1991, sec. 7, p. 1.
  • Trucchi, Lorenza. “La quarta volta di Rauschenberg.” Il Giornale (Milan), Nov. 19, 1991.
  • Micacchi, Dario. “Rauschenberg un irrequieto annuncio di pace.” L’Unità (Rome), Nov. 20, 1991, p. 17.
  • Sinisi, Silvana. “La leggerezza del colore.” Il Mattino (Naples), Nov. 26, 1991.
  • Lambertini, Luigi. “Rauschenberg: Quelli della Pop Art.” Gioia (Milan), Dec. 30, 1991, pp. 128–30.
  • Villa, Giuditta. “Robert Rauschenberg, Il Gabbiano, Roma.” Flash Art (Milan), no. 166 (Feb.–March 1992).
  • Carboni, Massimo. “Rome: Robert Rauschenberg, Galleria il Gabbiano.” Artforum (New York) 30, no. 7 (March 1992), pp. 116–17.
  • Micozzi, Mario. “Robert Rauschenberg: Simultaneità e compresenza della bidimensionalità.” Punto d’incontro (Lanciano, Italy) 15, no. 2 (March–April 1992), p. 11.
  • Serravalli, Luigi. “Macchie di coscienza.” Alto Adige (Bolzano, Italy), March 21, 1992, p. 12.
 
1992
 
M. Knoedler, New York, Rauschenberg at Knoedler: Night Shades and New Gluts, Feb. 1–29. Exh. brochure.
  • Tully, Judd. “Night of the Living Gluts.” Cover (New York) 6, no. 2 (March 1992), pp. 8–9.
  • Kuspit, Donald. “Reviews: Robert Rauschenberg: Knoedler and Company.” Artforum (New York) 30, no. 9 (May 1992), p. 114.
  • Malloy, Nancy. “Reviews: Robert Rauschenberg: Knoedler.” Artnews (New York) 91, no. 5 (May 1992), pp. 121–22.
 
Gemini G.E.L., Los Angeles, Robert Rauschenberg: Illegal Tender L.A., Feb. 10–March 24.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Illegal Tender L.A<., Feb. 29–June.
 
Galerie Alfred Kren, Cologne, Robert Rauschenbergs Werkszyklen “Borealis” und “Night Shades”, April 4–May 9.
  • Iden, Peter. “Vom Erinnern am Rande der Nacht.” Frankfurter Rundschau (Frankfurt), April 25, 1992, p. 11.
 
Platt Gallery, University of Judaism, Los Angeles, Rauschenberg, April 26–May 22. Exh. brochure.
 
Galerie Thaddaeus Ropac, Salzburg, Robert Rauschenberg: Bilder und neue Arbeiten auf Papier, July 25–Sept. 25.
 
Tampa Museum of Art, Study for Chinese Summerhall, Aug. 16–Oct. 18.
  • Milani, Joanne. “Photographs Capture China’s Timeless Beauty.” Tampa Tribune, Oct. 4, 1992, Bay Life, pp. 1–2.
 
Leo Castelli, 578 Broadway, New York, Rauschenberg: Prints and Editions, 1962–1992, Nov. 10–Dec. 19.
 
Galerie Alfred Kren, Cologne, Robert Rauschenberg: Skulpturen aus den achtziger Jahren, Nov. 12, 1992–Jan. 16, 1993.
 
1993
 
Galería Cobo y Alexander, Madrid, Robert Rauschenberg: Photems/Fotografías, Feb. 9–April 24. Traveled to Sala Rekalde, Bilbao, July 1–Sept. 26; Sala Parpalló, Valencia, Oct. 1–Nov. 30. Exh. cat. (in English and Spanish) with text by Horacio Fernández.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg/Darryl Pottorf, April 16–July 3.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg, April 30–June 13.
  • Bashaw, Maureen. “International Artist Returns to Captiva.” Fort Myers News-Press (Fla.), April 30, 1993, sec. D, pp. 1, 3.
  • Kircher, Ralf. “Rauschenberg: An Artist of Immense Proportions.” Cape Coral Breeze (Fla.), May 10, 1993.
  • ———. “An Afternoon with Robert Rauschenberg.” Fort Myers Observer (Fla.), May 12, 1993, p. 9.
  • Bashaw, Maureen. “An Artist at Work.” Fort Myers News-Press (Fla.), May 21, 1993, sec. D, pp. 1, 3.
 
M. Knoedler, New York, Rauschenberg: Bicycloids, Urban Bourbons + Eco-Echo, May 8–June 4.
  • Henry, Gerrit. “Reviews: Robert Rauschenberg: Knoedler.” Artnews (New York) 92, no. 9 (Nov. 1993), p. 158.
 
Gemini G.E.L., Los Angeles, Double Feature, Aug. 31–Oct. 12.
 
Hiroshima City Museum of Contemporary Art, The Second Hiroshima Art Prize: Robert Rauschenberg, Nov. 3, 1993–Jan. 16, 1994. Exh. cat. with essays by Marjorie Welish and Takeshi Yoshizumi, texts by Seiji Oshima and Yuso Takezawa, and statements by Shinichiro Fujita and Rauschenberg.
 
1994
 
Art Gallery, Williams Center for the Arts, Lafayette College, Easton, Pa., Breaking Boundaries: Robert Rauschenberg Prints from the Robert and Jane Meyerhoff Collection, Jan. 28–Feb. 20. Exh. brochure with essay by Robert Saltonstall Mattison.
 
Leo Castelli, 420 West Broadway and 65 Thompson Street, New York, Rauschenberg: Scores (Off Kilter Keys), Feb. 26–March 26.
  • Smith, Roberta. “Art in Review: Rauschenberg, Mixing and Remixing His Ingredients.” New York Times, March 11, 1994, sec. C, p. 30.
 
Mandarin Oriental Fine Arts, Hong Kong, Rauschenberg: Day Lights and Night Sights, March 8–31. Exh. brochure with essay by Donald Saff.
 
Archer M. Huntington Art Gallery, University of Texas, Austin, Head On: Image and Text in the Prints of Robert Rauschenberg, April 1–May 15.
  • Goldman, Saundra. “When Images, Words Collide: Exhibit Illuminates Rauschenberg.” Austin American-Statesman, April 9, 1994, sec. D, p. 13.
  • Levy, Rebecca. “Words of Art.” Austin Chronicle, April 29, 1994, p. 30.
 
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Robert Rauschenberg, May 7–July 10. Exh. cat. (Cologne: DuMont; in English and German) with texts by Hiltrud Reinhold and Armin Zweite.
  • Wagner, Thomas. “Viele Augen blicken ins Dämmerlicht.” Frankfurter Allgemeine Zeitung (Frankfurt), June 7, 1994, p. 35.
  • Bode, Ursula. “Der große Kommunikator.” Süddeutsche Zeitung (Munich), June 10, 1994, p. 14.
  • Jocks, Heinz-Norbert. “Robert Rauschenberg.” Kunstforum (Ruppichteroth, Germany), no. 127 (July–Sept. 1994), pp. 320–24.
  • Vogel, Sabine B. “Reviews: Düsseldorf: Robert Rauschenberg, Kunstsammlung Nordrhein-Westfalen.” Artforum (New York) 33, no. 3 (Nov. 1994), p. 97.
 
Galerie Jamileh Weber, Basel, Robert Rauschenberg: Off Kilter Keys, May 13–July 30.
 
National Museum of Art, Osaka, Jasper Johns and Robert Rauschenberg, May 26–July 3.
 
Mary Ryan Gallery, New York, Robert Rauschenberg: Stoned Moon, July 20–Sept. 17.
  • Cotter, Holland. “Art in Review: Robert Rauschenberg.” New York Times, Aug. 5, 1994, sec. C, p. 19.
 
Knoedler and Company, New York, Robert Rauschenberg: Shales, Sept. 13–Oct. 5.
  • Aukeman, Anastasia. “Robert Rauschenberg: Knoedler.” Artnews (New York) 93, no. 10 (Dec. 1994), p. 136.
  • Edelman, Robert G. “Robert Rauschenberg at Knoedler.” Art in America (New York) 82, no. 12 (Dec. 1994), pp. 94–95.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Booster and 7 Studies, Oct. 28–Nov. 26.
 
Museo de Bellas Artes, Santander, Spain, Robert Rauschenberg, Nov. 15, 1994–Jan. 15, 1995. Exh. cat. with essays by Fernando Francés, Artemis Olaizola, and Gabriel Rodríguez.
 
1995
 
Texas Gallery, Houston, Robert Rauschenberg, Feb. 8–May 6.
  • Chadwick, Susan. “Rauschenberg Exhibit Strikes the Right Note.” Houston Post, Feb. 16, 1995, sec. D, pp. 1, 12.
  • Johnson, Patricia C. “‘Scores’ Positively Strange.” Houston Chronicle, March 8, 1995, sec. D, pp. 1, 12.
 
Galerie Templon, Paris, Robert Rauschenberg: Shales Series, Feb. 18–March 22.
  • “Des Rauschenberg cirés.” Connaissance des arts (Paris), no. 514 (Feb. 1995), p. 19.
  • Loisy, Odile de. “Le Dernier Rauschenberg.” Beaux Arts (Paris), no. 132 (March 1995), p. 121.
  • Huser, France. “Robert Rauschenberg: La Vie au plus pres.” L’Officiel (Paris), no. 794 (March 1995), pp. 246–49.
 
Galerie Beyeler, Basel, Robert Rauschenberg: Night Shades and Urban Bourbons, March 18–May 13. Traveled to Ordrupgaard, Copenhagen, Oct. 14–Dec. 10. Exh. cat. (Basel) by Francis M. Naumann. Exh. cat. (Copenhagen, in Danish and English) with essay by Mikael Wivel.
  • Ifversen, Karsten R.S. “Verden er et skrabelod.” Politiken (Copenhagen), Oct. 22, 1995, Interpol, pp. 8–9.
 
Leo Castelli, 578 Broadway, New York, Robert Rauschenberg: Tribute 21, March 25–April 29. Exh. brochure.
 
Gagosian Gallery, New York, Rauschenberg: The Venus Motif, March 31–May 19.
 
Milleventi, Turin, Robert Rauschenberg, April 27–May 20.
 
13 Vanak Street, Tehran, Robert Rauschenberg: An Exhibition of Signed Posters, May 1–31.
 
Buckminster Fuller Institute, Santa Barbara, Calif., Tribute 21, May 13–June 4.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Quake in Paradise—A Labyrinth, May 27–July 22.
 
Morgan Gallery, Kansas City, Mo., Robert Rauschenberg: Tribute 21, June 9–July 22.
  • Thorson, Alice. “‘Tribute 21’ Honors Humanitarians.” Kansas City Star (Mo.), June 16, 1995, Preview, p. 13.
 
Morris Museum of Art, Augusta, Ga., Robert Rauschenberg: Major Printed Works, 1962–1995, Sept. 6–Oct. 22. Traveled to Kemper Museum of Contemporary Art, Kansas City, Mo., June 8–Aug. 11, 1996. Exh. cat. with introduction by William S. Morris III, essays by J. Richard Gruber, and text by Ann Rowson.
  • Copley, Rich. “Rauschenberg’s Work Consistently Innovative.” Augusta Chronicle (Ga.), Sept. 6, 1995, sec. B, pp. 1, 5.
  • Shuter, Marty. “Artful Innovation.” Savannah News-Press (Ga.), Sept. 17, 1995, sec. G, pp. 1, 6.
 
Graphicstudio, Institute for Research in Art, University of South Florida, Tampa, Robert Rauschenberg: Two Decades at Graphicstudio, Sept. 11–Dec. 1. Exh. cat.
  • Altabe, Joan. “Junk Culture.” Sarasota Herald-Tribune (Fla.), Sept. 17, 1995, sec. G, pp. 1, 3.
  • ———. “Robert Rauschenberg and the Art of Being.” Sarasota Herald-Tribune (Fla.), Sept. 22, 1995, Ticket, p. 22.
  • Marger, Mary Ann. “Redefining Definition Itself.” St. Petersburg Times (Fla.), Sept. 29, 1995, Weekend, p. 25.
  • Milani, Joanne. “Rauschenberg in Retrospect.” Tampa Tribune, Nov. 2, 1995, Bay Life, pp. 1, 3.
  • ———. “Shows Reviewed: Robert Rauschenberg: Two Decades at Graphicstudio.” Tampa Tribune, Nov. 17, 1995, Friday Extra, p. 21.
 
Gagosian Gallery, 136 Wooster Street, Vydocks and Doubleluck, and 65 Thompson Street, Reefs, New York, Robert Rauschenberg: New Paintings, Sept. 23–Oct. 21.
  • “New Power from the Man Who Put New into Art.” Interview (New York) (Oct. 1995), p. 90.
  • Karmel, Pepe. “Art in Review: Robert Rauschenberg.” New York Times, Oct. 6, 1995, sec. C, p. 32.
  • Corn, Alfred. “Robert Rauschenberg: Gagosian, 65 Thompson.” Artnews (New York) 95, no. 1 (Jan. 1996), p. 123.
 
Modern Art Museum of Fort Worth, Robert Rauschenberg: Sculpture, Oct. 22–Dec. 31. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996. Exh. cat. with essay by Marjorie Welish, interview with Rauschenberg by Julia Brown Turrell, and conversation by Pontus Hultén and Turrell.
  • Isola, Marina. “Putting It All Together: Rauschenberg’s Assemblages on View at the Modern.” Fort Worth Star-Telegram, Oct. 24, 1995, sec. D, pp. 1–2. Rev. and reprinted as “Chicken is as Good as a Brush,” Beaumont Enterprise (Tex.), Oct. 29, 1995.
  • Kutner, Janet. “Object Lessons: Robert Rauschenberg Imbues Litter of Society with Meaning.” Dallas Morning News, Oct. 29, 1995, sec. C, p. 10.
  • Irvine, Madeline. “Turning Artifacts into Art: A Sculptor’s Sense of Flight, Gravity.” Austin American-Statesman, Dec. 16, 1995, sec. C, pp. 13, 15.
  • Bravo, Armando Álvarez. “A todo Rauschenberg.” El nuevo Herald (Miami), April 24, 1996, sec. C, pp. 1, 3.
  • Turner, Elisa. “Surprising Take on Enfant Terrible’s Sculpture.” Miami Herald, April 28, 1996, sec. I, pp. 1, 3.
  • Hurlburt, Roger. “Throwaway Lines.” Sun-Sentinel (Fort Lauderdale), May 12, 1996, sec. D, pp. 1–2.
 
1996
 
Sonnabend Gallery, New York, Rauschenberg: Carnal Clocks, Cardboards, Jammers, Jan. 6–Feb. 17. Exh. brochure.
  • Smith, Roberta. “Art in Review: Robert Rauschenberg.” New York Times, Jan. 12, 1996, sec. C, p. 31.
  • Doran, Anne. “Robert Rauschenberg, ‘Carnal Clocks,’ ‘Cardboards’ and ‘Jammers.’” Time Out New York (Feb. 7–14, 1996), p. 22.
 
Robert Hull Fleming Museum, University of Vermont, Burlington, The Print and Beyond: Robert Rauschenberg Editions 1970–1995, Jan. 28–April 19.
 
Main Lobby, United Nations, New York, prints and posters from 1970–96 and Clan Destiny, Feb. 5–16.
 
Visual Arts Gallery, Adirondack Community College, Queensbury, N.Y., Robert Rasuchenberg: Chow Bag Series, Feb. 26–March 28.
 
Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints 60s, 70s, 80s, May 1–June 15.
  • Hicks, Robert. “Rauschenberg Prints: A Different Facet.” Villager (New York), May 22, 1996, p. 25.
 
Gemini G.E.L., Los Angeles, Robert Rauschenberg: Speculations, June 1–12.
 
United Nations Conference on Human Settlements, Istanbul, Habitat II, June 3–14.
  • Özdoğru, Nüvit. “Rauschenberg ile iki saat.” Milliyet (Istanbul), June 18, 1996, p. 19.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Speculations, June 4–Aug. 16.
 
Monastero Mechitarista dell’Isola di San Lazzaro degli Armeni, Venice, Robert Rauschenberg, June 22–July 31.
  • Ducci, Carlo. “Rauschenberg.” Vogue Italia (Milan), no. 551 (July 1996), pp. 136–43, 215.
  • Espanet, Luisa. “Robert Rauschenberg: Futuro è il villaggio globale.” Madame (Milan), no. 9 (Sept. 1996), pp. 38–39.
  • Arditi, Fiamma. “Gli anagrammi del genio.” La Stampa (Turin), Sept. 21, 1996, p. 22.
 
PaceWildenstein, New York, Robert Rauschenberg: Anagrams, Sept. 19–Oct. 19. Traveled to PaceWildenstein, Beverly Hills, Nov. 15, 1996–Jan. 18, 1997. Exh. cat. with text by Bernice Rose.
  • McKenna, Kristine. “Extra Sensory Expression.” Los Angeles Times, Nov. 24, 1996, Calendar, pp. 3, 8.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Anagrams, Oct. 4–Nov. 16.
 
Exhibit A Gallery, Savannah College of Art and Design, Ga., Icons of the Century: Centurions, Robert Rauschenberg, Oct. 10–Nov. 19. Exh. cat. with introduction by Judith Van Baron and essay by Anne Swartz.
 
Philharmonic Center for the Arts, Naples, Fla., Winter Works: Rauschenberg and Pottorf, Dec. 10, 1996–Jan. 25, 1997.
  • Lilliefors, James. “Rauschenberg: A Portrait of the Artist.” Naples Daily News (Fla.), Dec. 8, 1996, sec. G, pp. 1, 6, 9.
  • Bashaw, Maureen. “Three Men and a Vision.” Fort Myers News-Press (Fla.), Dec. 10, 1996, sec. D, pp. 1, 3.
  • Wortzel, Pamela Gilbert. “‘Winterworks’ at the Naples Philharmonic Art Gallery.” Island Sun (Sanibel, Fla.), Dec. 13, 1996, pp. 1, 25.
 
1997
 
Gallerie Taksu, Kuala Lumpur, Robert Rauschenberg: New Works, Jan. 16–20. Traveled to Wetterling Teo Gallery, Singapore, Jan. 24–March 20. Exh. brochure.
  • Chuen, Ooi Kok. “A Pop Icon Mellows.” New Straits Times (Kuala Lumpur), Jan. 21, 1997, p. 3.
  • Munroe, Ben. “Vivid Testimonies of a Rollercoaster Life.” Business Times (Singapore), Feb. 22–23, 1997, sec. EL, p. 3.
  • Ho, Janet. “Jumbled Images Shed New Light on Modern Structures.” Straits Times (Singapore), Feb. 26, 1997, p. 16.
 
Tampa Museum of Art, Donald Saff/Robert Rauschenberg: In Collaboration, Feb. 9–April 27. Organized in collaboration with Graphicstudio, Institute for Research in Art, and Contemporary Art Museum, University of South Florida, Tampa.
 
Czech Museum of Fine Arts, Prague, Robert Rauschenberg: Tribute 21, Feb. 13–April 6. Exh. cat.
 
Gallery of Art, University of Missouri, Kansas City, Robert Rauschenberg: Through the Lens, Feb. 28–April 13. Exh. cat. with essay by Richard Gruber.
  • Thorson, Alice. “Rauschenberg Gifted in Vernacular of Photography.” Kansas City Star, April 4, 1997.
 
Aktionsforum Praterinsel, Munich, Robert Rauschenberg: Haywire, Technologische Hauptwerke aus den sechziger Jahren (Haywire, major technological works from the 1960s), March 22–May 19. Exh. cat. with essays by Catherine Craft and Billy Klüver with Julie Martin.
  • Gliewe, Gert. “Der Mensch spiegelt sich in der Kunst.” Abendzeitung (Munich), March 22–23, 1997, p. 8.
  • Kollros, Petra. “Der Besucher muß rufen und stampfen.” Südwest Presse (Ulm, Germany), March 22, 1997.
  • Müller, Dorothee. “Ich bin ein aktiver Voyeur.” Süddeutsche Zeitung (Munich), March 22–23, 1997, p. 13.
  • Babnik, Erika. “Wem die Stunde schlägt.” Münchner (Munich) (April 1997), p. 86.
  • Dienst, Rolf-Gunter. “Die Technik entläßt ihren Künstler.” Frankfurter Allgemeine Zeitung (Frankfurt), May 23, 1997.
  • Becker, Jochen. “Die Rückkehr der elektronischen Braut.” Die Tageszeitung (Berlin), May 5, 1997, Kultur, p. 14.
 
Michael Solway Gallery (formerly Carl Solway Gallery), Cincinnati, Ohio, Robert Rauschenberg: Tribute 21, April 19–May 31.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Speculations, April 22–June 28.
 
Galerie Jamileh Weber, Zurich, Quattro Mani—A Collaboration (Robert Rauschenberg and Darryl Pottorf), May 23–July 26. Traveled to Kunstsalon, Zurich, Sept. 24–Oct. 25, 1998.
 
PaceWildensteinMacGill, New York, Robert Rauschenberg: Photographs, Sept. 11–Oct. 25.
 
PaceWildenstein, New York, Robert Rauschenberg: Arcadian Retreats, Sept. 19–Oct. 18. Exh. cat. with essay by Bernice Rose.
 
Solomon R. Guggenheim Museum, New York, Robert Rauschenberg: A Retrospective, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999. Exh. cat. by Susan Davidson and Walter Hopps with introduction by Hopps; essays by Trisha Brown, Ruth E. Fine, Billy Klüver with Julie Martin, Rosalind Krauss, Steve Paxton, Nancy Spector, and Charles F. Stuckey; texts by Julia Blaut, Elizabeth Carpenter, Davidson, and Joan Young; chronology by Young with Davidson; and bibliography by Mary Lynn Kotz.
  • Kazanjian, Dodie. “Captiva Audience.” Vogue (New York) 187, no. 9 (Sept. 1997), pp. 652–61, 727.
  • Lewis, Jim. “Souvenirs of Creation.” Harper’s Bazaar (New York), no. 3430 (Sept. 1997), pp. 454–59.
  • Pacheco, Patrick. “He Got Painting’s Goat.” Art and Antiques (New York) (Sept. 1997), pp. 105–07.
  • Richardson, John. “Rauschenberg’s Epic Vision.” Vanity Fair (New York), no. 445 (Sept. 1997), pp. 277–84, 322–24.
  • Duberman, Martin. “Is There Room for Privacy on the Canvas?” New York Times, Sept. 7, 1997, sec. 2, p. 89.
  • Goldman, Judith. “The American Picasso.” Daily News (New York), Sept. 18, 1997, pp. 49–51.
  • Bashaw, Maureen. “Reassessing Rauschenberg.” Fort Myers News-Press (Fla.), Sept. 19, 1997, sec. E, pp. 1, 3.
  • Gouveia, Georgette. “Rauschenberg Soars at the Guggenheim.” Reporter Dispatch (White Plains, N.Y.), Sept. 19, 1997, sec. C, pp. 1, 5.
  • Kimmelman, Michael. “Clowning Inventively with Stuff of Beauty.” New York Times, Sept. 19, 1997, sec. E, pp. 33, 36.
  • Klawans, Stuart. “Review.” Daily News (New York), Sept. 20, 1997.
  • Scott, Whitney. “Rauschenberg Redux.” New York Post, Sept. 20, 1997.
  • Arditi, Fiamma. “Rauschenberg, il quadro senza fine.” La Stampa (Turin), Sept. 21, 1997.
  • Prose, Francine. “Artifacts of the Age of Anxiety.” Wall Street Journal, Sept. 25, 1997.
  • Boschmann, Hella. “Weltreisen gegen die Midlife-Krise.” Welt am Sonntag (Berlin), Sept. 28, 1997.
  • Budick, Ariella. “All the City’s His Museum.” Newsday (New York), Sept. 28, 1997, sec. D, pp. 24–26.
  • Kramer, Hilton. “Glub, Glub! We’re Awash in Trashy Rauschenbergs.” New York Observer, Sept. 29, 1997, pp. 1, 31.
  • Stevens, Mark. “More Is More.” New York 30, no. 37 (Sept. 29, 1997), pp. 54, 56.
  • Lebovici, Elisabeth. “Rauschenberg à grande échelle.” Libération (Paris), Sept. 30, 1997, pp. 32–33.
  • Trebay, Guy. “Rauschenworld.” Village Voice (New York), Sept. 30, 1997, p. 30.
  • Dover, Caitlin. “Interactive Retrospective.” Upper East Side Resident (New York), Oct. 1, 1997.
  • Halle, Howard. “Does Size Matter?” Time Out New York (Oct. 2–9, 1997).
  • Mays, John Bentley. “Rauschenberg’s Vivacious Impurity.” Globe and Mail (Toronto), Oct. 2, 1997, sec. A, pp. 14–15.
  • Vogel, Carol. “Inside Art: Big Rauschenberg.” New York Times, Oct. 3, 1997.
  • Bischoff, Dan. “Artist Nearly ‘Runs Out of World’ for Colossal Three-Part Show.” Star-Ledger (Newark, N.J.), Oct. 5, 1997.
  • Sozanski, Edward J. “Rauschenberg Retrospective Takes Over 2 Museums and a Gallery.” Philadelphia Inquirer, Oct. 5, 1997.
  • Sipe, Jeffrey R. “The World as Canvas.” Insight on the News (Washington, D.C.) 13, no. 37 (Oct. 6–13, 1997), p. 36.
  • Schjeldahl, Peter. “Chaos’s Mascot.” Village Voice (New York), Oct. 7, 1997, p. 87.
  • Kimball, Roger. “Dada for the Masses.” Spectator (London) 279, no. 8828 (Oct. 11, 1997), pp. 58–59.
  • Baker, Kenneth. “Rauschenberg in Spotlight in New York.” San Francisco Chronicle, Oct. 13, 1997.
  • Tomkins, Calvin. “Master of Invention.” New Yorker 73, no. 31 (Oct. 13, 1997), pp. 92–96.
  • Breerette, Geneviève. “Robert Rauschenberg, maître du collage universel.” Le Monde (Paris), Oct. 14, 1997, p. 30.
  • Cullinane, Robert. “An Incurable Obsession with the Ordinary.” Asbury Park Press (N.J.), Oct. 19, 1997, sec. E, pp. 1, 8.
  • Gayford, Martin. “To Hell with Suffering for Art.” Sunday Telegraph (London), Oct. 19, 1997, p. 11.
  • Barber, Lynn. “Robert Rauschenberg.” Observer Life (London), Oct. 26, 1997, pp. 6–12.
  • Hughes, Robert. “The Great Permitter.” Time (New York) 150, no. 17 (Oct. 27, 1997), pp. 108–10.
  • Anzelowitz-Tanner, Lois. “Rauschenberg: A Retrospective.” Where New York (Nov. 1997), pp. 22–25.
  • Castle, Frederick Ted. “Rauschenberg.” Art Monthly (London), no. 211 (Nov. 1997), pp. 8–11.
  • MacAdam, Barbara A. “Reviews: Robert Rauschenberg.” Artnews (New York) 96, no. 10 (Nov. 1997), p. 221.
  • Iden, Peter. “Ich bemühe mich, mit dem, was ich tue, nicht vertraut zu sein.” Frankfurter Rundschau (Frankfurt), Nov. 1, 1997, sec. ZB, p. 3.
  • Lilliefors, James. “Art Pioneer Still Defies Convention, Unveiling New Ideas.” Miami Herald, Nov. 2, 1997, sec. C, pp. 7, 10.
  • Fenton, James. “The Voracious Ego.” New York Review of Books 44, no. 17 (Nov. 6, 1997), pp. 8–11.
  • Gropp, Rose-Maria. “Die magnetische Kraft eines sorgsamen Gedächtnisses.” Frankfurter Allgemeine Zeitung (Frankfurt), Nov. 13, 1997.
  • Danto, Arthur C. “Robert Rauschenberg.” Nation (New York) 265, no. 16 (Nov. 17, 1997), pp. 32–36.
  • Donohue, Marlena. “Rauschenberg’s Signature on the Century.” Christian Science Monitor (Boston), Nov. 28, 1997, pp. 10–11.
  • Schor, Gabriele. “‘Ich habe nichts zu sagen!’” Neue Zürcher Zeitung (Zurich), Nov. 28, 1997.
  • Cembalest, Robin. “An Iconoclast Becomes an Icon.” Artnews (New York) 96, no. 12 (Dec. 1997), pp. 56–57.
  • Codognato, Cristina. “Rauschenberg a New York.” D’Ars (Milan) 37, no. 3 (Dec. 1997), pp. 33–35.
  • Danto, Arthur C. “Top Ten x 12: The Year in Review.” Artforum (New York) 36, no. 4 (Dec. 1997), p. 96.
  • Schwabsky, Barry. “Robert Rauschenberg.” Art Press (Paris), no. 230 (Dec. 1997), pp. 72–73 (in English and French).
  • Perl, Jed. “Transformations.” New Republic (Washington, D.C.) 217, no. 22 (Dec. 1, 1997), pp. 33–38.
  • Schwendenwien, Jude. “An Exhibit So Big It Fills Two Museums.” Hartford Courant (Conn.), Dec. 14, 1997.
  • “The People Who Shaped the Cultural Year: Looking Backward while Moving Ahead.” New York Times, Dec. 28, 1997, sec. 2, pp. 1, 38.
  • Doe, Willo. “The Possible Present.” Linea, Art Students League newsletter (New York) 2, no. 1 (Winter 1998), pp. 1, 6.
  • Cooke, Lynne. “New York: Robert Rauschenberg.” Burlington Magazine (London) 140, no. 1138 (Jan. 1998), pp. 64–65.
  • Servetar, Stuart. “New York Fax.” Art Issues (Los Angeles), no. 51 (Jan.–Feb. 1998).
  • Dell’Orso, Silvia. “Rauschenberg ‘inedito’ apre la super-Galleria.” La Repubblica (Rome), Jan. 30, 1998, p. 9.
  • Feinstein, Roni. “Rauschenberg: Solutions for a Small Planet.” Art in America (New York) 86, no. 2 (Feb. 1998), cover and pp. 66–79.
  • Kuspit, Donald. “East Coast, West Coast: Robert Rauschenberg, Richard Diebenkorn.” Art New England (Newtonville, Mass.) 19 (Feb.–March 1998), p. 15.
  • Johnson, Patricia C. “Melding Pot.” Houston Chronicle, Feb. 15, 1998, Zest, cover and pp. 8–9, 15.
  • Tyson, Janet. “Rauschenberg Exhibit Honors Sweeping Influence of Native Son.” Morning Star Telegram (Fort Worth, Tex.), Feb. 15, 1998.
  • Doiron, Darragh. “Robert Rauschenberg Retrospective.” Port Arthur News (Tex.), Feb. 22, 1998.
  • Kutner, Janet. “The Wide World of Robert Rauschenberg.” Dallas Morning News, Feb. 22, 1998, sec. C, pp. 1, 6.
  • Schaffner, Ingrid. “Rauschenberg’s Photographies.” Afterimage (Rochester, N.Y.) 25, no. 5 (March–April 1998), p. 15.
  • Knight, Christopher. “Soaring Like an Eagle.” Los Angeles Times, March 1, 1998, Calendar, pp. 6, 73.
  • Bonetti, David. “The Impact of Rauschenberg.” San Francisco Examiner, April 14, 1998, sec. C. pp. 1, 9.
  • Camnitzer, Luis. “The Rauschenberg Invasion.” ArtNexus (Bogota), no. 28 (May–July 1998), pp. 84–87.
  • Smith, Mark L. “Rauschenberg’s Homecoming.” Artnews, Texas Fine Arts Association newsletter (Austin) (May–July 1998), pp. 2–3.
  • Wainwright, Lisa. “Rauschenberg’s American Voodoo.” New Art Examiner (Chicago) 25, no. 8 (May 1998), pp. 28–33.
  • Amy, Michael. “Robert Rauschenberg: La rétrospective.” Art et Culture (Paris) 12, no. 10 (June 1998), pp. 46–47.
  • Craft, Catherine. “Much Too Much.” Art Journal (College Art Association, New York) 57, no. 2 (Summer 1998), pp. 108–11.
  • Czöppan, Gabi. “Weltreise statt Midlife-crisis.” Focus (Munich), no. 26/1998 (June 22, 1998), pp. 102–05.
  • Weingarten, Susanne. “Der Weltfresser bei der Arbeit.” Der Spiegel (Hamburg), no. 26/1998 (June 22, 1998), pp. 174–76.
  • Lutterbeck, Claus. “Von der Müllhalde ins Museum.” Stern (Hamburg) 51, no. 27 (June 25, 1998), pp. 68–82.
  • Haase, Amine. “Verlockungen der Schönheit.” Kölner Stadt-Anzeiger (Cologne), June 27–28, 1998, p. 37.
  • Wagner, Thomas. “Malerei gegen das Bombardement der Welt.” Frankfurter Allgemeine Zeitung (Frankfurt), July 11, 1998, p. 29.
  • Seidel, Martin. “Robert Rauschenberg: Retrospektive, Museum Ludwig, Köln.” Kunstforum (Ruppichteroth, Germany), no. 142 (Oct.–Dec. 1998), pp. 406–08.
  • Palomero, Carmen. “Una vida, un arte.” El Correo (Bilbao), Nov. 21, 1998, p. 49.
  • Sala, Luis. “Rauschenberg inunda el Guggenheim de imaginación y propuestas vanguardistas.” El Correo (Bilbao), Nov. 21, 1998, p. 48.
  • Merino, José Luis. “Rauschenberg, el inventor.” El País (Madrid), Dec. 1, 1998, p. 10.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Rauschenberg Art For Change, Sept. 23–Nov. 1.
 
Bernard Jacobson Gallery, London, Robert Rauschenberg: Shales, Sept. 24–Nov. 1. Exh. cat. with essay by Bryan Robertson.
 
Dranoff Fine Art, New York, Robert Rauschenberg: Paintings, Drawings, Sculpture and Prints, Oct. 24–Dec. 6.
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Rauschenberg: Ground Rules, Oct. 25–Nov. 15.
 
Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints and Drawings and Objects, Nov. 1–Dec. 23.
 
Tampa Bay Performing Arts Center, Fla., Robert Rauschenberg: Study for Chinese Summerhall and Tibetan Garden Song, closed Nov. 9.
 
1998
 
Windows on Fifty-seventh Street, Art Students League, New York, Robert Rauschenberg: Road-Show (Anagram), 1996, Jan. 6–Feb. 15.
 
Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Anagrams (A Pun), Jan. 29–March 7. Exh. cat. with text by Gillo Dorfles.
 
Texas Gallery, Houston, Robert Rauschenberg (Anagrams), Feb. 14–April 11.
 
Galerie Wild, Frankfurt, Robert Rauschenberg: Bilder, Objekte und Graphiken von 1976–1994, June 29–Sept. 15.
 
National Gallery of Modern Art, New Delhi, Robert Rauschenberg: Tribute 21, Aug. 21–Sept. 12. Exh. brochure with essay by Sundaram Tagore.
 
PaceWildensteinMacGill, New York, Robert Rauschenberg: Postcard Pictures 1952, Sept. 10–Oct. 24.
 
Museum of the Gulf Coast, Port Arthur, Tex., Robert Rauschenberg: Tribute 21, Sept. 19–Nov. 30. Exh. brochure.
  • Gallaspy, Beth. “Rauschenberg Returns.” Beaumont Enterprise (Tex.), Sept. 18, 1998, sec. D, pp. 1, 5.
  • Doiron, Darragh. “Rauschenberg Comes Home.” Port Arthur News (Tex.), Sept. 20, 1998, sec. A, pp. 1–2.
  • Upshaw, Amy. “Rauschenberg Comes Home for Exhibit Honoring Those Who Shaped Our World.” Beaumont Enterprise (Tex.), Sept. 20, 1998, sec. A, pp. 1, 13.
  • Doiron, Darragh. “Rauschenberg Never Forgets His Hometown.” Port Arthur News (Tex.), Nov. 1, 1998.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg L.A. Uncovered and Darryl Pottorf and Robert Rauschenberg: Quattro Mani, Oct. 21–Nov. 21. Traveled to Eckert Fine Art, Naples, Fla., Jan. 16–30, 1999. Exh. cat. (Los Angeles: Gemini G.E.L., 1998).
  • Muchnic, Suzanne. “Collage Professor.” Los Angeles Times, Jan. 31, 1998, sec. F, pp. 1, 14.
 
Tyler Art Gallery, Oswego State University, Syracuse, Robert Rauschenberg: Chow Bag Series, Nov. 20–Dec. 13.
 
Museu d’Art Espanyol Contemporani, Palma, Spain, Robert Rauschenberg: Obra gráfica 1967–1979, Dec. 16, 1998–March 6, 1999. Organized by Fundación Juan March, Madrid, in collaboration with Walker Art Center, Minneapolis. Traveled to Museo de Arte Abstracto Español, Cuenca, Spain, March 12–June 13, 1999.
 
1999
 
Orange County Museum of Art, Newport Beach, Calif., Rauschenberg in Transparency, Jan. 16–April 18.
 
Leo Castelli, New York, Robert Rauschenberg: Arcadian Survey 1997, opened Feb. 3.
 
PaceWildenstein, New York, Rauschenberg: Anagrams (A Pun), March 19–April 17. Exh. cat. with statement by Rauschenberg.
 
Galleria Lawrence Rubin, Milan, Robert Rauschenberg: Fotografie 1949–1985, April 8–May 15. Exh. cat. (in English and Italian) with essay by Yve-Alain Bois.
  • “Trenta scatti on the road con Robert Rauschenberg.” Arte in Mostra (Turin), April 2, 1999, p. 6.
 
Butler Institute of American Art, Youngstown, Ohio, Robert Rauschenberg/Darryl Pottorf, April 18–July 11.
 
Piazza del Plebiscito, Naples, Rauschenberg a Napoli: Tribute 21, April 24–Sept. 24. Exh. cat. (in English and Italian) by Eduardo Cicelyn and Mario Codognato.
  • Coen, Ester. “Le bandiere di Rauschenberg.” La Repubblica (Rome), April 26, 1999, p. 26.
 
San Francisco Museum of Modern Art, Robert Rauschenberg, May 5–Sept. 7.
  • Baker, Kenneth. “Rauschenberg Coup at SFMOMA.” San Francisco Chronicle, May 8, 1999, sec. E, pp. 1, 8.
  • Bonetti, David. “Rauschenberg Coup Cements SFMOMA’s Ascendance.” San Francisco Examiner, May 21, 1999, sec. C, pp. 1, 4.
 
Samuel P. Harn Museum of Art, Gainesville, Fla., Robert Rauschenberg: The Chinese Summerhall Series, May 30–Sept. 26.
 
Massachusetts Museum of Contemporary Art, North Adams, Robert Rauschenberg: The 1/4 Mile or 2 Furlong Piece, May 30, 1999–April 9, 2000.
  • Thompson, Chris. “MASS MoCA Details Exhibits.” North Adams Transcript (Mass.), May 25, 1999, sec. A, pp. 1, 8.
  • Temin, Christine. “Massive MoCA.” Boston Globe, May 28, 1999, sec. D, pp. 1, 14.
  • Smith, Roberta. “Art Center Has Room for the Big and the New.” New York Times, June 2, 1999, sec. E, pp. 1, 5.
  • Zeiger, Lisa. “MoCA Grande.” Interiors (Chicago) 158, no. 8 (Aug. 1999), cover and pp. 42–49.
  • Schjeldahl, Peter. “Minimalism Depot.” New Yorker 75, no. 21 (Aug. 2, 1999), pp. 81–82.
  • Watson, Bruce. “A Unique Home for Cutting-Edge Art.” Smithsonian (Washington, D.C.) 30, no. 12 (March 2000), pp. 115–24.
 
Museum of Modern Art, New York, Robert Rauschenberg, Early Combines, July 1–October 5.
  • Vogel, Carol. “Compliments of a Friend.” New York Times, June 25, 1999.
 
Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images from Everywhere, News from Nowhere, Sept. 5–Oct. 31. Traveled to Brevard Museum of Art and Science, Melbourne, Fla., Dec. 2, 2000–Feb. 25, 2001. Exh. brochure with text by Jennifer Hardin.
  • Marger, Mary Ann. “Reality, Readjusted.” St. Petersburg Times (Fla.), Sept. 10, 1999, sec. D, pp. 1–2.
  • Harbaugh, Pam. “Art Can Baffle.” Florida Today (Melbourne, Fla.), Dec. 16, 2000, sec. D, pp. 1–2.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Works from the Early Seventies and Eighties, Oct. 8–Nov. 6.
 
2000
 
Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Ruminations, March 1–15. Organized in collaboration with Universal Limited Art Editions.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert Rauschenberg: Recent Work, March 9–April 16.
 
Whitney Museum of American Art, New York, Robert Rauschenberg: Synapsis Shuffle, June 29–Oct. 8.
  • Vogel, Carol. “The Artist Shuffles, Then Deals.” New York Times, June 1, 2000, sec. E, pp. 1, 4.
  • Glueck, Grace. “A Card Trick as a Celebrity ‘Shuffle.’” New York Times, July 7, 2000, sec. E, p. 32.
 
Bobbie Greenfield Gallery, Santa Monica, Calif., Robert Rauschenberg: Ruminations, July 15–Sept. 30.
 
Evansville Museum of Arts and Science, Ind., Robert Rauschenberg and Darryl Pottorf, Aug. 27–Nov. 26.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Marrakitch and Darryl Pottorf and Robert Rauschenberg: Quattro Mani/Marrakech, Sept. 6–28.
 
PaceWildenstein, New York, Robert Rauschenberg: Apogamy Pods, Nov. 17–Dec. 30.
  • “Robert Rauschenberg.” New Yorker 76, no. 37 (Dec. 4, 2000), p. 22.
  • Arditi, Fiamma. “Più mi annullo, più mi piaccio.” Panorama (Milan), Dec. 7, 2000, p. 269.
  • Finch, Charlie. “Rauschenberg’s Long Goodbye.” Artnet.com, Dec. 8, 2000. Accessed July 14, 2014. http://www.artnet.com/magazine/reviews/finch/finch12-8-00.asp.
 
Eckert Fine Art Naples, Fla., Robert Rauschenberg: Marrakitch and Darryl Pottorf/Robert Rauschenberg: Quattro Mani/Marrakech, Dec. 2, 2000–Jan. 6, 2001. Organized in collaboration with Gemini G.E.L.
  • Pereira, Miriam. “Rauschenberg Captures Trip to Marrakech.” Fort Myers News-Press (Fla.), Dec. 3, 2000, sec. G, p. 3.
  • Miller, Donald. “Rauschenberg Erupting in Artwork, Donations and the Unexpected.” Naples Daily News (Fla.), Dec. 5, 2000, sec. B, pp. 1, 9.
 
The Ralls Collection, Washington, D.C., Robert Rauschenberg and Darryl Pottorf, Dec. 6, 2000–Feb. 3, 2001.
 
Baltimore Museum of Art, Robert Rauschenberg Combines: Painting and Sculpture, Dec. 6, 2000–May 20, 2001. Exh. brochure. Exh. cat.
  • Hirsch, Arthur. “Artistic License . . . Issued by a Master.” Baltimore Sun, Dec. 10, 2000, sec. F, p. 3.
  • Giuliano, Mike. “Mixmaster: The BMA Takes a Fresh Look at Rauschenberg’s ‘Combines.’” Baltimore City Paper, Jan. 10, 2001, p. 32.
  • O’Sullivan, Michael. “Rauschenberg’s Groundbreaking Combinations.” Washington Post, Jan. 19, 2001, Weekend, p. 37.  
  • Saffer, Caroline. “Rauschenberg Combines: Art of the Mundane.” Johns Hopkins News-Letter (Baltimore), Feb. 8, 2001.
  • Shaw-Eagle, Joanna. “Rauschenberg’s Radical Mix of Art Forms.” Washington Times, Feb. 17, 2001.
 
Kultur Etxea, Gallarta, Spain, Relaciones: Diálogos con Rauschenberg, Dec. 19, 2000–Jan. 11, 2001.
 
2001
 
Texas Gallery, Houston, Robert Rauschenberg: Short Stories, April 6–May 12.
 
Versicherungskammer Bayern, Munich, Rauschenberg: Posters, May 9–July 21. Traveled to Museum für Kunst und Gewerbe, Hamburg, Aug. 31–Oct. 28; Meppener Kunstkreis, Meppen, Germany, April 5–May 21, 2002. Exh. cat. (Munich: Prestel, 2001; in English and German) with essays by Jürgen Döring and Marc Gundel.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Short Stories and Ruminations—A New Series of Nine Limited Edition Prints, May 12–July 28. Exh. cat. with statement by Rauschenberg.
 
Joel and Lila Harnett Print Study Center, University of Richmond Museums, Va., Robert Rauschenberg: From the “Speculations” Series, Aug. 22–Dec. 16.
 
York Quay Gallery, Harbourfront Centre, Toronto, “In + Out City Limits” Selection, Sept. 21–Nov. 4.
  • Goddard, Peter. “This Is Rauschenberg Unplugged.” Toronto Star, Sept. 27, 2001, sec. G, p. 9.
  • Hackett, Sophie. “Master Joker: Art Star’s Lasting Irreverence.” Daily Xtra (Toronto), Oct. 4, 2001, p. 25.
  • Milroy, Sarah. “Rauschenberg’s Story.” Globe and Mail (Toronto), Oct. 9, 2001, sec. R, pp. 1, 11.
 
Buren II, Stockholm, Robert Rauschenberg: L.A. Uncovered–Screen Prints 1998, Nov. 16–Dec. 19.
 
2002
 
Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Beamers, Jan. 30–Feb. 10.
  • Pereira, Miriam. “Metal Masterpiece.” Fort Myers News-Press (Fla.), Jan. 29, 2002, sec. E, pp. 1, 4.
  • Miller, Donald. “Beamers.” Naples News (Fla.), Feb. 1, 2002, sec. B, pp. 1, 8.
 
Pace/MacGill, New York, Robert Rauschenberg, Feb. 28–April 6.
 
Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Rauschenberg: Short Stories, March 28–April 28.
 
Museum of Fine Arts, Boston, Robert Rauschenberg: Recent Work, May 22–Aug. 18.
  • Sherman, Mary. “Rauschenberg’s Latest Works Pack a Punch.” Boston Herald, May 28, 2002, pp. 31, 34.
  • Temin, Christine. “A Quiet Round of Rauschenbergs at the MFA.” Boston Globe, May 29, 2002, sec. D, pp. 1, 3.
 
Waddington Galleries, London, Robert Rauschenberg: Short Stories, June 6–July 6. Exh. cat. with text by David Batchelor.
 
Fondation Dina Vierny, Musée Maillol, Paris, Robert Rauschenberg, June 6–Oct. 14. Exh. brochure. Exh. cat. (in English and French) with essays by Marla Prather, Bernice Rose, and Dina Vierny.
  • Maldonado, Guitemie. “Bob Rauschenberg: L’ordre et l’aléatoire.” Connaissance des arts (Paris), no. 595 (June 2002), pp. 40–45.
  • Youssi, Yasmine. “‘Le bon art ne peut jamais être compris.’” Le Journal du Dimanche (Paris), June 30, 2002.
  • “Exposition Robert Rauschenberg.” Couverture plomberie (Paris) (July 2002).
  • de Maison Rouge, Isabelle. “Atout Rauschenberg.” Art Actuel (Paris), no. 21 (July–Aug. 2002), pp. 32–33.
  • Gauville, Hervé. “L’Art des essais.” Libération (Paris), Aug. 19, 2002, p. 22.
  • Cremin, Ann. “Hail to the Hero.” Irish Eyes (Paris) (Sept. 2002).
  • Marchi, Valérie. “Les collisions d’images de Rauschenberg.” L’Oeil (Paris), no. 539 (Sept. 2002), p. 96.
 
San Francisco Museum of Modern Art, Robert Rauschenberg at SFMOMA, June 27–Sept. 8.
 
San Francisco LGBT Community Center, Robert Rauschenberg: From the Collection of Terry Van Brunt, June 28–Aug. 4. Organized by Queer Cultural Center, San Francisco. Exh. brochure (Love Letters: Robert Rauschenberg and Terry Van Brunt) with text by Jonathan Katz.
 
Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, Rauschenberg, Booster, Oct. 1–Nov. 17.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Japanese Recreational Clayworks, Nov. 23, 2002–Feb. 8, 2003.
 
2003
 
Simmons Visual Arts Center and Presidents Gallery, Brenau University, Gainesville, Ga., Rauschenberg Reprise and Quattro Mani: The Collaborative Work of Robert Rauschenberg and Darryl Pottorf, Feb. 6–March 30. Exh. cat. with essays by Mary Lynn Kotz.
  • Epstein, Edward. “Gainesville, Georgia.” Art Papers (Atlanta) 27, no. 3 (May–June 2003), pp. 36–37.
 
Jim Kempner Fine Art, New York, Robert Rauschenberg: Prints and Unique Work, March 15–April 26.
 
Madeline S. Taeni Hall, Edison Community College, Fort Myers, Fla., Ruminations, opened March 27. Organized by Gallery of Fine Art, Edison Community College.
 
PaceWildenstein, New York, Short Stories by Robert Rauschenberg , April 4–May 3. Exh. cat. with statement by Rauschenberg.
  • Schmerler, Sarah. “3 Questions for Robert Rauschenberg.” Time Out New York, no. 392 (April 3–10, 2003), p. 6.
  • Grosz, David. “Gallery-Going.” New York Sun, April 17, 2003.
 
Museum Works Gallery, Aspen, Robert Rauschenberg, opened Aug. 11.
 
2004
 
Eckert Fine Art, Naples, Fla., Lichtenstein: Chinese Landscapes and Rauschenberg: 7 Chinese Characters, Jan. 19–Feb. 7. Exh. brochure with texts by Karen Bandlow and Donald Saff.
 
Jonathan Edwards College, Yale University, New Haven, Conn., Robert Rauschenberg: Gifts to Terry Van Brunt, Jan. 22–March 5. Exh. brochure with introduction by Gary L. Haller and essays by Jonathan D. Katz and Terry Van Brunt.
  • Martineau, Kim. “The Rauschenberg Debate.” Hartford Courant (Conn.), Jan. 30, 2004, sec. A, pp. 1, 11.
 
Vanderbilt University Fine Arts Gallery, Nashville, Robert Rauschenberg: An American Iconoclast, Jan. 31–March 18.
 
Elizabeth Leach Gallery, Portland, Oreg., Robert Rauschenberg, Feb. 5–28.
 
Wadsworth Atheneum, Hartford, Conn., Robert Rauschenberg: Current Scenarios, Feb. 7–Sept. 5.
  • Rosoff, Patricia. “Black and White and Read All Over.” Hartford Advocate (Conn.), Feb. 6, 2004.
  • Erikson, Matthew. “Rauschenberg Revisited.” Hartford Courant (Conn.), Feb. 8, 2004, sec. G, pp. 1, 4.
  • Walsh, Laura. “A Snapshot of the Life Around Us.” Connecticut Post (Bridgeport), Feb. 8, 2004, sec. G, pp. 1, 4.
  • Genocchio, Benjamin. “Blending Memories and Moments.” New York Times, Feb. 22, 2004, sec. CT, p. 11.
  • Johnson, Ken. “Under Rauschenberg’s Spell, Mundane Turns Uncanny.” New York Times, March 19, 2004, sec. E, p. 36.
  • Genocchio, Benjamin. “Rauschenberg: Autumn of an Art Patriarch.” New York Times, June 27, 2004, p. 8.
 
Palazzo dei Diamanti, Ferrara, Rauschenberg, Feb. 29–June 6. Exh. brochure with essay by Giuliano Serafini. Exh. cat. with essays by Julia Blaut and Susan Davidson and interview with Rauschenberg by Mario Codognato and Mirta d’Argenzio.
  • Margutti, Flavia Fossa. “Rauschenberg.” In L’Espresso: Il catalogo delle Mostre (Rome, 2004), pp. 23–33.
  • Arditi, Fiamma. “Rauschenberg io che impazzisco senza pittura.” La Stampa (Turin), Feb. 27, 2004.
  • Pegoraro, Silvia. “Rauschenberg, le tele della vita.” Il Messagero (Rome), Feb. 28, 2004.
  • Cattania, Isabella. “Rauschenberg per tre mesi si racconta ai Diamanti.” Il Resto del Carlino (Bologna), Feb. 29, 2004, p. 11.
  • Detheridge, Anna. “La vita in un ‘combine.’” Il Sole 24 Ore (Milan), Feb. 29, 2004, p. 38.
  • Govoni, Michele. “Arte, la forza del messaggio.” La Nuova Ferrara, Feb. 29, 2004.
  • Diez, Renato. “Il trionfo dell’ordine casuale.” Arte (Milan), no. 367 (March 2004), pp. 102–09.
  • Mortari, Manuel. “Nel territorio tra arte e realtà.” Art e Dossier (Florence), no. 198 (March 2004), pp. 6–11.
  • Lorenzi, Fausto. “Rauschenberg, il quadro non ha mai fine.” Giornale di Brescia (Italy), March 2, 2004, p. 23.  
  • D’Amico, Fabrizio. “Robert Rauschenberg: Viaggio verso la frontiera dell’arte.” La Repubblica (Rome), March 8, 2004, p. 29.
  • Spagnesi, Licia. “‘Il Leone d’oro?’ Tutti erano inorriditi. L’unico felice ero io.” Arte (Milan), no. 368 (April 2004), pp. 45–46.
 
Gallery Camino Real, Boca Raton, Fla., Quattro Mani: The Collaborative Work of Robert Rauschenberg and Darryl Pottorf, March 11–April 3.
 
Centre des Arts, Enghien-les-Bains, France, Robert Rauschenberg: Tribute 21, April 7–June 6.
 
Gagosian Gallery, Madison Avenue, New York, Robert Rauschenberg, April 16–June 5.
 
Rule Gallery, Denver, Robert Rauschenberg: Selected Prints, 1990–2001, closed May 8.
 
Eckert Fine Art, Naples, Fla., Robert Rauschenberg: Urban Bourbon and Borealis, closed June.
 
Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Rauschenberg: Scenarios, June 4–July 11.
  • Sterwald, Drew. “We Love That Bob in SWF.” Fort Myers News-Press (Fla.), June 4, 2004, sec. E, p. 1.
  • ———. “The Bob Rauschenberg Gallery.” Fort Myers News-Press (Fla.), June 5, 2004, sec. A, p. 1.
 
John Berggruen Gallery, San Francisco, Robert Rauschenberg: Paintings, Screenprints and Lithographs, July 15–Aug. 28.
  • Baker, Kenneth. “Photos, Paintings, Odd Objects Find Home with Rauschenberg.” San Francisco Chronicle, July 17, 2004.
 
Kennedy Museum of Art, Ohio University, Athens, Robert Rauschenberg: Scent and Pull, Sept. 11, 2004–mid-Feb. 2005.
 
WP Gallery, Philadelphia, in collaboration with Gemini G.E.L., Robert Rauschenberg/Susan Rothenberg, Sept. 18–Oct.
 
Bernard Jacobson Gallery, Clifford Street, London, Robert Rauschenberg: 2K+, Oct. 14–Nov. 20. Exh. cat.
 
Bernard Jacobson Gallery, Cork Street, London, Robert Rauschenberg: ROCI/USA, Oct. 14–Nov. 20. Traveled to Jacobson Howard Gallery, New York, opened Jan. 7, 2005; Galerie Ulysses, Vienna, May 19–June 25, 2005. Exh. cat. (Vienna, 2005) with text by John Sailer.
 
University Art Gallery, California State University, Hayward, Robert Rauschenberg, Artist-Citizen: Posters for a Better World, Oct. 28, 2004–Jan. 22, 2005. Organized by Smithsonian Institution Traveling Exhibition Service. Traveled to Canzani Center Gallery, Columbus College of Art and Design, Ohio, Feb. 25–April 16, 2005; Museum of the Gulf Coast, Port Arthur, Tex., Aug. 13–Oct. 23, 2005; New Braunfels Museum of Art and Music, Tex., Nov. 12, 2005–Jan. 22, 2006; Dallas Museum of Art, Nov. 5, 2005–Jan. 22, 2006; Emily Lowe Gallery, Hofstra Museum, Hempstead, N.Y., Feb. 11–April 23, 2006; Monmouth Museum, Lincroft, N.J., May 13–July 23, 2006; Baum Gallery, University of Central Arkansas, Conway, Aug. 12–Oct. 22, 2006; Center Art Gallery, Calvin College, Grand Rapids, Mich., Nov. 10, 2006–Jan. 20, 2007; Rose City Renaissance Design Center, Norwich, Conn., Feb. 10–April 22, 2007; Rebecca Randall Bryan Art Gallery, Coastal Carolina University, Conway, S. C., Feb. 10–April 22; Bob Rauschenberg Gallery, Edison College, Fort Myers, Fla., Jan. 11–Feb. 9, 2008. Exh. brochure with text by Lanier Graham. Exh. cat.
  • Johnson, Mark M. “Rauschenberg: Posters for a Better World.” Arts and Activities (San Diego) 138, no. 2 (Oct. 2005), pp. 24–28.
  • Harrison, Helen A. “Art Review: From the Obscure To the Unglued.” New York Times, April 9, 2006.
  • Maber, Marie Naples. “Citizen Rauschenberg.” Asbury Park Press (N.J.), July 2, 2006, sec. E, p. 1.
  • Dorsey, Kristina. “Poster Boy.” Day (New London, Conn.), Feb. 9, 2007, sec. B, pp. 1–2.
 
Corkin Shopland Gallery, Toronto, Robert Rauschenberg and Thaddeus Holownia, Nov. 13, 2004–Jan. 22, 2005.
 
Trinity Gallery, Atlanta, Rauschenberg, Nov. 19, 2004–Jan. 8, 2005.
  • Cullum, Jerry. “Rauschenberg and Marx.” Atlanta Journal-Constitution, Dec. 5, 2004.
 
2005
 
Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Rauschenberg’s A Quake in Paradise (Labyrinth), Jan. 7–Feb. 26.
  • Sterwald, Drew. “Rauschenberg Shakes Up Art Community.” Fort Myers News-Press (Fla.), Jan. 7, 2005, Gulf Coasting, cover and p. 27.
 
Godt-Cleary Projects, Las Vegas, Robert Rauschenberg: Art and Life, Jan. 7–March 31.
 
PaceWildenstein, New York, Robert Rauschenberg: Scenarios, Jan. 14–Feb. 5. Exh. cat. with essay by Oscar Hijuelos.
  • Esplund, Lance. “Anti-Art, Anti-Establishment Establishment Art.” New York Sun, Jan. 20, 2005.
  • Leffingwell, Edward. “Robert Rauschenberg at PaceWildenstein.” Art in America (New York) 93, no. 5 (May 2005), pp. 167–68.
 
Neuberger Museum of Art, Purchase College, State University of New York, Robert Rauschenberg: Selections from the Permanent Collection, Jan. 23–April 17.
 
Eckert Fine Art Naples, Fla., Robert Rauschenberg and Darryl Pottorf, Feb. 1–27.
 
Miami Art Museum, Robert Rauschenberg, March 4–July 3. Exh. brochure.
  • Evans, Sara. “Rauschenberg Re-Examined.” Art of the Times (West Palm Beach, Fla.) (Feb. 2005), pp. 20–21.
  • Turner, Elisa. “Heeding Call of the Road.” Miami Herald, April 24, 2005, sec. M, pp. 1, 5.
 
Los Angeles County Museum of Art, Rauschenberg: Posters, March 10–June 12.
  • Myers, Holly. “Exploiting the Power of Image.” Los Angeles Times, April 12, 2005, sec. E, p. 3.
  • Harvey, Doug. “Poster-Modernism: Rauschenberg and Revolution on Wilshire.” LA Weekly, May 6–12, 2005, pp. 52–53.
  • Andreae, Christopher. “Rauschenberg’s Journey in Space.” Christian Science Monitor (Boston), May 11, 2005, p. 19.
  • Frank, Peter. “Up Against the Wall.” Front Desk (Los Angeles) (June 2005), pp. 102–03.
 
Institut Valencia d’Art Modern, Robert Rauschenberg, March 17–May 15. Exh. cat. (in Catalan, English, and Spanish) with text by Rosetta Brooks.
  • “El IVAM expone la obra poética de Rauschenberg, Premio Julio González.” Diario de Valencia, March 18, 2005, p. 51.
  • Aimeur, Carlos. “El IVAM se acerca al arte crítico del norteamericano Rauschenberg.” El Mundo (Valencia), March 18, 2005, p. 13.
  • Bono, Ferran. “Rauschenberg extrae formas poéticas de la chatarra reciclada.” El País (Madrid), March 18, 2005, p. 34.
  • Marí, Rafa. “Rauschenberg expone en el IVAM su poética sobre los objectos de deshecho.” Las Provincias (Valencia), March 18, 2005, p. 55.
  • “Robert Rauschenberg dona al IVAM la obra ‘Blood Orange Summer Glut.’” Diario de Valencia, April 2, 2005, p. 51.  
 
Locks Gallery, Philadelphia, Robert Rauschenberg, April 1–30.
  • Sozanski, Edward J. “Old and Newer Meet in 7 Rauschenbergs.” Philadelphia Inquirer, April 8, 2005.  
 
Galleri Faurschou, Copenhagen, Robert Rauschenberg: Works from the 1960s, April 7–July 2. Exh. cat. with essay by Mikael Wivel.
 
Thomas Segal Gallery, Baltimore, Robert Rauschenberg: Early Prints, April 28–Sept.
 
Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette, Robert Rauschenberg: Scenarios and Short Stories, May 21–Sept. 3. Traveled to Herron Galleries, Herron School of Art and Design, Indiana University–Purdue University Indianapolis, Sept. 10–Oct. 8; Jepson Center for the Arts, Telfair Museum of Art, Savannah, Ga., March 10–June 4, 2006.
 
Musée d’Art moderne et d’Art contemporain, Nice, Robert Rauschenberg, On and Off the Wall: Works from the 80s and the 90s, June 24, 2005–Jan. 8, 2006. Traveled to Aarhus Kunstmuseum, Denmark, May 6–Sept. 10, 2006. Exh. cat. (Nice) with essays by Bruno Corá, Gilbert Perlein, and Barbara Rose. Exh. cat. (Aarhus) with introduction by Mona Jensen and essays by Rose and Mikael Wivel.
  • Bertolino, Georges. “Nice: Rauschenberg dans son atelier.” Nice-Matin (Nice), June 24, 2005, p. 24.
  • Rauschenberg: In the Gap Between, Entretiens avec Robert Rauschenberg. Paris: Archibooks, 2006. With texts by Maud Benayoun and Gilbert Perlein and interviews with Rauschenberg by Jean Daive, Henri-François Debailleux, and Emmanuelle Lequeux.
  • Hermansen, Tom. Interview with Robert Rauschenberg. “De Troede, At Jeg Var Evnesvag.” Morgenavisen Jyllands-Posten (Aarhus, Denmark), May 5, 2006, pp. 7–9.
  • Witt, Louise. “Klassisk kunstner på Aros.” Aarhus Stiftstidende, May 5, 2006, p. 9.
  • Knippel, Lars Ole. “Forfaldets æstetiker.” Morgenavisen Jyllands-Posten (Aarhus, Denmark), May 6, 2006, sec. 1, p. 14.
 
Guild Hall, East Hampton, N.Y., Robert Rauschenberg: Hoarfrosts, Aug. 13–Oct. 23.
 
William Griffin Gallery, Santa Monica, Calif., Robert Rauschenberg: Late Paintings, Sept. 10–Nov. 12.
 
Galerie Terminus, Munich, Robert Rauschenberg: Masterworks, Oct. 4–Nov. 10. Exh. cat.
 
Meyerovich Gallery, San Francisco, Robert Rauschenberg: Eightieth Birthday Exhibition, Oct. 12, 2005–Jan. 15, 2006.
  • Baker, Kenneth. “Rauschenberg Is 80—How Is His Work Aging?” San Francisco Chronicle, Dec. 31, 2005, sec. E, pp. 1, 10.
 
The Ralls Collection, Washington, D.C., Robert Rauschenberg: Works on Paper, Oct. 22, 2005–Jan. 28, 2006.
  • Tischler, Gary. “Rauschenberg at the Ralls Collection.” Georgetowner (Washington, D.C.), Nov. 16–29, 2005.
 
Metropolitan Museum of Art, New York, Robert Rauschenberg: Combines, Dec. 20, 2005–April 2, 2006. Organized by Museum of Contemporary Art, Los Angeles, in collaboration with Metropolitan Museum of Art, New York. Traveled to Museum of Contemporary Art, Los Angeles, May 21–Sept. 4, 2006; Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Oct. 11, 2006–Jan. 15, 2007; Moderna Museet, Stockholm, Feb. 17–May 6, 2007. Exh. cat. with essays by Thomas E. Crow, Branden W. Joseph, Paul Schimmel, and Charles Stuckey. Exh. cat. (Paris) with additional essay by Jean-Paul Amelie.
  • Hickey, Dave. “Fall Preview 2005, ‘Robert Rauschenberg: Combines.’” Artforum (New York) 44, no. 1 (Sept. 2005), pp. 114–15.
  • Brooks, Rosetta. “Rauschenberg: Round the Block Once or Twice.” Modern Painters (New York) (Dec. 2005–Jan. 2006), cover and pp. 70–75.
  • Sischy, Ingrid. “The Master in the Mirror.” Vanity Fair (New York), no. 544 (Dec. 2005), p. 202.
  • Vogel, Carol. “The Robert Rauschenberg Reunion Tour.” New York Times, Dec. 18, 2005, sec. 2, pp. 1, 38.
  • Knight, Christopher. “Image and Object.” Los Angeles Times, Dec. 21, 2005, sec. E, pp. 1, 15. Rev. and reprinted as “Rauschenberg Jousted with Picasso,” Chicago Tribune, Jan. 4, 2006, sec. 5, p. 3.
  • Yablonsky, Linda. “Melding Paint, Objects and Humor—Rauschenberg at the Met.” Bloomberg, Dec. 21, 2005. Accessed May 5, 2014. http://www.bloomberg.com/apps/news?pid=newsarchive&sid=aSu5yPDI9OL4&refer=culture.
  • Kimmelman, Michael. “Art Out of Anything: Rauschenberg in Retrospect.” New York Times, Dec. 23, 2005, sec. B, pp. 35, 40.
  • Villasmil, Alejandra. “Los ‘combinados’ de Rauschenberg.” El Diario (New York), Dec. 25, 2005.
  • Stevens, Mark. “Collage Education.” New York 38, no. 46 (Dec. 26, 2005–Jan. 2, 2006), p. 122.
  • Henry, Clare. “Shock of the Neo: The 1950s Come to Town.” Financial Times (London), Dec. 29, 2005, p. 8.
  • Bischoff, Dan. “Bits ’n’ Pieces.” Star-Ledger (Newark, N.J.), Dec. 30, 2005.
  • Siegal, Nina. “Master of Reinvention.” Art and Auction (New York) 28, no. 5 (Jan. 2006), pp. 90–91.
  • Budick, Ariella. “Unmistakably Inimitable.” Newsday (Long Island, N.Y.), Jan. 1, 2006, Suffolk Edition.
  • McKee, Lauren. “Collage in Three-D.” AM New York, Jan. 6, 2006.
  • Perreault, John. “Rauschenberg’s Combines.” Artopia, Jan. 6, 2006. Accessed May 5, 2014. http://www.artsjournal.com/artopia/2006/01/rauschenbergs_combines.html.
  • Sack, Adriano. “Der Schrott, aus dem die Träume sind.” Welt am Sonntag (Berlin), Jan. 8, 2006, p. 52.
  • Sozanski, Edward J. “Presenting ‘Old Master’ Rauschenberg.” Philadelphia Inquirer, Jan. 8, 2006, sec. H, pp. 1, 5.
  • Feinstein, Roni. “All Manner of Objects, Combined Artfully.” Wall Street Journal (New York), Jan. 10, 2006, sec. D, p. 8.
  • Saltz, Jerry. “Our Picasso?” Village Voice (New York), Jan. 11, 2006, sec. C, p. 79. Reprinted on Artnet.com. Accessed May 5, 2014. http://www.artnet.com/magazineus/features/saltz/saltz1-11-06.asp.
  • Rauterberg, Hanno. “Ich habe meinen Himmel.” Die Zeit (Hamburg), Jan. 12, 2006, pp. 43–44. Trans. and reprinted as “Rauschenberg il rigattiere,” L’Espresso (Rome), Feb. 23, 2006, pp. 116–20.
  • Lacayo, Richard. “The Misfits.” Time (New York) 167, no. 3 (Jan. 16, 2006), p. 126. Rev. and reprinted in Time (International Edition) 168, no. 14 (Oct. 27, 2006), p. 62.
  • Schjeldahl, Peter. “Critic’s Notebook: Always in Progress.” New Yorker 81, no. 45 (Jan. 23, 2006).
  • Hughes, Robert. “Spirit of the Age.” Guardian (London), Jan. 25, 2006.
  • Bois, Yve-Alain. “Eye to the Ground.” Artforum (New York) 44, no. 7 (March 2006), pp. 244–48, 317.
  • Dunham, Caroll. “All or Nothing.” Artforum (New York) 44, no. 7 (March 2006), pp. 249–51, 317.
  • Landi, Ann. “Robert Rauschenberg: Combines.’” Artnews (New York) 105, no. 3 (March 2006), p. 130.
  • Morgan, Robert C. “Robert Rauschenberg.” Art Press (Paris), no. 321 (March 2006), pp. 78–79 (in English and French).
  • Gopnik, Blake. “Rauschenberg ‘Combines’ at the Metropolitan.” Washington Post, March 12, 2006.
  • Kutner, Janet. “Collision Specialist.” Dallas Morning News, March 18, 2006, sec. G, pp. 1, 4.
  • Mattick, Paul. “Robert Rauschenberg Combines.” Brooklyn Rail (New York), April 2006, pp. 25–26.
  • Chandler, David. “Visible Republic: Robert Rauschenberg’s Combines.” Photoworks (Brighton, U.K.), no. 6 (Spring–Summer 2006), pp. 40–45.
  • Carrier, David. “Robert Rauschenberg.” Art US (Los Angeles), no. 13 (May–June 2006), pp. 54–55.
  • Jocks, Heinz-Norbert. “Robert Rauschenberg.” Kunstforum (Ruppichteroth, Germany), no. 180 (May–June 2006), pp. 394–96.
  • West, Kevin. “On Rauschenberg.” WWD Scoop (New York) (May 2006), pp. 46–47.
  • O’Donovan, Leo J. “Bob, Love Your Work!” Los Angeles Times, May 21, 2006, sec. M, p. 6.
  • Swed, Mark. “Performing Rauschenberg.” Los Angeles Times, May 21, 2006, sec. E, p. 38.
  • Knight, Christopher. “Lighting the Fusion.” Los Angeles Times, May 22, 2006, sec. E, pp. 1, 6.
  • Baker, Kenneth. “Scavenged Stuff Yields Provocative Pieces in Rauschenberg Survey.” San Francisco Chronicle, May 24, 2006, sec. E, pp. 1–2. Rev. and reprinted as “Rauschenberg’s Combines Still Vibrant Today.” Beaumont Enterprise (Tex.), May 28, 2006.
  • Silsbee, Kirk. “Beyond Breaking Barriers.” Citybeat (San Diego), May 25–31, 2006, p. 39.
  • Harvey, Doug. “#1 Combo: A Full Serving of Rauschenberg, with a Side of Youngblood and Hundley.” LA Weekly, May 26–June 1, 2006, pp. 56–57.
  • Chang, Richard. “Artistic Audacity.” Orange County Register (Santa Ana, Calif.), May 28, 2006, pp. 1, 7.
  • Craft, Catherine. “Robert Rauschenberg: New York and Los Angeles.” Burlington Magazine (London) 148, no. 1239 (June 2006), pp. 445–46.
  • Picture, Bill. “Why Won’t Robert Rauschenberg Come Out?” Frontiers (Los Angeles), June 20, 2006, pp. 165–66.
  • Cooper, Bernard. “Object Lessons.” Los Angeles 51, no. 8 (Aug. 2006), pp. 150–54.
  • Castro, Jan Garden. “A New Sculptural Idiom: Robert Rauschenberg.” Sculpture (Washington, D.C.) 25, no. 7 (Sept. 2006), pp. 48–55.
  • Bertrand, Valère. “Interview de Robert Rauschenberg.” Connaissance des arts (Paris), no. 642 (Oct. 2006), pp. 112–15.
  • Ramade, Bénédicte. “Rauschenberg: Combinaisons gagnantes.” L’Oeil (Paris), no. 584 (Oct. 2006), pp. 46–51.
  • Domino, Christophe. “La combinatoire Rauschenberg.” Journal des arts (Paris), Oct. 6–19, 2006.
  • Broida, Gisèle Galante. “Paris accueille Robert Rauschenberg.” Paris Match, no. 2995 (Oct. 12–18, 2006), pp. 40–41.
  • Tinazzi, Noël. “Rauschenberg tridimensionnel.” La Tribune (Paris), Oct. 17, 2006.
  • Dagen, Philippe. “Rauschenberg à l’assaut de l’art.” Le Monde (Paris), Oct. 19, 2006.
  • Dreyfus, Alain. “L’alchimiste Rauschenberg.” Libération (Paris), Oct. 20, 2006.
  • Emerling, Susan. “Robert Rauschenberg.” Border Crossings (Winnipeg) 25, no. 4 (Nov. 2006), pp. 84–86.
  • Palmi, Isabelle. “Rauschenberg: Combines.” Art Actuel (Paris), no. 47 (Nov.–Dec. 2006).
  • Sterckx, Pierre. “Robert Rauschenberg: Trois clés pour déchiffrer les ‘Combine Paintings.’” Beaux Arts (Paris), no. 269 (Nov. 2006), pp. 116–25.
  • Searle, Adrian. “Stuff Happens.” Guardian (London), Nov. 27, 2006.
  • Bradford, Mark; Michal Rovner. “Best of 2006: The Artists’ Artists.” Artforum (New York) 45, no. 4 (Dec. 2006), pp. 116, 120.
  • Colpitt, Frances. “Compound Pleasures.” Art in America (New York) 94, no. 11 (Dec. 2006), pp. 98–105.
  • Dezeuze, Anna. “Death Decay and the Everyday.” Art Monthly (London), no. 302 (Dec. 2006–Jan. 2007).
  • Enwezor, Okwui. “Best of 2006.” Artforum (New York) 45, no. 4 (Dec. 2006), p. 268–69, 296–97.
  • Bedford, Christopher. “Robert Rauschenberg: Combines.” CAA.reviews (College Art Association, New York), Jan. 18, 2007. Accessed Oct. 17, 2014. http://www.caareviews.org/reviews/941.
  • Collings, Matthew. “Hopelessness vs. Optimism.” Modern Painters (London) (Feb. 2007), pp. 28–29.
  • Lind, Ingela. “‘Jag ser skönhet överallt.’” Dagens Nyheter (Stockholm), Feb. 11, 2007, Kultur, pp. 1, 6–7.
  • Poellinger, Clemens. “Modern Mästare.” K: SvD Kultur (Svenska Dagbladet, Stockholm), Feb. 11–18, 2007, cover and pp. 10–14.
  • Potts, Alex. “Robert Rauschenberg and David Smith: Compelling Contiguities.” Art Bulletin (New York) 89, no. 1 (March 2007), pp. 148–59.
 
2006
 
Jim Kempner Fine Art, New York, Robert Rauschenberg: Five Decades of Prints, March 4–April 15.
 
Craig F. Starr Associates, New York, Robert Rauschenberg: Silkscreen Paintings, 1962–63, March 24–May 13.
 
Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Art from Life: Prints by Robert Rauschenberg from the Marmor Foundation and the Fearer Family Collection, April 28–Sept. 24. Exh. brochure with text by Hilarie Faberman and Josephine Rodgers.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Spread and Scale, May 12–July 15.
 
Galleri Faurschou, Copenhagen, Robert Rauschenberg: Scenarios, Oct. 26–Dec. 16.
 
PaceWildenstein, New York, Robert Rauschenberg: Scenarios and the Ancient Incident, Oct. 27–Nov. 25. Exh. cat.
  • Moore, Cindy Stockton. “Crowding In for Rauschenberg.” New York Sun, Oct. 30, 2006.
 
Waddington Galleries, London, Robert Rauschenberg: Scenarios 2005–2006, Nov. 1–25.
 
Museo Thyssen-Bornemisza, Madrid, Rauschenberg: Express, Nov. 7, 2006–Jan. 17, 2007. Exh. cat. with essay by Barbara Rose.
  • Roberts, Samantha Díaz. “La perpetuación del caos.” El Nuevo Día (San Juan), Nov. 14, 2006.
  • Joseph, Branden W. “Robert Rauschenberg: Una duplicación que contiene duplicaciones.” Arte y Parte (Santander, Spain), no. 66 (Dec. 2006–Jan. 2007), pp. 14–37.
 
Leslie Sacks Contemporary, Santa Monica, Calif., Robert Rauschenberg: 28 Shirtboards, Dec. 2, 2006–Jan. 20, 2007.
 
Gallery Hyundai, Seoul, Robert Rauschenberg, Dec. 13, 2006–Jan. 7, 2007. Exh. cat. (in English and Korean) with essay by Gerhard Charles Rump.
 
2007
 
Bob Rauschenberg Gallery, Edison Community College, Fort Myers, Fla., Rauschenberg: Scenarios, Jan. 12–Feb. 24.
  • Wozniak, Mary. “Rauschenberg: Master of His Domain.” Fort Myers News-Press (Fla.), Jan. 12, 2007, sec. A, p. 1.
  • Bouchard, Marie Ginette. “Rauschenberg persiste et signe.” Vie des Arts (Montreal) 51, no. 206 (Spring 2007), p. 33.
 
Gadsden Arts Center, Quincy, Fla., Robert Rauschenberg: America Mix, Jan. 12–March 3.
 
Flanders Contemporary Art, Minneapolis, Rauschenberg, Feb.
 
Jonathan O’Hara Gallery, New York, Robert Rauschenberg: Transfer Drawings from the 1960s, Feb. 8–March 17. Exh. cat. with essay by Lewis Kachur.
 
Texas Gallery, Houston, Robert Rauschenberg: Scenarios, Feb. 13–March 17.
 
The Menil Collection, Houston, Robert Rauschenberg: Cardboards and Related Pieces, Feb. 23–May 13. Exh. brochure. Exh. cat. with introduction by Josef Helfenstein and essay by Yve-Alain Bois.
 
Galerie Michael Schultz, Berlin, Robert Rauschenberg: Selected Works 1974–1999, April 28–June 10. Exh. cat. (in English and German) with essay by Jürgen Schilling.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Scenarios and Runts, May 16–July 14.
 
Black Mountain College Museum and Arts Center, Asheville, N.C., Signs of Life: Robert Rauschenberg Posters, May 25–Sept. 8.
 
National Gallery of Australia, Canberra, Robert Rauschenberg: 1967–1978, Sept. 1, 2007–Jan. 27, 2008. Exh. brochure with essay by Jaklyn Babington. Exh. website. Accessed Sept. 15, 2014. http://nga.gov.au/Rauschenberg/.
  • Grishin, Sasha. “Bearing Witness to History.” Sunday Canberra Times (Australia), Sept. 16, 2007.
 
Craig F. Starr Associates, New York, Accident: Rauschenberg’s Printmaking Breakthrough, 1962–65, Sept. 7–Oct. 13. Exh. brochure with text by Kristy Overman.
 
Michael C. Carlos Museum, Emory University, Atlanta, Robert Rauschenberg’s Currents: Features and Surface Series, Sept. 15, 2007–Feb. 17, 2008.
  • Wolf, Debra. “Rauschenberg: Experimental Artist from a Complex Era.” Atlanta Journal-Constitution, Oct. 7, 2007, p. 12.
 
Museu de Arte Contemporânea de Serralves, Porto, Portugal, Robert Rauschenberg: Travelling ’70–’76, Oct. 26, 2007–March 30, 2008. Traveled to Haus der Kunst, Munich, May 9–Sept. 14, 2008; Museo d’Arte Contemporanea Donnaregina, Naples, Oct. 23, 2008–Jan. 19, 2009. Exh. cat. (Porto, in English and Portugese) with essays by Mirta d’Argenzio and João Fernandes. Exh. cat. (Naples) with essays by d’Argenzio and Branden W. Joseph and interviews with Brice Marden and Mayo Thompson by d’Argenzio.
  • Joseph, Branden W. “Robert Rauschenberg.” Artforum (New York) 46, no. 1 (Sept. 2007), p. 204.
  • “Rauschenberg em viagem.” Elle (Portugal), no. 230 (Nov. 2007), pp. 102–04.
  • Maravall, Susana. “Robert Rauschenberg.” Arte y Parte (Santander, Spain), no. 72 (Dec. 2007–Jan. 2008), p. 119.
  • Campos, Cristina. “Robert Rauschenberg.” Arte y Parte (Santander, Spain), no. 73 (Feb.–March 2008), p. 139.
  • Sauderländer, Willibald. “Industrial Society’s Refuse.” Süddeutsche Zeitung (Munich), May 13, 2008.
  • “Ein Maler auf Abwegen.” Süddeutsche Zeitung (Munich), May 14, 2008, p. 4.
  • Drexler, Jolanda. “Robert Rauschenberg. ‘Travelling ’70–’76’: Haus der Kunst, München.” Kunstforum (Ruppichteroth, Germany), no. 192 (July–Aug. 2008), pp. 340–44.
 
National Gallery of Art, Washington, D.C., Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, Oct. 28, 2007–March 30, 2008. Exh. brochure. Exh. website. Accessed July 14, 2014. http://www.nga.gov/exhibitions/2007/rauschenberg/index.shtm.
 
Faurschou Beijing, 798 Art District, Robert Rauschenberg: Three Decades, Nov. 24, 2007–Jan. 26, 2008. Organized in collaboration with PaceWildenstein, New York. Exh. cat. (in Chinese and English).
 
Gemini G. E. L. at Joni Moisant Weyl, New York, Rauschenberg Abroad: Marrakech, Samarkand and Tibet, Dec. 13, 2007–Jan. 26, 2008.
 
2008
 
Galería La Caja Negra, Madrid, Robert Rauschenberg: Gráfica 1976–2000, Jan. 3–Feb. 2.
  • Maravall, Susana. “Robert Rauschenberg.” Arte y Parte (Santander, Spain), no. 72 (Dec. 2007–Jan. 2008), p. 119.
 
PaceWildenstein, New York, Rauschenberg: Runts, Jan. 11–Feb. 16. Exh. cat. with previously published statements by Rauschenberg.
  • Moore, Cindy Stockton. “Robert Rauschenberg’s Runts Get Big Attention.” New York Sun, Jan. 11, 2008.
  • Whipple, George. “Rauschenberg Exhibit Showcases Innovative Artist.” NY1 News, Jan. 29, 2008. Accessed July 14, 2014. http://www.ny1.com/ny1/NY1ToGo/Story/index.jsp?stid=16&aid=77969.
  • Green, Elliott. “Review.” Artnews (New York) 107, no. 4 (April 2008), p. 138.
  • Ebony, David. “Robert Rauschenberg at PaceWildenstein and Jacobson Howard.” Art in America (New York) 96, no. 6 (June–July 2008), pp. 192–93.
 
Alice C. Sabatini Gallery, Topeka and Shawnee County Public Library, Kan., Dante’s Inferno: Interpretations by Edward Navone and Robert Rauschenberg, Jan. 25–March 21. Exh. brochure.
 
Jacobson Howard Gallery, New York, Last Turn–Your Turn: Robert Rauschenberg and the Environmental Crisis, March 6–April 12. Exh. cat. with essay by Robert S. Mattison.
  • Birnbaum, Molly. “As the Windmill Turns.” Artnews (New York) 107, no. 6 (June 2008), p. 38.
  • Ebony, David. “Robert Rauschenberg at PaceWildenstein and Jacobson Howard.” Art in America (New York) 96, no. 6 (June–July 2008), pp. 192–93.
 
William Griffin Gallery, Santa Monica, Calif., Robert Rauschenberg: Scenarios, April 5–June 7.
 
LA Contemporary, Los Angeles, Samarkand Stitches, April 12–May 11.
 
Galleria Mucciaccia, Rome, Robert Rauschenberg, April 17–June 15. Exh. cat. (in Italian) edited by Gianni Mercurio with essays by Roberta Bernabei, Sam Hunter, Gianluca Marziani, and Mercurio.
 
Galerie Jamileh Weber, Zurich, Robert Rauschenberg: Gluts and Darryl Pottorf: Paintings, April 19–June 28.
 
Grand Rapids Art Museum, Mich., Robert Rauschenberg—Environmental Art, June 17–Sept. 28.
 
Contemporary Art Museum, University of South Florida, Tampa, Rauschenberg: USF, June 20–Aug. 1.
  • Hammer, Esther. “Portrait of a Trendsetter.” Tampa Tribune, June 22, 2008, pp. 7–8.
 
Meyerovich Gallery, San Francisco, Robert Rauschenberg: New Acquisitions, June 24–Aug. 1.
 
Long Beach Museum of Art, Calif., Robert Rauschenberg in the Collection of the Long Beach Museum of Art, June 27–Oct. 19.
 
Greenfield Sacks Gallery, Santa Monica, Calif., Robert Rauschenberg: The Lotus Series, June 28–Aug. 16.
 
Blue Sky Gallery, Portland, Oreg., Robert Rauschenberg: The Lotus Series, July 3–Aug. 3.
  • Row, D. K. “Robert Rauschenberg’s Last Mind-Opening Vision.” Oregonian (Portland, Oreg.), July 7, 2008, sec. D, pp. 1, 3.
  • Hackett, Regina. “Rauschenberg’s Son on His Dad’s Legacy.” Seattle Post-Intelligencer, July 10, 2008, sec. C, pp. 1–2.
 
Kunsthalle Rostock, Germany, Close Encounter—Robert Rauschenberg—SEO, July 26–Sept. 7. Exh. cat. (in English, German, and Korean) with texts by Gesine Borcherdt, Alexander Ludwig, Dr. Ulrich Ptak, Bernhard Schieder, and SEO.
 
Wetterling Gallery, Stockholm, Robert Rauschenberg: The Lotus Series, Aug. 22–Sept. 13.
 
Thordén Wetterling Gallery, Göteborg, Robert Rauschenberg: The Lotus Series, Aug. 28–Sept. 27.
 
The Hess Collection, Napa, Calif., An exhibition of Rauschenberg’s works commemorating the artist, opened Aug. 30.
 
DaFeng, Beijing, in collaboration with Universal Limited Art Editions (ULAE), Robert Rauschenberg: The Lotus Series, Sept. 6–Oct. 26. Exh. cat. with text by Li Xianting.
 
Minneapolis Institute of Arts, Robert Rauschenberg: Prints/Editions 1962–78, Oct. 4, 2008–March 15, 2009.
  • Jon, Dennis Michael. “Robert Rauschenberg: Prints/Editions 1962–78.” Minneapolis Institute of Arts Magazine (Nov.–Dec. 2008), pp. 14–15.
 
Larissa Goldston Gallery, New York, Robert Rauschenberg: The Lotus Series, Oct. 10–Nov. 8.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, A Tribute to Robert Rauschenberg, Part One: Prints, Oct. 23–Dec. 6, and A Tribute to Robert Rauschenberg, Part Two: Objects, Dec. 13, 2008–Feb. 7, 2009.
 
Center for Visual Communication, Miami, Robert Rauschenberg in Series: A 30 Year Retrospective, Nov. 29, 2008–Jan. 31, 2009.
 
Haggerty Museum of Art, Marquette University, Milwaukee, Whatever Is There Is a Truth: Robert Rauschenberg’s Prints, Dec. 12, 2008–Oct. 4, 2009.
 
2009
 
Galleria In Arco, Turin, Robert Rauschenberg: Gli anni centrali (’70 e ’80), Jan. 15–March 14.
 
Robischon Gallery, Denver, Robert Rauschenberg: The Lotus Series, Feb. 4–March 14.
 
Visconti Fine Art, Ljubljana, Robert Rauschenberg: The Lotus Series, Feb. 19–April 15.
 
Karl and Helen Burger Gallery, Kean University, Union, N.J., Past Pop: Robert Rauschenberg and James Rosenquist Graphics, March 31–May 7. Exh. cat. with essay by Lewis Kachur. Exh. website. Accessed July 8, 2014. http://www.kean.edu/~gallery/Exhibitions/PastPop.html.
 
Hiram Butler Gallery, Houston, Robert Rauschenberg: The Lotus Series, April 4–May 9.  
 
Craig F. Starr Gallery, New York, To Ileana, From Bob: Rauschenberg Drawings from the Sonnabend Collection, April 10–May 29. Exh. cat. with essay by Annie Cohen-Solal.
 
Galerie Bastian, Berlin, Robert Rauschenberg Hommage, April 23–July 31. Exh. brochure (in German).
 
Galerie Jamileh Weber, Zurich, A Tribute to Robert Rauschenberg and Darryl Pottorf: Uncaged, May 16–July 11.
 
Peggy Guggenheim Collection, Venice, Robert Rauschenberg: Gluts, May 30–Sept. 20. Traveled to Museum Tinguely, Basel, Oct. 14, 2009–Jan. 17, 2010; Guggenheim Museum, Bilbao, Feb. 12–Sept. 12, 2010; Villa e Collezione Panza, Varese, Oct. 14, 2010–Feb. 27, 2011. Exh. cat. (English, German, Italian, and Spanish editions) by Susan Davidson and David White with essays by Davidson and Mimi Thompson and previously published essay by Trisha Brown.
  • Spence, Rachel. “Glut Instinct.” Financial Times (London), June 6–7, 2009, p. 10.
  • Esteban, Iñaki. “Rauschenberg eleva la basura.” El Correo (Bilbao), Feb. 10, 2010, pp. 1, 44–45.
  • Larrauri, Eva. “Arte con los desechos.” El País (Madrid), Feb. 13, 2010, País Vasco, p. 8.
  • Rucabado, Beatriz. “Los ‘excesos’ de Rauschenberg, en el Guggenheim.” El Mundo (Madrid), Feb. 13, 2010, País Vasco, p. 63.
 
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Au Courant: Robert Rauschenberg’s Currents, June 20–Oct. 4.
 
William Shearburn Gallery, St. Louis, Mo., Robert Rauschenberg, July 3–Aug. 1.
 
Palais des Nations, United Nations Office, Geneva, Let the World In: A Commemorative Exhibition of the Works of Robert Rauschenberg, July 7–Aug. 20.
 
Madison Museum of Contemporary Art, Robert Rauschenberg: Stoned Moon Series, Sept. 12, 2009–Jan. 3, 2010, and Signs of the Times: Robert Rauschenberg’s America, Sept. 13, 2009–Jan. 3, 2010.
 
Ace Gallery, Los Angeles, Robert Rauschenberg: Jammers, Oct. 3–31.
 
Museum Tinguely, Basel, Robert Rauschenberg—Jean Tinguely: Collaborations, Oct. 14, 2009–Jan. 17, 2010. Exh. cat. (in English and German) with introduction by Roland Wetzel and essays by Jean-Paul Ameline, Mari Dumett, Annja Müller-Alsbach, and Heinz Stahlhut.
 
Hara Museum of Contemporary Art, Tokyo, STOPGAP—Homage to Rauschenberg: Selections from the Hara Museum Collection, Oct. 24–Dec. 6.
 
Leo Castelli Art Gallery, Brenau University, Gainesville, Ga., Robert Rauschenberg: In Remembrance, closed Nov. 1.
 
Instituto Tomie Ohtake, São Paulo, Robert Rauschenberg, Dec. 15, 2009–Feb. 21, 2010. Exh. cat. (in English and Portugese) with essay by Mimi Thompson.
  • Gioia, Mario. “O Papa dos Pop.” Bravo! (São Paulo) 148 (Dec. 2009), pp. 44–47.
  • Molina, Camila. “Jogos da imagem por Rauschenberg.” O Estadao de S. Paulo (São Paulo), Dec. 15, 2009, sec. D, p. 7.
  • Lopez, Jonas. “Irreverencia Pop.” Veja Sao Paulo, Dec. 16, 2009, p. 203.
 
2010
 
Armory Center for the Arts, Pasadena, Rauschenberg at Gemini, Jan. 17–March 21. Traveled to the Philbrook Museum of Art, Tulsa, Okla., June 12–Sept. 11, 2011; Grand Rapids Art Museum, Mich., Feb. 3–May 20, 2012; Palm Springs Art Museum, March 3–July 28, 2013. Exh. cat. with introduction by Jay Belloli.
 
Cincinnati Art Museum, Ohio, Robert Rauschenberg: Star Quarters, April 9–Aug. 30.
 
Galerie Franke, Stuttgart, Robert Rauschenberg: 45 Originalplakate, April 17–June 12.
 
Galleri Faurschou, Copenhagen, Robert Rauschenberg: Runts, April 22–June 26.
 
Gagosian Gallery, West Twenty-first Street, New York, Robert Rauschenberg, Oct. 29, 2010–Jan. 15, 2011. Exh. cat. with texts by James Lawrence and John Richardson.
 
Miami Art Museum, Focus Gallery: Robert Rauschenberg, Nov. 19, 2010–April 10, 2011.
 
2011
 
Patty and Jay Baker Naples Museum of Art, Fla., Works by Robert Rauschenberg from the Dr. John B. and Frances C. Fenning Collection, Jan. 12–March 20.
 
White Box, New York, Robert Rauschenberg and Ushio Shinohara: Reconstructing an Encounter, Feb. 11. Exh. brochure with essay by Hiroko Ikegami.
 
Knoedler Project Space, New York, Rauschenberg x 4, March 19–April 30.
 
Fondazione Arnaldo Pomodoro, Milan, L’Inferno di Dante: Dalí e Rauschenberg, April 7–July 17. Exh. cat. with text by Aldo Nove and Lorenzo Respi and contribution by Andrea Lancellotti.
 
Joel Oppenheimer, Wrigley Building, Chicago, Robert Rauschenberg: Stoned Moon Series, May 5–8.
 
Aberson Exhibits, Tulsa, Okla., Rauschenberg, May 19–June 18.
 
Inverleith House, Royal Botanic Garden, Edinburgh, Robert Rauschenberg: Botanical Vaudeville, July 27–Oct. 2. Organized in collaboration with Robert Rauschenberg Foundation and Gagosian Gallery, New York. Exh. cat. with essay by Sarah Lowndes.
  • Hudson, Mark. “A Decade ahead of Warhol.” Telegraph (London), July 30, 2011, sec. R, p. 10.
 
Seventeen Gallery, London, Open Score by Robert Rauschenberg, Sept. 8–Oct. 8.
 
Hiram Butler Gallery, Houston, Robert Rauschenberg: Selected Prints 1962–2008, Sept. 10–Oct. 8.
 
Museum of Fine Arts, Houston, Selected Prints by Robert Rauschenberg from the MFAH Collection, Sept. 21–Dec. 11.
 
Jim Kempner Fine Art, New York, Robert Rauschenberg: Rock, Paper, Scissors (Fabric, Cardboard, Plexi, etc.), Sept. 24–Nov. 6.
 
Gagosian Gallery, Paris, Robert Rauschenberg, Sept. 28–Nov. 12. Exh. cat. with essay by Jeff Rian.
 
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Robert Rauschenberg: Prints from Universal Limited Art Editions, 1962–2008, Oct. 1–Dec. 30. Exh. cat. with introduction by Mark A. White and essay by Mimi Thompson.
 
Stellan Holm Gallery, New York, Robert Rauschenberg: Transfer Drawings 1958–1969, Nov. 1–Dec. 17.
 
Walker Art Center, Minneapolis, Dance Works I: Merce Cunningham/Robert Rauschenberg, Nov. 3, 2011–Sept. 9, 2012.
  • Rosenfeld, Jeannie. “A Collection in Flux.” Art in America (New York) 99, no. 10 (Nov. 2011), pp. 65–67.
  • Sheets, Hilarie M. “Backdrops, Blobs, Pods, and Props.” Artnews (New York) 110, no. 10 (Nov. 2011), pp. 104–08.
  • Palmer, Caroline. “Farewell Tour Celebrates Enduring Vision.” Star Tribune (Minneapolis), Nov. 5, 2011.
 
2012
 
Leslie Sacks Contemporary, Santa Monica, Calif., Robert Rauschenberg: Five Decades of Printmaking, Jan. 7–Feb. 25. Organized in collaboration with Gemini G.E.L., Los Angeles, and Universal Limited Art Editions, West Islip, N.Y.
 
Grand Rapids Art Museum, Mich., Rauschenberg in Context and Rauschenberg at Gemini, Feb. 3–May 20.
 
Grand Rapids Art Museum, Mich., Rauschenberg: Synapsis Shuffle, March 3–June 3. Organized by Whitney Museum of American Art, New York.
 
Brooke Alexander, New York, Robert Rauschenberg: Untitled, May 2–June 28.
 
Craig F. Starr Gallery, New York, Robert Rauschenberg: North African Collages and Scatole Personali c. 1952, June 4–Aug. 10. Exh. cat. with text by John Yau.
 
Gagosian Gallery, Davies Street, London, Robert Rauschenberg: Early Photographs, Sept. 6–29.
 
Freedman Gallery, Albright College, Reading, Pa., Robert Rauschenberg’s Opal Gospel, Sept. 13–Oct. 7.
 
Hamburger Bahnhof, Museum für Gegenwart, Berlin, Robert Rauschenberg and 9 Evenings: Theatre & Engineering, Oct. 13, 2012–June 30, 2013.
 
2013
 
Elizabeth Leach Gallery, Portland, Oreg., Robert Rauschenberg: Multiples, Jan. 3–March 2.
 
Gagosian Gallery, Britannia Street, London, Jammers, Feb. 16–March 28. Exh. cat. with essays by David Anfam and Alexander Keefe.
 
Cole Art Center, College of Fine Arts, Stephen F. Austin State University, Nacogdoches, Tex., Robert Rauschenberg: Four Decades of Work on Paper, April 23–Aug. 31. Traveled to Beatrice M. Haggerty Gallery, University of Dallas, Irving, Tex., Oct. 4–Nov. 3; Wichita Falls Museum of Art, Midwestern State University, Tex., March 28–May 31, 2014.
 
Galería Cayón, Madrid, Doble mirada a España: las fotografías españolas de Josef Albers y Robert Rauschenberg, June 4–July 20. Organized in collaboration with Josef and Anni Albers Foundation and Robert Rauschenberg Foundation.  Exh. cat. with essay by Mimi Thompson.
  • Sesé, Teresa. “La Barcelona de Josef Albers.” La Vanguardia (Madrid), June 4, 2013, pp. 34–35.
  • Fernández-Santos, Elsa. “Las vacaciones de Albers y Rauschenberg.” El País (Madrid), June 27, 2013, p. 48.
 
Pace/MacGill Gallery, New York, Robert Rauschenberg and Photography, Sept. 5–Nov. 2.
 
Hiram Butler Gallery, Houston, Robert Rauschenberg: Traces suspectes en surface, Dec. 21, 2013–Feb. 22, 2014.
 
2014
 
Long Beach Museum of Art, Calif., Rauschenberg: Cardbirds and Currents, Feb. 6–March 23.
 
Locks Gallery, Philadelphia, Robert Rauschenberg, Feb. 7–March 27. Exh. cat. with texts by Kelsey Halliday Johnson.
 
Livingstone Gallery, The Hague, Rauschenberg: Fifty Years after Venice, March 2–April 26.
 
Craig F. Starr Gallery, New York, Robert Rauschenberg: The Fulton Street Studio, 1953–54, April 4–May 23. Exh. brochure with essay by Thomas Crow.
 
Gemini G.E.L. at Joni Moisant Weyl, New York, Robert Rauschenberg: Hoarfrost Editions 1974, a Survey, April 17–May 23.
 
North Dakota Museum of Art, Grand Forks, Robert Rauschenberg: Four Decades of Work on Paper, Aug. 3–​Oct. 12.
 
Leo Castelli, New York, Robert Rauschenberg: A Visual Lexicon, Oct. 9–Dec. 20. Exh. cat. with essay by Mimi Thompson.
 
Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, Fla., Rauschenberg: China/America Mix, Oct. 22, 2014–Jan. 24, 2015.
 
Gagosian Gallery, Beverly Hills, Robert Rauschenberg: Works on Metal, Nov. 1–Dec. 13. Exh. cat. with essay by Joachim Pissarro.
 
Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images from Everywhere, Prints and Photographs, Nov. 15, 2014–Jan. 11, 2015.
 
Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Loose in Some Real Tropics: Robert Rauschenberg’s “Stoned Moon” Projects, 1969–70, Dec. 20, 2014–March 16, 2015. Exh. website. Accessed May 13, 2015. http://shuffle.rauschenbergfoundation.org/exhibitions/cantor/.
 
2015
 
Museo Thyssen-Bornemisza, Madrid, Gilt (1983) by Robert Rauschenberg, Feb. 10–May 31.
 
University of Wisconsin-Milwaukee Art History Gallery, Global Matters: Rauschenberg Print Media 1968–1975, April 22–May 9.
 
Orange County Museum of Art, Newport Beach, Calif., Selections: Robert Rauschenberg, June 28–Oct. 11.
 
Cleveland Museum of Art, Gloria: Robert Rauschenberg and Rachel Harrison, July 1–Oct. 25. Exh. cat. (Rachel Harrison: G.L.O.R.I.A.) with essays by Johanna Burton and Beau Rutland and conversation by Amy Adler and Harrison.
 
Seattle Art Museum, Robert Rauschenberg: Art and Life in Real Time, Aug. 29, 2015–July 17, 2016.
 
Jim Kempner Fine Art, New York, Making Tracks: The Complete Tracks and Made in Tampa Clay Pieces, Sept. 24–Nov. 8. Exh. cat.
 
Pace Gallery, New York, Robert Rauschenberg: Anagrams, Arcadian Retreats, Anagrams (A Pun), Oct. 23, 2015–Jan. 16, 2016. Exh. cat.
 
Academy Art Museum, Easton, Md., Rauschenberg: Kyoto, Sri Lanka, and Thai Drawings, Oct. 24, 2015–March 6, 2016.
 
Academy Art Museum, Easton, Md., Robert Rauschenberg: ROCI Works from the National Gallery of Art, Dec. 5, 2015–March 6, 2016. Exh. brochure.  
 
2016
 
Pace Gallery, Hong Kong, Robert Rauschenberg, March 21–May 12. Exh. brochure.
 
Glass House, New Canaan, Conn., Robert Rauschenberg: Spreads and Related Works, May 1–Aug. 15.
 
Atlas Sztuki, Lodz, Poland, Robert Rauschenberg Travels, June 10–Sept. 11. Organized for Fotofestiwal 2016. Exh. brochure.
 
Ullens Center for Contemporary Art, Beijing, Rauschenberg in China, June 12–Aug. 21. Exh. cat.
 
Pérez Art Museum Miami, Project Gallery: Robert Rauschenberg, June 17–Oct. 9.
 
Galerie Thaddaeus Ropac, Marais, Paris, Robert Rauschenberg: Salvage, Oct. 14, 2016–Jan. 14, 2017. Exh. cat.